| Tristan Tait | ... | Gabriel Monroe (9 episodes, 1995) | |
| William Devane | ... | John Monroe (8 episodes, 1995) | |
| Susan Sullivan | ... | Kathryn Monroe (8 episodes, 1995) | |
| David Andrews | ... | William Monroe (8 episodes, 1995) | |
| Steven Eckholdt | ... | James Monroe (8 episodes, 1995) | |
| Cecil Hoffman | ... | Greer Monroe (8 episodes, 1995) | |
| Darryl Theirse | ... | Michael Bradley (8 episodes, 1995) | |
| Tracy Griffith | ... | Ruby Monroe (8 episodes, 1995) | |
| Lynn Clark | ... | Anne Monroe (8 episodes, 1995) |
Series Directed by | |||
| Vern Gillum | (2 episodes, 1995) | ||
Series Writing credits | ||
| Dave Alan Johnson | (2 episodes, 1995) | |
| Rick Kellard | (1 episode, 1995) | |
| Chip Johannessen | (unknown episodes) | |
| Nancy Miller | (unknown episodes) | |
| Eric Wise | (unknown episodes) | |
Series Produced by | |||
| Elliot Friedgen | .... | producer (1 episode, 1995) | |
| Laura Gibson | .... | associate producer (1 episode, 1995) | |
| Rick Kellard | .... | executive producer (1 episode, 1995) | |
| Chip Johannessen | .... | producer (unknown episodes) | |
| Dave Alan Johnson | .... | co-executive producer (unknown episodes) | |
| Ira Marvin | .... | producer (unknown episodes) | |
Series Original Music by | |||
| W.G. Snuffy Walden | (1 episode, 1995) | ||
Series Cinematography by | |||
| Steven Bernstein | (1 episode, 1995) | ||
Series Film Editing by | |||
| William B. Stich | (1 episode, 1995) | ||
| Alan L. Shefland | (unknown episodes) | ||
Series Casting by | |||
| Len Hunt | (unknown episodes) | ||
Series Production Design by | |||
| Robb Wilson King | (1 episode, 1995) | ||
Series Set Decoration by | |||
| Lance Lombardo | (unknown episodes) | ||
Series Costume Design by | |||
| Betty Pecha Madden | (unknown episodes) | ||
Series Makeup Department | |||
| Dee Mansano | .... | makeup artist (unknown episodes) | |
| Barbara Ronci | .... | hair stylist (unknown episodes) | |
Series Production Management | |||
| James A. Westman | .... | unit production manager (1 episode, 1995) | |
| Jim Sharp | .... | unit production manager (unknown episodes) | |
Series Second Unit Director or Assistant Director | |||
| Shery Blanc | .... | key second assistant director (1 episode, 1995) | |
| Stefania Girolami Goodwin | .... | second second assistant director (1 episode, 1995) | |
| Robert Yannetti | .... | first assistant director (1 episode, 1995) | |
| Sharon Gerhard | .... | second assistant director (unknown episodes) | |
| Richard T. Schor | .... | first assistant director (unknown episodes) | |
Series Art Department | |||
| Michael R. Clark | .... | signs (1 episode, 1995) | |
| Richard Blankenship | .... | construction coordinator (unknown episodes) | |
| George Capetanos | .... | prop assistant (unknown episodes) | |
| Lynda Reiss | .... | property master (unknown episodes) | |
| Ron Yates | .... | set designer (unknown episodes) | |
Series Sound Department | |||
| Jim Gilchrist | .... | sound mixer: Washington DC (1 episode, 1995) | |
| Jeffrey Kenton | .... | boom operator: Washington DC (1 episode, 1995) | |
| Thomas DeGorter | .... | supervising sound editor (unknown episodes) | |
| Dennis Kirk | .... | sound re-recording mixer (unknown episodes) | |
| Sunny Meyers | .... | sound mixer (unknown episodes) | |
| Elmo Ponsdomenech | .... | sound re-recording mixer (unknown episodes) | |
| Larry Stensvold | .... | sound re-recording mixer (unknown episodes) | |
Series Special Effects by | |||
| Joe Cacciotti | .... | special effects (unknown episodes) | |
Series Stunts | |||
| Charlie Brewer | .... | stunts (unknown episodes) | |
Series Camera and Electrical Department | |||
| Kevin Brown | .... | lighting technician (3 episodes, 1995) | |
| Russell Caldwell | .... | best boy (unknown episodes) | |
| David W. Donoho | .... | key grip (unknown episodes) | |
| Kent Eanes | .... | still photographer (unknown episodes) | |
| David Salamone | .... | second grip (unknown episodes) | |
| Jon R. Tower | .... | gaffer (unknown episodes) | |
Series Editorial Department | |||
| Blake McCormick | .... | post-production executive (5 episodes, 1995) | |
Series Music Department | |||
| Patty von Arx | .... | music editor (unknown episodes) | |
Series Transportation Department | |||
| Rick Ambrose | .... | camera 5 ton truck driver (unknown episodes) | |
| Chris Jeffries | .... | driver (unknown episodes) | |
| Kelly Lance | .... | minivan driver (unknown episodes) | |
| Thomas Lovett | .... | stakebed driver (unknown episodes) | |
| Terry Midcap | .... | driver (unknown episodes) | |
| Michael Perrotti | .... | transportation co-coordinator (unknown episodes) | |
| Mark Selhorst | .... | driver (unknown episodes) | |
| Mark Spencer | .... | transportation captain (unknown episodes) | |
| Rick Suggett | .... | prop truck driver (unknown episodes) | |
| Terry Swanson | .... | driver: production van (unknown episodes) | |
| Paul Tumber | .... | fueler/makeup driver (unknown episodes) | |
| Dan Walton | .... | driver: cc/hair trailer (unknown episodes) | |
Series Other crew | |||
| Michael Anthony | .... | key assistant location manager (unknown episodes) | |
| Chris Beal | .... | production assistant (unknown episodes) | |
| Katherine Dorrer | .... | set production assistant: Washington D.C. (unknown episodes) | |
| Michael Harbert | .... | story editor (unknown episodes) | |
| Georgette Hayden | .... | location manager (unknown episodes) | |
| Lucas Moore | .... | studio teacher: Richmond (unknown episodes) | |
| Eric Wise | .... | script coordinator (unknown episodes) | |
|
|
|
|
|
| Evita | "The West Wing" | Milk | "K Street" | The Boys Next Door |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Episode guide | Full cast and crew | Company credits |
| IMDb TV section | IMDb Drama section | IMDb USA section |
You may add a new episode for this TV series by clicking the 'add episode' button
I wish that that ABC had given this show some time to gain an audience before taking it off the air. I myself was getting into it. I loved the Monroes and their relationships with each other and with others. It brought me back to the Ewings of Dallas back in the '80's. They are not patient with shows as they once were. Dallas, Bonanza, and other classic shows took time before people started to watch them. Sometimes it was in the second or third season but at least they gave them time to build an audience.