Captain Woodrow Call, now retired from the Rangers, is a bounty hunter. He is hired by an eastern rail baron to track down Joey Garza, a new kind of killer, only a boy, who kills from a ...
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'Captain' Call has just buried Gus at Lonesome Dove and plans to head back to his ranch in Montana. Looking at a herd of wild Mustangs, he decides to drive them north with the help of Isom ... See full summary »
The Series revolves around the life and times of Newt Call as he sets out to make his way in the world. Newt participates in some of the major events of the Western era while encountering ... See full summary »
"Lonesome Dove: The Outlaw Years" begins two years after the end of "Lonesome Dove". After two years spent bounty hunting, womanizing, and drinking away the painful memories of his late ... See full summary »
Mrs. Evie Teale is struggling to stay alive while raising her two children alone on a remote homestead. Conn Conagher is a honest, hardworking cowboy. Their lives are intertwined as they ... See full summary »
Monte Walsh and Chet Rollins are long-time cowhands, working whatever ranch work comes their way, but "nothing they can't do from a horse." Their lives are divided between months on the ... See full summary »
Tom Selleck (TV's Magnum P.I.) and Sam Elliot (Tombstone) star as brothers who battled on opposing sides of the Civil War only to return home to discover that their family, including a ... See full summary »
Captain Woodrow Call, now retired from the Rangers, is a bounty hunter. He is hired by an eastern rail baron to track down Joey Garza, a new kind of killer, only a boy, who kills from a distance with a rifle. Joined by his old compadre Pea Eye, it is a long ride to south Texas and the Mexican side of the border, where the past, in the form of Maria Garza, Joey's mother, haunts Call. Written by
Bruce Cameron <firstname.lastname@example.org>
Call and Lorean discuss Dillard Brawley, a man who lived in Lonesome Dove but was not seen in the original film. He does appear briefly in the novel, in which he is the one who meets Call upon his return, and tells him that Wanz had burned his saloon down. See more »
The scar on Lori's cheek keeps changing. Sometimes its there sometimes it not. See more »
A solid,if downbeat chapter in the magnificent series
Granted, both the original Lonesome Dove novel and film are unique works of extremely fascinating classic story telling. Streets of Laredo obviously has a great deal to live up to and, when viewed or read in conjunction with Dove, it does suffer in the sense that our familiarity is slightly snubbed. Of course not much can measure up to the original, and so obviously this is something that cannot be helped. This sequel is far more brutal and violent that its predecessor. Violent death or at least the threat of it is an ever present character awash on Laredo's landscape much more than Dove.That said, Streets of Laredo as a film stands firmly upon its own merits which are quite impressive.Firstly, the cast is sublime. James Garner, always a vastly underrated actor, creates a stoic yet tragic Call. His final scene is at once heart breaking and resonating with strong quiet hope. His performance is all about what film acting aspires to become: he moves mountains without words.The rest of the cast is on equal footing with Garner. Playwrite Sam Shepard's Pea Eye, although losing much of Tim Scott's original Bentonesque forlorn rube, is filled with earthy heroism and and poetry. Sissy Spacek, as the whore re-incarnated as a schoolmarm Lorena produces the tough backbone needed to survive the Texas prarie. Comedian George Carlin's finely drawn panhandle scamp solidifies the theory that the border between comedy and tragedy is narrow at best. These are just a few of the excellent standouts in the sound ensemble.Secondly, there is the very narrative itself. It plays like a Sunday funeral dirge-ever aware of the passing of an era, yet peering into a glimmer future of simple optimism and hope. In McMurtry's frequently brutal world, everyone has a shot at redemption. Grace isn't free but it is availble to all willing to run the gauntlet, as long as they have a pure heart. In this film, pure of heart may not necessarily mean pure of deed, but at least evil is evil and good is good.This film bravely balances the aformentioned violence with scenes of wry humour and gentleness. In that regard, Laredo comes the closest anyone has come to honoring Peckinpah's greater works.The film, because it was produced for television is already mostly forotten by the minnions, but richly deserving of an audience. Enjoy and Savor.
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