The Cobblers Arms have been the best and most feared Amateur Rugby League team for the past ten years. Ex-pro Arthur bets their boss that he could train a bunch of deadbeats to defeat them ... See full summary »
A sitcom about two dreamy roommates in London. Gay unemployed actor Tom Farrell has a vague ambition to become the British Tom Cruise, but his career is going nowhere, and his love life ... See full summary »
This comedy series is all about two mates, Gary and Tony who share a two bedroom home. They are grown men who act like a couple of drunk two year olds, who spend their time either drinking ... See full summary »
The comic daily lives of three misfits who share a London flat. Mandy, the beautiful, intelligent blonde who can't seem to keep a job or prevent the wrong men failing in love with her all the time. Matthew who owns the flat but can't step outside yet still manages to live out some bizarre fantasies much to the chagrin of the other occupants. Finally, Martin the red-haired dreamer who can't seem to find the right woman but has been having an on-off relationship with Clare for a long time whilst he searches in vain. Written by
Mark Smith <firstname.lastname@example.org>
At one point in episode three, of the first series, Matthew, played by Ben Chaplin, makes a reference to his new neighbor by referring to her as Winona Ryder. Ben would go onto act opposite Winona in the movie Lost Souls (2000). See more »
In the first series the number on the flat door was "7", but in the second and third series it is the same flat but has number "54" on the door. See more »
"Game On" stands the test of time and really feels like a little turning point into the twentysomething sitcoms that pretty much dominate these days. I must confess to basing the vast majority of my opinion on Series One alone. Ben Chaplin, I feel, gave the show a bit more of an edge in that he was actually a very convincing bully and there was darkness in his issues that made the show really buzz. Equal credit should go to Matt Cottle and Samantha Janus. All of them nail the lines perfectly. The comedy from just the audio delivery of words like "shag" is fantastic on a simple level but the character depth boils on a consistent level as well. Game On was dark stuff and rarely resolved cheerfully, but in terms of biting character stuff it's as good as the format got.
My knowledge of the later series is a bit sketchy but I seem to remember it feeling slightly less relevant and slightly more daft. However the show was always visually convincing despite being studio audience based (everything was in 1994). I think that the show has aged really well, I have fond memories of watching it at the age of 14 and it being brilliant and it still is.
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