Dot Emerson is a divorced mother who owns a successful publishing house, for which her best friend, Ellie, writes best-selling romance novels. Val enters the picture as Dot and Ellie's old ... See full summary »
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1  
1996   1995  
Nominated for 1 Primetime Emmy. Another 1 nomination. See more awards »
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Cast

Series cast summary:
...
 Ellie Walker (13 episodes, 1995-1996)
...
 Dott Emerson (13 episodes, 1995-1996)
Dan O'Donahue ...
 Brendan Emerson (13 episodes, 1995-1996)
...
 Stephano (12 episodes, 1995-1996)
...
 Peter Thomas (10 episodes, 1995-1996)
...
 Alice Morgan (7 episodes, 1995-1996)
...
 Val Brumberg (6 episodes, 1995)
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Storyline

Dot Emerson is a divorced mother who owns a successful publishing house, for which her best friend, Ellie, writes best-selling romance novels. Val enters the picture as Dot and Ellie's old girlfriend from college who is pregnant and leaving her husband, much to the dismay of Ellie, who wants nothing to do with her. Against Ellie's wishes, Dot lets Val move in with her. Written by Jon Acello <JonAcello@AOL.COM>

Plot Summary | Add Synopsis

Taglines:

They're the best friends money can buy. See more »

Genres:

Comedy

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Release Date:

30 October 1995 (USA)  »

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Aspect Ratio:

1.33 : 1
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Did You Know?

Quotes

Dot: I haven't slept in days.
Ellie: I can top that. I haven't slept WITH anyone in days. I feel miserable!
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Soundtracks

The Lady Is a Tramp
Music by Richard Rodgers
Lyrics by Lorenz Hart
Performed by Chaka Khan
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User Reviews

Amusing American remake of "Ab Fab"
19 August 1999 | by (Key West, FL, US) – See all my reviews

This show was the first of the 3 big network's attempts to translate the British phenomenon "Absolutely Fabulous" for American tastes (read: less vulgarity, less foul language, NO overt drug-taking, less drinking, etc.) that actually reached the screen ("Cybill" is often reported as being an "AbFab" spin, but the two have very little in common to acknowledge its British cousin as an influence); its quick failure ensured that it would also be the last. Mary McDonell & Jean Smart made for a great comedy duo and shared a good deal of chemistry, but they were surrounded by a lackluster supporting cast and amusing but often messy writing that too quickly relied upon a one-liner than dialogue that could flesh out a character, no matter how funny that one-liner may have been. Yet another interesting attempt to adapt a British program to American tastes.


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