Captain Woodrow Call, now retired from the Rangers, is a bounty hunter. He is hired by an eastern rail baron to track down Joey Garza, a new kind of killer, only a boy, who kills from a ... See full summary »
'Captain' Call has just buried Gus at Lonesome Dove and plans to head back to his ranch in Montana. Looking at a herd of wild Mustangs, he decides to drive them north with the help of Isom ... See full summary »
Epic story about two former Texas rangers who decide to move cattle from the south to Montana. Augustus McCrae and Woodrow Call run into many problems on the way, and the journey doesn't ... See full summary »
Tommy Lee Jones,
A cantankerous widower (Garner) who is virtually living the life of a recluse is forced to rejoin his community when his Godchild (Skaggs) gets in trouble and a childhood friend (Cobbs), a ... See full summary »
Documentary tracing the development and production of the mini-series '"Lonesome Dove" (1989) (mini)', from Larry McMurtry's novel of the same name. Stars Robert Duvall and Tommy Lee Jones,... See full summary »
Captain Woodrow Call, now retired from the Rangers, is a bounty hunter. He is hired by an eastern rail baron to track down Joey Garza, a new kind of killer, only a boy, who kills from a distance with a rifle. Joined by his old compadre Pea Eye, it is a long ride to south Texas and the Mexican side of the border, where the past, in the form of Maria Garza, Joey's mother, haunts Call. Written by
Bruce Cameron <email@example.com>
Judge Roy Bean is killed in this film, and John Wesley Hardin survives. The manner of Bean's death does not conform to historical fact; Bean actually drank himself to death; but his reputation as a "hanging judge" who was hanged outside his own courthouse is a popular legend. However, John Wesley Hardin died in 1895. Judge Roy Bean died eight years later in 1903. See more »
Hardin, that boy cost me 50 dollars. That's 50 dollars for the boy and 50 cents for the grave. That's $50.50 you owe me.
John Wesley Hardin:
Don't stand there talking nonsense to me while I'm working hard at getting drunk. Just drag your man off behind the sand hill and the big pig will eat him, and save you 50 cents.
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One of the first things I do after watching a movie I really like, is checking reviews of others...professionals and amateurs, as listed here. It's very frustrating reading some of them. Why do people compare them? Why do they look for faults? Why do they not see and praise the positive aspects and ease up on critical commentary? It's like comparing apples & oranges & bananas & strawberries, etc. Comparing a film to the book or a previous film seems overly critical to me. It always bothered me when Siskel & Ebert & Roeper, et al. rated films as bad or good...thumbs up or down...see it or don't see it. Streets of Laredo is a perfect example. A lot of superb work was put into this fascinating sequel by the director, the cinematographer, the actors, the music composer, the art directors and more. It deserves more than comparisons with the equally superb mini-series Lonesome Dove and its fabulous other sequels. James Garner's Woodrow Call was terrific, so was Tommy Lee Jones' but is it fair to compare them? Cissy Spacek's Lorena was just as good as Diane Lane's as were Sam Shephard's and Tim Scott's Pea Eye interpretations. How do you rate cake and pie? Is one better than the other? Should you condemn it to thumbs down or tell others to avoid it? Maybe to some people this is the way. One constant in all the LD sequels is Larry McMurtry's brilliant characterizations. And don't complain about character development. It takes time to develop a character's nuances and profile. E.G Archie Bunker, Mary Richards, Barney Miller and friends. How long a movie do you want to watch? To wrap it up, Streets of Laredo is a superb film with great acting, directing, cinematography, and a stirring musical score and more. So was Lonesome Dove, Return to Lonesome Dove, Dead Man's Walk, Comanche Moon and the TV series. They're all different but great!
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