| Photos (See all 13 | slideshow) |
| James Garner | ... | Capt. Woodrow F. Call (unknown episodes) |
Series Directed by | |||
| Joseph Sargent | (unknown episodes) | ||
Series Writing credits | ||
| Larry McMurtry | (unknown episodes) | |
| Diana Ossana | (unknown episodes) | |
Series Produced by | |||
| Suzanne De Passe | .... | executive producer (unknown episodes) | |
| Frank Q. Dobbs | .... | co-producer (unknown episodes) | |
| Robert Halmi Jr. | .... | executive producer (unknown episodes) | |
| Larry Levinson | .... | executive producer (unknown episodes) | |
| Joe Lunne | .... | associate producer (unknown episodes) | |
| Larry McMurtry | .... | executive producer (unknown episodes) | |
| Ted Nelson | .... | associate producer (unknown episodes) | |
| Diana Ossana | .... | executive producer (unknown episodes) | |
| Larry Strichman | .... | supervising producer (unknown episodes) | |
Series Original Music by | |||
| David Shire | (unknown episodes) | ||
Series Cinematography by | |||
| Edward J. Pei | (unknown episodes) | ||
Series Film Editing by | |||
| Debra Karen | (unknown episodes) | ||
Series Casting by | |||
| Lynn Kressel | (unknown episodes) | ||
Series Production Design by | |||
| Jerry Wanek | (unknown episodes) | ||
Series Costume Design by | |||
| James Echerd | (unknown episodes) | ||
Series Makeup Department | |||
| David Atherton | .... | makeup department head (unknown episodes) | |
| Jeffrey S. Farley | .... | prosthetics fabrication (unknown episodes) | |
| Tom Irvin | .... | special makeup effects artist (unknown episodes) | |
| Selina Jayne | .... | key makeup artist (unknown episodes) | |
Series Production Management | |||
| Mary Church | .... | production manager (unknown episodes) | |
Series Second Unit Director or Assistant Director | |||
| David Bryant | .... | second second assistant director (unknown episodes, 1995) | |
| David S. Cass Sr. | .... | second unit director (unknown episodes) | |
| Michael Cedar | .... | first assistant director: second unit (unknown episodes) | |
| Michael Helfand | .... | second assistant director (unknown episodes) | |
Series Art Department | |||
| Curtis Akin | .... | property master (unknown episodes) | |
| Phil Kramer | .... | art department coordinator (unknown episodes) | |
| Michael Leonard | .... | set dresser (unknown episodes) | |
| Portia Perry | .... | set painter (unknown episodes) | |
Series Special Effects by | |||
| Steve Krieger | .... | special effects technician (unknown episodes) | |
| Bob Trevino | .... | special effects assistant (unknown episodes) | |
Series Visual Effects by | |||
| Olivier Sarda | .... | digital compositor (unknown episodes) | |
Series Stunts | |||
| David Alvarado | .... | stunt rider (unknown episodes) | |
| Kevin A. Bode | .... | stunts (unknown episodes) | |
| Brian Brown | .... | stunts (unknown episodes) | |
| Lincoln Lageson | .... | stunts (unknown episodes) | |
Series Camera and Electrical Department | |||
| Bob Greene | .... | still photographer (unknown episodes, 1995) | |
| Tom Gleason | .... | second assistant camera (unknown episodes) | |
| Marcos E. González | .... | first assistant camera: second camera (unknown episodes) | |
| Greg Hewett | .... | key grip: second unit (unknown episodes) | |
| Christopher Keen | .... | second assistant camera (unknown episodes) | |
| Kevin Kennedy | .... | best boy grip (unknown episodes) | |
| Robin Melhuish | .... | assistant camera (unknown episodes) | |
| Chris Milani | .... | electrician (unknown episodes) | |
| Phil Oetiker | .... | camera operator (unknown episodes) | |
| Vince Rodriguez | .... | key grip (unknown episodes) | |
| Doug Weinmann | .... | electrician (unknown episodes) | |
| James W. Wrenn | .... | director of photography: second unit (unknown episodes) | |
Series Casting Department | |||
| Kelly Frazier | .... | extras casting (unknown episodes) | |
Series Costume and Wardrobe Department | |||
| Naillon Joan Cass | .... | set costumer (unknown episodes) | |
Series Editorial Department | |||
| Michael H. Friedlander | .... | assistant editor (unknown episodes) | |
Series Music Department | |||
| John 'Wheels' Hurlbut | .... | assistant scoring engineer (unknown episodes, 1995) | |
| David Bell | .... | composer: additional music (unknown episodes) | |
| Christopher Dedrick | .... | orchestrator (unknown episodes) | |
| Lori Slomka | .... | music editor (unknown episodes) | |
Series Other crew | |||
| Michael Charske | .... | location manager (unknown episodes) | |
| Steve Gehrke | .... | script supervisor (unknown episodes) | |
| Lincoln Lageson | .... | production assistant (unknown episodes) | |
| Molly Murray | .... | assistant accountant (unknown episodes) | |
| Kathie Redmond | .... | key location manager (unknown episodes) | |
| Virle S. Reid | .... | set production assistant (unknown episodes) | |
| Elizabeth Schulze | .... | assistant production coordinator (unknown episodes) | |
| Raigen Thornton | .... | set paramedic (unknown episodes) | |
| Homer Jon Young | .... | set production assistant (unknown episodes) | |
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| Aces 'N' Eights | Once Upon a Texas Train | Riding Shotgun | The Westerner | They Came to Cordura |
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Streets of Laredo is just as compelling as the original the only difference is that James Garner now holds the reins as Captain Woodrow Call,One of the most legendary Texas Rangers ever. Times have changed and so has Call's West. Things are changing as the 20 century looms closer and the wild west becomes Civilied. Woodrow Call is now a feared Bounty hunter and one of the greatest bounty hunters of his age. Call is now older but no wiser in the ways of the world and when he's hired to track down a Mexican Bandit named Joey Garza. Call Drags his ever loyal Corperal Pea-Eye Parker to help him track down the killer despite Pea-Eye now being married and having a family of his own. Streets of Laredo is a study of loyalties and betrayals to old ideas. Garner is simpling outstanding as Call. he is rivaled by George Carlin in a dramatic role a first for Carlin This movie shows us how the tale Ends but to me it still leaves a lot out maybe to lead to another story in the Lonesome Dove universe about the Final Years of Woodrow Call. Superb acting and a strong script make this a highly recommended movie which is official Canon unlike the sequel Return to Lonesome Dove which wasn't. Streets of Laredo can stand along side Lonesome Dove as one of the very best wild west stories ever told.