Theodore Hoffman is a prominent defense attorney in a prestigious Los Angeles law firm. After successfully defending the wealthy but suspicious Richard Cross in a lurid murder trial, he is ...
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Each episode of this series, set in present day Los Angeles, examines one crime from many different viewpoints - uniformed cops, detectives, witnesses, the media, the fire department and ... See full summary »
Theodore Hoffman is a prominent defense attorney in a prestigious Los Angeles law firm. After successfully defending the wealthy but suspicious Richard Cross in a lurid murder trial, he is now involved in the defense of Neil Avedon. Neil is a famous young actor who has had severe drug and alcohol problems and was subsequently charged with the murder, after Cross was acquitted. This single case will run an entire television season (interspersed with bits from other cases that the firm is involved in). Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Was chosen by Time Magazine as one of the "Best of Television 1996" at position #4 in the in their year end review issue dated December 23, 1996. See more »
You don't hold out much hope Cross is still there, do you?
Richard Cross has always managed to stay one step ahead of us. If he's dying, it just might allow us to catch up.
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I remember that I watched the first episode of "Murder One" because I saw a commercial for it which featured a woman (Bobbie Phillips) whom I found simply gorgeous. After I watched the episode, though, I thought, "This is the best television show I have ever seen!" I continued to enjoy Bobbie's beauty, but she was just the icing.
The cake was the story and the acting--especially that of Daniel Benzali who, in my opinion, crafted the most fascinating television character ever. Intelligence, refinement, rectitude...Mr. Benzali portrayed Theodore Hoffman as a Howard Roark/James Bond composite that I had previously hoped to see but felt would never materialize in any form of fiction, especially via the medium of television.
The first season of "Murder One" was an absolute joy to watch, every single episode. It seemed bigger-than-life yet believable at every turn. My hope is that it will find its way to DVD. Hey, Teddy Hoffman became "real" despite my doubts; perhaps the story of his law firm will one day become "binary" despite my doubts.
(It eventually happened -- the DVD set, that is -- and I am grateful.)
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