Captain Woodrow Call, now retired from the Rangers, is a bounty hunter. He is hired by an eastern rail baron to track down Joey Garza, a new kind of killer, only a boy, who kills from a ...
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'Captain' Call has just buried Gus at Lonesome Dove and plans to head back to his ranch in Montana. Looking at a herd of wild Mustangs, he decides to drive them north with the help of Isom ... See full summary »
The Series revolves around the life and times of Newt Call as he sets out to make his way in the world. Newt participates in some of the major events of the Western era while encountering ... See full summary »
"Lonesome Dove: The Outlaw Years" begins two years after the end of "Lonesome Dove". After two years spent bounty hunting, womanizing, and drinking away the painful memories of his late ... See full summary »
Mrs. Evie Teale is struggling to stay alive while raising her two children alone on a remote homestead. Conn Conagher is a honest, hardworking cowboy. Their lives are intertwined as they ... See full summary »
As America recovers from the Civil War, one man tries to put the pieces of his life back together but finds himself fighting a new battle on the frontier. Cable is an embittered Confederate... See full summary »
Captain Woodrow Call, now retired from the Rangers, is a bounty hunter. He is hired by an eastern rail baron to track down Joey Garza, a new kind of killer, only a boy, who kills from a distance with a rifle. Joined by his old compadre Pea Eye, it is a long ride to south Texas and the Mexican side of the border, where the past, in the form of Maria Garza, Joey's mother, haunts Call. Written by
Bruce Cameron <email@example.com>
After leaving Joey at the ladies house and heading to the saloon to see John Wesley Hardin, Maria is chased by the pig. She turns and shoots it and it falls on its left side. When she gets to the saloon and is talking to John Wesley, the camera shows the area behind her. The pig is lying on its right side and is still on its right side when she gets back to the house. When she takes her horse to bring it to the house, it is again on its left side. See more »
Why, it's Doobie Plunkert's. She was well liked in the town. I like her myself even though I only met her once. That's why I let my whores sing at her funeral. Now, I kept two back for business. They had scratchy voices anyhow.
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A truly great western, revolving around the stunning performance of James Garner
First of all, the vast majority of those giving "Streets of Laredo" bad reviews have no legitimate complaints whatsoever. People whine about the dark tone, the killings, the acting, et cetera. Rather, this film has much more in common with the real old west, to a greater degree even than series like "Deadwood". Of course, many of the immature, misguided western fans seem to want happy horse-riding hippies who talk hard and rough but don't live it. How stupid to expect such from the real killers of the west.
Woodrow F. Call (James Garner) is not a nice man. And he should not be pigeonholed as one, either. Garner plays him the way he should be, and is even more impressive than Tommy Lee Jones in "Lonesome Dove", the series which preceded this one. Indeed, despite the rabid fanbase of "Lonesome Dove" (of which I very nearly belong), this series is undoubtedly superior. First of all, the direction is a vast improvement. Joseph Sargent handles the scenery and actors with far more intelligence and grace than Simon Wincer, who proved his woeful inadequacies when he returned for the prequel "Comanche Moon" last year. That series was pure trash, horribly acted and directed despite the great actors involved.
There are many great performances beside Garner. Charles Martin Smith, Sam Shepard, and Sissy Spacek are pure class. Smith, especially, has always been an excellent unnoticed actor. This is perhaps his best performance since "Never Cry Wolf" (1983). He is sympathetic and identifiable as the nervous railman. Shepard and Spacek play husband and wife quite intuitively. Their character development is well-performed to the highest degree. This is also one of Spacek's best performances.
Larry McMurtry has a very intuitive writing style, and the film carries over much of his subtlety. There's no overblown dialogue or direction to be found in "Streets of Laredo", something that the original "Lonesome Dove" series sometimes slipped into. I would say, without reservation, that this is one of the very best and most realistic depictions of the true west. A great film, with stunning acting and direction. A must see for any true film fan - narrow-minded western fans looking for a 'Hollywood' west need not apply.
RATING: 8.5 out of 10
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