Next of Kin (1995–1997) User Reviews

Terrific series and a terrific Penelope Keith

[gee-15 · 9/10 · 27 December 2011]

Maggie and Andrew Prentice are entering their golden years and planning on a life of retirement leisure in the south of France when their estranged son, Graham and his wife perish in an auto accident leaving behind their three children(a girl and two boys) whom Maggie and Andrew barely know and now must care for. The series deals with how the five of them adjust to each other under exceptionally trying circumstances (They don't initially like each other very much). Believe it or not, this is a comedy! And a funny one it is despite the morbid subject matter.

Penelope Keith creates a memorable character in Maggie Prentice, an abrasive, easily irritated and self-involved woman who has the chance to make up for the years of neglect of her own son by caring for his three children. William Gaunt is also very good as the more easygoing of the two grandparents (with a tendency to drink too much) who must also make some extreme sacrifices to do the right thing by his grandchildren.

Wisely, this series has kept the more treacly moments to a minimum and so when they come they are all the more powerful as they indicate, fairly realistically, that grandparents and grandchildren are beginning to care for each other despite the conflicts that rage in the household daily. Some of the best moments: Andrew discovers that his grandson, Phillip, believes he is responsible for his parents' death and helps him cope; Georgia, the teen-aged daughter who is difficult at best, has stopped eating believing that no one likes her and it is up to Maggie to reassure her; and the last moments of the last episode of the series (shame on BBC for canceling it!) when Maggie receives a Mother's Day card from Phillip.

Bottom line: highly recommended

Penelope Keith runs this show!

[Sylviastel · 9/10 · 17 June 2008]

Penelope Keith CBE OBE is better remembered for her roles as Audrey Fforbes-Hamilton in "To the Manor Born" and "The Good Life" as Marjery Ledbetter. In this series which was prematurely shortened, she and William Gaunt plays parents and grandparents who must raise their three orphaned grandchildren after their son and daughter-in-law have died in a car accident. The children are now orphaned and now must be raised by their grandparents who are not normally affectionate towards children even their own son. The news and circumstances that they must endure but the writers do a splendid job in bringing the unlikely pair of grandparents who probably would prefer traveling the world rather than raising their own grandchildren. This show could have been a hit if it was allowed too.

pain, love, fun

[lesraine · 8/10 · 17 February 2009]

Just as they are about to start their retired life, a couple has to take custody of 3 grandchildren, as their son and daughter-in-law have died in a car crash. The pain of the loss of their estranged child overtakes the shock of retirement postponed. A tribute to love (for the sacrifice) and human courage and love (for making it work). It is sometimes too close to home - for anyone who sees all aspects. But that won't stop you from admiring all actors, not just Keith and Gaunt. The supporting roles do not just reflect the incredible amount of talent for UK comedies, but also the reality of life: it goes on, outsiders will help you see the upside.

Penelope Keith Is a Treasure

[drednm · 22 November 2016]

Finally saw this comedy series, which ran for 3 seasons in the 1990s. It stars Penelope Keith and William Gaunt as a self-absorbed couple about to retire and move to France, where the food and wine are so much better. On the very verge of their idyll, they receive news that their estranged son and his wife (called Bootface) have been killed in an auto accident and that they are the only kin of the three children. What to do? In short order, their plans for a Continental life are scrapped and the three kids (and various pets) arrive on their suburban doorstep. Two are young teens, and the third is even younger. Keith and Gaunt are faced with at least a decade of child care, schools, and all that comes with raising children.

Yet what ensues is hilarious. The sea change necessary to cope with kids means that Keith and Gaunt have to do a 180 in their lives ... and quickly! The kids are challenging. The oldest, a girl, is a sulky thing with a strict, self-imposed vegetarian diet. The elder boy only eats Spam. The youngest won't eat anything that's round. Gone are the vintage wine collection, the antique car, and all their child-free friends.

The series never gets that fuzzy, warm feeling. As the brittle Maggie, Penelope Keith is wondrous, bemoaning her fate while she deals with the daily regimen of meals and dishes and noise. Gaunt is also excellent as the slightly (only slightly) more tender grandparent who tries to accommodate the demanding kids. The grandparents are resentful. The grandchildren are resentful. Yet they muddle on.

A highlight is a birthday party for the ever-harping girl. Nothing is ever right, and she belittles every around her (she's very realistic) to the point where Keith can't stand another moment and smacks her in the face with a cream pie (a dessert trifle). I imagine audiences across the land cheered. Later, in the girl's bedroom, Maggie asks, "So, did you like your trifle?"

For anyone who has enjoyed Penelope Keith in GOOD NEIGHBORS or TO THE MANOR BORN, this is a must-see series. What a pity the BBC canceled the show after its third season. There was so much more humor to mine.

Yes, very underrated!

[jlnyvoll · 10/10 · 23 April 2008]

My first impressions on seeing this series was: "Yes, Penelope Keith is still brilliant, but this series isn't really funny." I felt the children were too antagonistic - it felt real, but not funny. But, seeing that La Keith was on great form, I kept watching and grew to love the series. The children grew as actors, and you could, to purloin a phrase, "feel their pain". Pain is not something you normally associate with sitcoms, but here it was. Now I think the series should be considered a groundbreaking show: the way the pain, sorrow and frustration the children felt was dealt with intelligently and moving. And I reiterate what the others have stated: THIS SERIES SHOULD BE RELEASED ON DVD!

Underrated and extremely funny

[tommary1962 · 10/10 · 6 October 2004]

After To the Manor Born, this is Penelope Keith's best series. The balance between comedy, pathos and relationships between the grandparents and the grandchildren is excellent.

In particular, the growth of the relationships as the series progresses is very natural and at times achingly funny.

Some people cannot grasp the humor stemming from a serious subject, but the characters here are real. Most families are NOT like The Waltons!

Give it a shot if comes on PBS again. If only it had run longer and there were more episodes.

Can't You See How Happy We Could Be?

[davidcarmon4 · 10/10 · 26 July 2009]

DOES CONTAIN SOME DETAILS OF EPISODES AND Story lines FEATURED.

Starting in 1995 Next of Kin joined a long list of hit BBC sitcoms.

Like 2 Point 4 Children it was based around a family, 2 grandparents (Penelope Keith and William Gaunt) Maggie and Andrew Prentice who after their estranged Son Graham and his Wife (They call her 'Bootface') are killed in a car crash, are left with their grandchildren, Georgia (Ann Gosling), Philip (Matthew Clarke) and Jake (Jamie Lucraft) not to mention their collection of animals.

To make life more difficult for Maggie and Andrew the children come with their own different needs, not only is Georgia an environmentalist, she is also a vegetarian and comes with her own special dry sense of humour. Philip only eats Spam, nothing else. He also discovers girls, one in particular, Roxanne who owns a very large dog called Die Hard (you can sense the jokes that this brings). He is more reserved than Georgia but can more than speak up for himself. Jake won't eat anything that is round. He loves stick insects, pigeons, hamsters, rabbits, parrots and almost all animals. He is also sick if he stands on his head for too long.

Series 1 sees the initial fallout after the death of the children's parents and Maggie & Andrews realisation that they will not be retiring to France. Their cleaner Liz is also on hand to help out but gets rather distracted by Tom, a builder, hired to add another bedroom to the house.

Series 2 sees Liz and Toms relationship develop further and Liz becomes pregnant. The children's relationship with their grandparents is still being put to the test on a daily basis with party's, puppies, sports days and even a spot of camping, which is not to Maggies liking at all.

Series 3 - The Last, sees Georgia believing that nobody likes her and starves herself for 3 days in an attempt to get attention. Philips interest in Roxanne grows and is put to the test when she invites him over to stay - when her parents are out! Philip flees home and confesses to Andrew about where he has been.

Next door want to move as they want their peace and quiet back, only to sell their house to a family of Hells Angels. Jake tries to shave and starts to use deodorant(too much). Philip goes to Swan Lake, with another girl, much to Roxannes annoyance. Georgia goes on a demonstration and hugs a tree

They all have a canal boat holiday , which turns into one of the best episodes along with the final episode 'The Bully' which sees Philip being blackmailed by a boy from his school.

The last scene, rather fittingly is of Maggie pulling an envelope from Philips coat pocket (thinking it is yet another school letter she is never destined to read) and opening it to find it is in fact a Mothers Day card.

Overall i think this series deserved at least another series to wrap it up. The story could have easily developed even further as the children got older. The ratings weren't dreadful, the show held it's own in its time slot, but the BBC decided to drop it, much to the dismay of Penelope Keith who did a fine job in the role of Maggie. All the actors did an excellent job.

Yes it wasn't always 'Laugh Out Loud' comedy, it was more like 'As Time Goes By' with its gentle humour and slower pace than some of its contemporaries. But it was GOOD!

The premise of the show was repeated, in a slightly altered version (Mans wife leaves and dumps the kids on him AND his Mother In-Law!) in another BBC1 sitcom 'After You've Gone' which coincidentally, also only lasted for 3 series despite getting decent viewing figures. How the mind boggles.

Plain vanilla 'Bic-comedy'.........see it and dump it.

[Pizzaowner · 3/10 · 23 May 2014]

The high score for this thin and canned-laughter filled comedy baffles me. The first season is 'moderately' funny in a slow-moving...gentle comedy sort of fashion but from then on it progressively slides down the slope. Penelope Keith, capable of very talented acting shows her age and lack of enthusiasm and her co-star, although somewhat better, is still just delivering most of the lines. Probably my fault for expecting the quality of her abilities exhibited in The Good Life or To the Manor Born. Like many other comedies produced in the 90's by BBC it is what one might term a 'Bic comedy'...that is to say it is completely disposable. Watch it once and never think of it again. By the time season 3 has started the show is now nothing about the 'next of kin' and the children, but simply a vehicle to rant on about the loss of their previous privileged lifestyle. From improbable to ridiculous the canned laughter can't keep this dog alive and mercifully it is put to sleep after an exhausting 3 seasons. For lovers of Penelope it's worth a watch IF ONLY to demonstrate how even good actors can't save a poorly and thinly written storyline. It's no surprise as well that aside from the 2 leads, the other actors did NOT go on to any great success.

Hilarious yet grimly realistic

[F Gwynplaine MacIntyre · 20 December 2002]

After a brilliant career in exaggerated comedy roles such as Margot Leadbetter and Audrey fforbes-Hamilton, Penelope Keith stretched her acting talents to play a realistic woman in a sitcom with a grimly realistic premise: 'Next of Kin', which ran on BBC1 from May 1995 to February 1997. She was partnered by the equally talented William Gaunt: like Ms Keith, he is a performer who is best known for comedy roles yet is equally adept at drama. 'Next of Kin' featured a premise which American TV programmers would probably have rejected as too morbid.

Maggie and Andrew Prentice are nearing sixty. They have one son, Graham, whom they've not seen in years. Graham developed into a snob and married a woman with radical politics who despised Maggie and Andrew. Consequently, Maggie and Andrew have been completely estranged from their son for more than twenty years. Comfortably middle-class but not wealthy, they're now looking forward to a retirement scheme that involves travel and fine dining.

Suddenly a constable arrives to inform the Prentices that their son and his wife have been killed in a road accident. Maggie and Andrew are now the legal guardians of their three grandchildren: young teen Georgia, Graham Jnr (on the brink of teendom) and little Jake (just starting school). These children are total strangers to Maggie and Andrew, who consider the merits of putting the children into an orphan asylum. Ultimately, they choose to take the children into their home ... realising that their retirement will be put off indefinitely.

The grandchildren have been raised in the mould of their annoying parents. Georgia is a politically-correct little snot, who fancies herself morally superior to everyone who fails to share her inconvenient political views. Georgia favours the socialist National Health Service over privatised physicians ... but then, when she decides to get braces on her teeth, she comes up with a pretentious reason for going to a private orthodontist instead of the NHS clinic ... meaning that Maggie and Andrew will get lumbered with the cost of the braces. Georgia's brother Graham, meanwhile, is on the brink of juvenile delinquency. Youngster Jake is the most annoying character in this series: he tends to be a little too twee, a little too babyish.

'Next of Kin' features extremely realistic situations. When Andrew learns that Graham is bunking off school, he gives him the usual lecture: you've got to apply yourself and get good marks so you can get into a good college and then get a good job. To which Graham replies, very reasonably: 'My dad did all that, and he got killed anyway.'

As happens often in long-running British TV programmes (but very seldom in American ones), the characters in 'Next of Kin' changed and developed over the course of the show's run. The three grandchildren were initially hostile to Maggie and Andrew, but gradually the five of them developed into a real family. Georgia began as a self-righteous little bitch: early on in the relationship, she writes false entries in her diary and then hides it in her room, knowing that the snooping Maggie will find it and read it. (Plausibly, the grandparents have their own faults here.) And yet Georgia gradually modified her extremist personality. In one episode, the Prentices take their grandchildren to the zoo. Georgia spots a tiger, and immediately she belabours the zoo keeper with a lecture about how the tiger should roam free in the wild. The zoo keeper sets her straight, explaining that this particular tiger is old and ill and can't survive in the wild, and anyway his original habitat has now been changed irrevocably by human development. Georgia is too bloody-minded to admit that she was wrong, but you can see that she's rethinking her views...

A subplot in 'Next of Kin' depicted the relationship between sexy Liz (Tracie Bennett), Maggie's daily cleaner, and muscular young builder Tom (Mark Powley), who has been engaged by Andrew to build an extension on the house following the arrival of the three grandchildren. The Liz-Tom subplot was less interesting than the growing relationship between the Prentices and their grandchildren, and these two characters were dropped after the extension was finished.

Remarkably, in spite of its morbid premise, 'Next of Kin' managed to be extremely funny whilst depicting extremely realistic situations. Most enjoyably, there was a total absence of those supposedly heart-warming 'Awwww' moments which render so many Yank TV comedies utterly unwatchable. No talking animals or hand-puppet aliens in this wonderful sitcom ... but some splendid acting and plenty of laughs. I'll rate 'Next of Kin' 9 points out of 10.

Very Good !

[lemonluver · 4 November 2002]

A very funny black comedy starring the one and only Penelope Keith. This series should be put onto a video. It is simply unique. Very Funny ! Unfortunately this series was axed in 1997 after the viewing figures were too low ! A PAL VIDEO SHOULD BE RELEASED ! I think it is a very good series.

High quality british humor

[machiel_de_man · 13 November 2003]

This series is about a couple that give up their wealthy life to take care of their three parentless grandchildren. The sacrifice of their former rich life frustrates them, they can't enjoy life as they wanted to. Lack of money and the age-difference frustrates them but still they remain positive.

Different is the lack of laughing in the background. Popular american comedy shows use the laugh button too much. This is something to get used to, but definitely an asset.

Both the acting and scenario are excellent.

Really does it?

[mattj199 · 27 June 2005]

While I agree that the T.V. series was not really up to much, I seem to remember it being about three children who had been orphaned after their parents were killed in a horrific car accident. Yes the children may have been portrayed as a bit snotty and maybe even up themselves, I think that the story demanded that of them as they have lost the two main elements of their lives then to have to live with two grandparents who are "out of touch to say the least". I thought Penelope Keith was actually very good in the role of the Grandmother who had issues about showing love and adapting to the needs of three young children. I think it was quite moving on occasion for her character to be quite introspective and confronting her feelings.

So Nick, why not actually watch the show first before commenting on it?

Matt.

Pen Keith must try to bring up her grandchild after the death of her son and daughter inlaw.

[djtomlin · 8 August 2001]

Once again Pen Keith has made a fab job in this well writen show.The Man from the Champions could do with some if his special powers in this show to help Pen Out.The Girl who players Georgina is just so funny with her remarks and Pen has done it again.

Like running into a wall.

[Nick Zbu · 23 September 2003]

I remember viewing this show on a local PBS station. While I do have a taste for British comedy, the whole dramatic premise just kills it. It could be have been brilliant but the whole idea is flawed: why should we care about three whiny know-it-all brats being taken care of their until-now-unknown grandparents? It's not a show as much as it's being at the funeral of a stranger: you don't know where you fit in, but you rather just be somewhere else. That's how I felt, and felt better when I turned the channel.