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Peggy Ann Wood
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In 1895, women were not expected to work - or even know about - medicine. Women were expected to work as house-wives, mothers, teachers and nurses. One woman was determined to change that. Eleanor Bramwell works under Sir Herbert Hamilton's supervision. She isn't happy. After he stupidly loses a perfectly healthy young mother, Eleanor decides it is time to make her mark in medical history. Mocked by fellow medical students and questioned by her father, Doctor Robert Bramwell, Eleanor is soon given a renovated building - by donation of the kind Lady Cora Peters - and begins her own infirmary - The Thrift. But with all odds against her, will she survive? Will she make her dream come true? Will her colleagues trust her? Written by
I started watching this show (Netflix instant play) as background noise while I worked on some projects, but soon fell in love. I am particularly drawn to medical dramas, and this show was no exception. I love the relationship between the doctors Bramwell (Elanor and her father) and the hopefully somewhat-accurate depiction of the struggles a woman doctor might face in those times. I also love the depth of the more minor characters (Dr. Marsham, nurse Carr, Kate) and the witty humor and sarcasm employed.
I was grossly disappointed by the fourth mini-season of the show, however. I was warned not to watch it, by a Netflix review, but gave into temptation. Now I repeat a similar warning: if you admire Elanor's strength and character (and especially if you are fond of Dr. Marsham) don't watch Season 4. I am now trying to trick myself into remembering the series as it ended in season 3 as I was so disgusted with what went on in Season 4. The creepy music used in the intro, and throughout the fourth season should have given me a head's up. Also, Sidnney was replaced with a weenie of a character that badly needed a shave, and Dr. Robert Bramwell didn't make an appearance. Perhaps if he had, he would have knocked some sense into his daughter.
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