Bruce Greenwood stars as documentary photographer Thomas Veil who, in the course of one evening, seemingly has his whole existence erased, in the compelling one-hour drama Nowhere Man. It ...
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A drama about a fortysomething man who entertains fantasies of a different life. Staging his apparent death, he moves to an island but pines for his former existence, and wonders if he could return to it.
Sara de Roo,
A graduate student named Stan becomes the manager of an apartment complex which is quite uncommon. The tenants are all quite eccentric and uncommon characters, and the place is quite run ... See full summary »
After resigning, a secret agent is abducted and taken to what looks like an idyllic village, but is really a bizarre prison. His warders demand information. He gives them nothing, but only tries to escape.
Bruce Greenwood stars as documentary photographer Thomas Veil who, in the course of one evening, seemingly has his whole existence erased, in the compelling one-hour drama Nowhere Man. It appears as if some mysterious and powerful entity has coerced Veil's family and friends into cooperating in a clandestine plan to annul every trace of him. Veil is all alone with no option but to begin a desperate, dangerous quest to find out how and why this has happened and most importantly, who is behind this torturous scheme. Written by
The series started with this narration: "My name is Thomas Veil, or at least it was. I'm a photographer, I had it all: a wife, Alyson, friends, a career. And in one moment, it was all taken away, all because of a single photograph: I have it, they want it, and they will do anything to get the negative. I'm keeping this diary as proof that these events are real. I know they are...They have to be." See more »
This was one of the most brilliantly written shows of the 1990s. Unlike the vast majority of shows, it did NOT hold the audience in contempt and therefore dumb down the show, but created a captivating and surreal treat for those ready to watch something different. It was similar to the British series The Prisoner (early in season one only--after that, The Prisoner lost it's brilliance and momentum very quickly).
The problem is that in nearly every case like this, this is sure proof that the show will not last! Another excellent case was Brooklyn Bridge. The network also had no faith in this program because once again it was not mind rot--it was exquisitely written and engaging. Years ago, well-written shows for people who think were possible--the original Mission: Impossible is a good example. However, I fear that we are in an age where schlock sells.
PS--This GREAT series is now out on DVD! Get your copy ASAP!
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