Captain Woodrow Call, now retired from the Rangers, is a bounty hunter. He is hired by an eastern rail baron to track down Joey Garza, a new kind of killer, only a boy, who kills from a ... See full summary »
'Captain' Call has just buried Gus at Lonesome Dove and plans to head back to his ranch in Montana. Looking at a herd of wild Mustangs, he decides to drive them north with the help of Isom ... See full summary »
"Lonesome Dove: The Outlaw Years" begins two years after the end of "Lonesome Dove". After two years spent bounty hunting, womanizing, and drinking away the painful memories of his late ... See full summary »
Epic story about two former Texas rangers who decide to move cattle from the south to Montana. Augustus McCrae and Woodrow Call run into many problems on the way, and the journey doesn't ... See full summary »
Tommy Lee Jones,
Rafe Covington promises a dying friend that he'll watch over the man's wife and ranch after he's gone. When Rafe gets to his friend's ranch, he finds that Barkow, the local power in town, ... See full summary »
Monte Walsh and Chet Rollins are long-time cowhands, working whatever ranch work comes their way, but "nothing they can't do from a horse." Their lives are divided between months on the ... See full summary »
Captain Woodrow Call, now retired from the Rangers, is a bounty hunter. He is hired by an eastern rail baron to track down Joey Garza, a new kind of killer, only a boy, who kills from a distance with a rifle. Joined by his old compadre Pea Eye, it is a long ride to south Texas and the Mexican side of the border, where the past, in the form of Maria Garza, Joey's mother, haunts Call. Written by
Bruce Cameron <firstname.lastname@example.org>
This film makes reference to Blue Duck, a former nemesis of Gus and Call, and even includes a flashback to his capture of Lorena from Lonesome Dove (1989). Wes Studi, who plays Famous Shoes in this film, also appears in the "Lonesome Dove" prequel, Comanche Moon (2008), as Blue Duck's father, Buffalo Hump. See more »
Judge Roy Bean is killed in this film, and John Wesley Hardin survives. The manner of Bean's death does not conform to historical fact; Bean actually drank himself to death; but his reputation as a "hanging judge" who was hanged outside his own courthouse is a popular legend. However, John Wesley Hardin died in 1895. Judge Roy Bean died eight years later in 1903. See more »
Why, it's Doobie Plunkert's. She was well liked in the town. I like her myself even though I only met her once. That's why I let my whores sing at her funeral. Now, I kept two back for business. They had scratchy voices anyhow.
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As the story plot and characters in this series have been explained and dissected by others in detail, this post is mostly commentary about its intent and result.
Precisely how the dedicated director and writer interpreted the story on film made all the difference in its quality. As the actors were not the same as in earlier versions and stories in the Lonesome Dove series, a consistency in story intention and attitude had to be maintained for it to be successful through all the varied incarnations using different actors and tech people. And that is precisely what made this version work so well, as it was a serious, deadly and harsh story true to its original essence, and it had to be told that very same and true way and not devolve into what TV does so often with sequels....and that is to try to make it funny, different, "family entertainment", and as a result, vastly inferior. Those sequel story insults it did not do, and much thanks for that.
The somber, serious and often sad and lonely plains essence of Captain Call was as well executed here as in the original, along with the story's harsh cruelty of frontier criminality and justice juxtaposed with intense love, loyalty and human kindness. The director and the actors stuck closely to that serious intent and execution, and that is primarily what made this story version work so well, and it was a worthy successor to the original in all ways.
This was a quality TV production, in many ways the equal of most big studio films of the genre, and in many ways far superior(most especially in the great musical score). A true pleasure to watch again and again and a serious triumph of the real potential of TV programming when someone cares to do a story right and not just try to sell advertising for sponsors.
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