The workplace sitcom "NewsRadio" explores the office politics and interpersonal relationships among the staff of WNYX NewsRadio, New York's #2 news radio station. Beleaguered news director ...
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After Bill's funeral, the staff deals with their grief. Catherine comes back to read some private messages as part of Bill's last will. Matthew wants to believe Bill is still alive and traveling the ...
Hot-tempered journalist Maya Gallo got herself fired from yet another job when she made an anchorwoman cry on the air with some gag copy on the teleprompter. Unable to find a job anywhere ... See full summary »
Laura San Giacomo,
Drew is an assistant director of personnel in a Cleveland department store and he has been stuck there for ten years. Other than fighting with co-worker Mimi, his hobbies include drinking ... See full summary »
In this sitcom, Charlie, who takes Mike Flaherty's place in later years, is the Deputy-Mayor of New York City, and his team of half-wits must constantly save the Mayor from embarrassment and the media.
Michael J. Fox,
The workplace sitcom "NewsRadio" explores the office politics and interpersonal relationships among the staff of WNYX NewsRadio, New York's #2 news radio station. Beleaguered news director Dave Nelson (Dave Foley) tries his best to manage a staff that includes egotistical anchors Bill McNeal (Phil Hartman) and Catherine Duke (Khandi Alexander), ambitious supervising producer Lisa Miller (Maura Tierney), who also happens to be his on/off girlfriend, hapless reporter Matthew Brock (Andy Dick), sardonic secretary Beth (Vicki Lewis), and tech-happy electrician Joe (Joe Rogan), while also answering to the station's intimidating and eccentric owner Jimmy James (Stephen Root). Written by
The room that is the production studio in the pilot episode is the break room in the rest of the series. (except episode 4) See more »
Bill McNeal frequently misattributes quotes to John Keats. In Season One, Episode 10, "Rat Funeral," Hartman attributes the line "Gather ye rosebuds while ye may..." to Keats; the line is actually from "To the Virgins, to Make Most of time" written by Robert Herrick. In Season Two, Episode 11, "Station Sale," Hartman attributes the line "Yours is not to reason why, yours is but to do and die;" to John Keats, 1776; Hartman's version is actually slightly adapted from Alfred, Lord Tennyson's "Charge of the Light Brigade" published in 1870. See more »
Oh, I remember one time my father came home from a night on the town, which of course had turned into a week, and my mother said, "John, is there anything you won't drink?" and my father shot back, "Poison! I'm saving it for you!"
And I and my brother, who's now an alcoholic himself, just about died laughing.
And this is a happy memory for you?
Of course! Another time I was cut from the high school football team, and my mother said, "Central's lost a fullback, but the McNeals have ...
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In the poker game episode, Boba Fett is courtesy of 'J. T. Hutt'. See more »
I have to say, I really didn't get into this show until A&E started showing it in reruns. I really miss the fact that there are no new shows that will ever come because NBC didn't have the foresight to place it on its Thursday night lineup. In that time slot it would have easily outpaced such dogs as Veronica's closet even without Phil Hartman (I raise my glass to you sir).
While Phil Hartman was truly the glue to the show, it did start to make a recovery after the writers and Lovitz started to make some sense of what to do with his character (I think it might have been good to use him as his original role as a mental patient).
I think Steven Root's character was possibly the greatest TV boss in history. He was nuts! If you think that his character was little unrealistic for a multi billionaire, just look at the owner of the Dallas Mavericks, Mark Cuban. I was glad to see him again in the movies in "Oh Brother, Where Art Thou?"
The writing was always fresh. The actors were all perfect for the role's they played (I am NOT an Andy Dick fan, but he even worked in this show). The humor was sometimes understated, sometimes slapstick, but always funny.
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