| Bruce Greenwood | ... | Thomas Veil (25 episodes, 1995-1996) |
Series Directed by | |||
| Steve Stafford | (4 episodes, 1996) | ||
| Ian Toynton | (3 episodes, 1995-1996) | ||
| James Whitmore Jr. | (3 episodes, 1995-1996) | ||
| Michael Levine | (2 episodes, 1995-1996) | ||
| Tobe Hooper | (2 episodes, 1995) | ||
| Guy Magar | (2 episodes, 1995) | ||
| Thomas J. Wright | (2 episodes, 1995) | ||
| Reza Badiyi | (2 episodes, 1996) | ||
Series Writing credits | ||
| Lawrence Hertzog | (25 episodes, 1995-1996) | |
| Art Monterastelli | (5 episodes, 1995-1996) | |
| Joel Surnow | (5 episodes, 1995-1996) | |
| David Ehrman | (3 episodes, 1996) | |
Series Produced by | |||
| Peter Dunne | .... | producer (25 episodes, 1995-1996) | |
| Lawrence Hertzog | .... | executive producer (25 episodes, 1995-1996) | |
| Marianne Canepa | .... | associate producer (24 episodes, 1995-1996) | |
| Jan DeWitt | .... | coordinating producer (24 episodes, 1995-1996) | |
| Joel Surnow | .... | co-executive producer / supervising producer (24 episodes, 1995-1996) | |
| Art Monterastelli | .... | supervising producer (13 episodes, 1996) | |
| Stan Rogow | .... | executive producer (7 episodes, 1996) | |
Series Original Music by | |||
| Mark Snow | (25 episodes, 1995-1996) | ||
Series Cinematography by | |||
| James Chressanthis | (20 episodes, 1995-1996) | ||
| Ric Waite | (4 episodes, 1995) | ||
Series Film Editing by | |||
| Peter Basinski | (9 episodes, 1995-1996) | ||
| Andrew Cohen | (5 episodes, 1995-1996) | ||
| Josh Muscatine | (5 episodes, 1995-1996) | ||
| Gene Ranney | (4 episodes, 1995) | ||
| Jimmy Giritlian | (3 episodes, 1996) | ||
Series Casting by | |||
| Beth Hymson | (24 episodes, 1995-1996) | ||
Series Production Design by | |||
| James Shanahan | (12 episodes, 1996) | ||
| William McAllister | (2 episodes, 1995) | ||
Series Art Direction by | |||
| James Shanahan | (8 episodes, 1995-1996) | ||
| William McAllister | (2 episodes, 1995) | ||
Series Set Decoration by | |||
| Sean Kennedy | (20 episodes, 1995-1996) | ||
| Sal Blydenburgh | (4 episodes, 1995) | ||
Series Costume Design by | |||
| Tom Bronson | (25 episodes, 1995-1996) | ||
Series Makeup Department | |||
| Stephanie Fajardo | .... | assistant makeup artist (25 episodes, 1995-1996) | |
| Martin 'Vinnie' Hagood | .... | makeup/hair supervisor (24 episodes, 1995-1996) | |
| JoJo Myers Proud | .... | makeup artist (24 episodes, 1995-1996) | |
| Sami | .... | hair stylist (24 episodes, 1995-1996) | |
Series Production Management | |||
| Jan DeWitt | .... | unit production manager (24 episodes, 1995-1996) | |
Series Second Unit Director or Assistant Director | |||
| Nancy Henkle Green | .... | second assistant director (13 episodes, 1995-1996) | |
| Rodney Allen Hooks | .... | first assistant director (9 episodes, 1995-1996) | |
| Suzanne Geiger | .... | second assistant director (9 episodes, 1996) | |
| Tyrone L. Mason | .... | first assistant director (5 episodes, 1996) | |
| Craig West | .... | first assistant director (4 episodes, 1995-1996) | |
| Richard Denault | .... | first assistant director (3 episodes, 1995) | |
| Richard W. Abramitis | .... | first assistant director (3 episodes, 1996) | |
| Jack Breschard | .... | second assistant director (2 episodes, 1996) | |
| Joe Lotito | .... | second second assistant director (unknown episodes) | |
Series Art Department | |||
| Ken Erck | .... | sign painter: lead scenic (25 episodes, 1995-1996) | |
| Brad Turner | .... | props (25 episodes, 1995-1996) | |
| Greg McMickle | .... | property master (18 episodes, 1995-1996) | |
| John Pearson-Denning | .... | property master (5 episodes, 1996) | |
| Charles A. Carlsen | .... | key greens (unknown episodes) | |
| Sean Fong | .... | set dresser (unknown episodes) | |
| Benjamin Hayden | .... | lead man (unknown episodes) | |
Series Sound Department | |||
| Glenn Micallef | .... | production sound mixer (12 episodes, 1995-1996) | |
| Robert Marts | .... | production sound mixer (6 episodes, 1995-1996) | |
| Douglas Tourtelot | .... | production sound mixer (6 episodes, 1996) | |
| Mark Griswold | .... | utility sound (3 episodes, 1995) | |
| Jason England | .... | sound editor (unknown episodes) | |
| Brett Grant-Grierson | .... | boom operator (unknown episodes) | |
| Doug Madick | .... | foley artist (unknown episodes) | |
| Dean St. John | .... | adr mixer / foley mixer (unknown episodes) | |
| Clancy T. Troutman | .... | supervising sound editor (unknown episodes) | |
Series Visual Effects by | |||
| Lee Stranahan | .... | visual effects artist (unknown episodes) | |
Series Stunts | |||
| Vince Deadrick Jr. | .... | stunt coordinator (12 episodes, 1996) | |
| Edward Conna | .... | stunts (2 episodes, 1995-1996) | |
| Ron Sarchian | .... | stunt performer (2 episodes, 1996) | |
| Jonathan Erickson Eisley | .... | stunt driver (unknown episodes) | |
| James Fischer | .... | stunts (unknown episodes) | |
| Bret Kiene | .... | stunts (unknown episodes) | |
| Hugh Aodh O'Brien | .... | stunts (unknown episodes) | |
| Michael J. Sarna | .... | stunts (unknown episodes) | |
| Lee Waddell | .... | stunts (unknown episodes) | |
Series Camera and Electrical Department | |||
| Michael K. Davis | .... | lighting technician (25 episodes, 1995-1996) | |
| David R. Kohn | .... | rigging gaffer (25 episodes, 1995-1996) | |
| Brent Lawson | .... | best boy grip (25 episodes, 1995-1996) | |
| Bruce Lawson | .... | key grip (25 episodes, 1995-1996) | |
| David J. Frederick | .... | camera operator (23 episodes, 1995-1996) | |
| Leonard Romie | .... | electrician (11 episodes, 1996) | |
| Robert W. Morgenroth | .... | video supervisor (3 episodes, 1995) | |
| Chris Bangma | .... | Steadicam assistant (unknown episodes) | |
| Jerome Fauci | .... | Steadicam operator (unknown episodes) | |
| Eric H. Lasher | .... | still photographer (unknown episodes) | |
| Scott Leyse | .... | assistant camera (unknown episodes) | |
| Larry Nielsen | .... | first assistant camera (unknown episodes) | |
| Doug Schwartz | .... | first assistant camera: "b" camera (unknown episodes) | |
| Joel Stirnkorb | .... | grip (unknown episodes) | |
| Robert SummerStone | .... | electrician (unknown episodes) | |
Series Casting Department | |||
| Nannette Troutman | .... | casting: Portland (24 episodes, 1995-1996) | |
| Danny Stoltz | .... | extras casting (15 episodes, 1995-1996) | |
Series Costume and Wardrobe Department | |||
| Ronald Leamon | .... | costume supervisor (24 episodes, 1995-1996) | |
| Henry Earl Lewis | .... | key costumer (21 episodes, 1995-1996) | |
| Marychris Mass | .... | key costumer (2 episodes, 1996) | |
| Romeo Pompa | .... | costumer (unknown episodes) | |
Series Editorial Department | |||
| Barbara Gerard | .... | assistant editor (10 episodes, 1995-1996) | |
Series Music Department | |||
| Marty Wereski | .... | music editor (24 episodes, 1995-1996) | |
Series Transportation Department | |||
| David Norris | .... | transportation captain (25 episodes, 1995-1996) | |
| Nick Edgerton | .... | driver (unknown episodes) | |
| Monica Garris-Powell | .... | driver: cast (unknown episodes) | |
Series Other crew | |||
| Coletta Herbold | .... | stand-in (25 episodes, 1995-1996) | |
| Stacey Kosier Box | .... | production coordinator: Los Angeles / assistant: Mr. Hertzog (25 episodes, 1995-1996) | |
| Patience Thoreson | .... | script supervisor (25 episodes, 1995-1996) | |
| Gwyn Lustenberger | .... | production coordinator: Portland (17 episodes, 1995-1996) | |
| Ronald Arthur Baker | .... | caterer (14 episodes, 1995-1996) | |
| Kirk Steppe | .... | location manager (10 episodes, 1995-1996) | |
| Laura Tateishi | .... | production coordinator: Portland (7 episodes, 1996) | |
| Joanna Guzzetta | .... | location manager (6 episodes, 1995-1996) | |
| Stan Rogow | .... | executive consultant (6 episodes, 1996) | |
| Marjie Lundell | .... | location manager (4 episodes, 1996) | |
| Eric Hedayat | .... | location manager (2 episodes, 1995) | |
| Jordana Kronen | .... | location manager (2 episodes, 1995) | |
| Michael Fine | .... | set medic (unknown episodes) | |
| James Fischer | .... | stand-in (unknown episodes) | |
| A.W. Gryphon | .... | production assistant (unknown episodes) | |
| Marvin Williams | .... | production assistant (unknown episodes) | |
| Naomi Yospe | .... | assistant production coordinator (unknown episodes) | |
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| Rear Window | The Negotiator | Friday Foster | The Edge | Sorry, Wrong Number |
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| External reviews | News articles | IMDb TV section |
| IMDb Action section | IMDb USA section |
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I started watching Nowhere Man, like many people here, because it came on after Star Trek: Voyager, and my interest in the former soon began to eclipse my interest in the latter. I didn't catch every episode (given its obvious quality I assumed I would have ample opportunity to watch it in reruns) but the ones I did see had a huge impact on me and I was lucky enough to see the final episode.
Nowhere Man is the kind of show you need to discuss with other viewers, but I can count on one hand the number of people I've met who remember it and inexplicably none of them cared for it. I was totally nuts for the show when it was on the air but I was much younger at the time. Truthfully, over the years I had worried that it would not live up to my memories.
Finally, Nowhere Man's single season has been released in a great 9-disc DVD set, and after 10 years I've truly enjoyed the chance to rediscover each of the 25 episodes. It's just as good as I remembered (and even better in some cases), with only a few episodes that don't quite measure up to the rest. Bruce Greenwood's performance is incredible. There is literally nobody else who could have made Thomas Veil more human. He makes even the silent moments a fascinating pleasure and basically carries the entire series. That's not to suggest that there aren't great performances from other actors, but Greenwood is the keystone of the show and he handles the weight effortlessly. You don't see acting of this quality on television very often. The writing is consistently solid and smart (though as I mentioned there are some "off" episodes), and Mark Snow (of The X-Files and Millennium fame) provides a wonderfully varied, appropriately moody soundtrack.
The bottom line: if you're a fan of The Prisoner (which strongly influenced the creator of the series) and/or The X-Files, you owe it to yourself to give Nowhere Man a chance. It's hard to believe that a show this good was canceled and it's harder to believe it graced a channel like UPN. At least we got one great season out of it.