| Photos (See all 28 | slideshow) | Videos (see all 34) |
| Denise Poirier | ... | Æon Flux (10 episodes, 1995) | |
| John Rafter Lee | ... | Trevor Goodchild (10 episodes, 1995) |
Series Directed by | |||
| Peter Chung | (11 episodes, 1991-1995) | ||
| Howard E. Baker | (5 episodes, 1995) | ||
Series Writing credits | ||
| Peter Chung | (16 episodes, 1991-1995) | |
| Japhet Asher | (5 episodes, 1995) | |
| Peter Gaffney | (4 episodes, 1995) | |
| Mark Mars | (3 episodes, 1995) | |
| Todd French | (2 episodes, 1995) | |
Series Produced by | |||
| Japhet Asher | .... | executive producer (16 episodes, 1991-1995) | |
| John Andrews | .... | supervising producer (10 episodes, 1995) | |
| Abby Terkuhle | .... | executive producer (10 episodes, 1995) | |
| Catherine Winder | .... | producer (10 episodes, 1995) | |
| Peter Chung | .... | producer (5 episodes, 1992) | |
Series Original Music by | |||
| Drew Neumann | (16 episodes, 1991-1995) | ||
Series Film Editing by | |||
| Michael K. Russell | (5 episodes, 1992) | ||
Series Casting by | |||
| Jessica Koplos | (10 episodes, 1995) | ||
Series Production Management | |||
| Howard E. Baker | .... | post-production supervisor (10 episodes, 1995) | |
| Maryann T. McClure | .... | production manager (10 episodes, 1995) | |
Series Art Department | |||
| Roger Dondis | .... | additional designer (10 episodes, 1995) | |
| Lance Hughes | .... | additional designer (10 episodes, 1995) | |
| Bosco Ng | .... | additional designer (10 episodes, 1995) | |
| Osamu Tsuruyama | .... | prop designer / storyboard artist (10 episodes, 1995) | |
| Peter Chung | .... | designer / storyboard artist (8 episodes, 1991-1995) | |
| Robert Valley | .... | storyboard artist (6 episodes, 1995) | |
| Norman Cabral | .... | storyboard artist (4 episodes, 1995) | |
| J. Garrett Sheldrew | .... | storyboard artist / designer (3 episodes, 1992-1995) | |
| Howard E. Baker | .... | storyboard artist (2 episodes, 1995) | |
| Romeo Francisco | .... | storyboard artist (2 episodes, 1995) | |
| Mike Jackson | .... | storyboard artist (2 episodes, 1995) | |
| Sean Newton | .... | storyboard artist (2 episodes, 1995) | |
Series Sound Department | |||
| Deb Adair | .... | recording engineer / supervising sound editor (10 episodes, 1995) | |
| Michael Beiriger | .... | re-recording mixer (10 episodes, 1995) | |
| Russell Brower | .... | sound designer (10 episodes, 1995) | |
| Matt Thorne | .... | sound designer (10 episodes, 1995) | |
| Laurie Wetzler | .... | track reader (10 episodes, 1995) | |
| Drew Neumann | .... | sound designer (6 episodes, 1991-1992) | |
| Peter Stone | .... | assistant sound editor (6 episodes, 1991-1992) | |
| Elliot Anders | .... | dialogue editor (unknown episodes) | |
Series Camera and Electrical Department | |||
| Jae Duk Lee | .... | camera operator (5 episodes, 1992) | |
Series Animation Department | |||
| Gun Ho Lee | .... | background color designer / background supervisor (16 episodes, 1991-1995) | |
| Peter Chung | .... | character designer / prop and background designer / ... (15 episodes, 1991-1995) | |
| Tom McClure | .... | background designer / prop and background designer (15 episodes, 1992-1995) | |
| Osamu Tsuruyama | .... | character designer / animator / ... (12 episodes, 1992-1995) | |
| Richard Bowman | .... | sheet timer (10 episodes, 1995) | |
| Tim Brock | .... | color stylist (10 episodes, 1995) | |
| Eric Canete | .... | background designer (10 episodes, 1995) | |
| Joan Drake | .... | sheet timer (10 episodes, 1995) | |
| James Finn | .... | background color designer (10 episodes, 1995) | |
| Soo An Kim | .... | animation producer (10 episodes, 1995) | |
| Tetsuro Kumase | .... | animation producer (10 episodes, 1995) | |
| Bob Nesler | .... | sheet timer (10 episodes, 1995) | |
| Joanna Romersa | .... | sheet supervisor (10 episodes, 1995) | |
| Tony Salmons | .... | character designer (10 episodes, 1995) | |
| Tom Vogt | .... | animatic (10 episodes, 1995) | |
| Allen Wilzbach | .... | sheet timer (10 episodes, 1995) | |
| Tayk Kim | .... | animation production supervisor (6 episodes, 1991-1992) | |
| Hoon Jung | .... | animator / layout artist / ... (5 episodes, 1991-1992) | |
| Sun Ja Hwang | .... | checking (5 episodes, 1992) | |
| Myung Ran Kim | .... | ink and paint artist (5 episodes, 1992) | |
| Soon Ok Shin | .... | ink and paint artist (5 episodes, 1992) | |
| Anthony Stacchi | .... | animator / layout artist (4 episodes, 1992) | |
| Eui-goo Lee | .... | animator / animation supervisor / ... (3 episodes, 1992-1995) | |
| Si Ok Park | .... | animation crew / animator (2 episodes, 1991-1992) | |
| J. Garrett Sheldrew | .... | layout artist / animator (2 episodes, 1991-1992) | |
| Jong Jin Son | .... | animation crew / animator / ... (2 episodes, 1991-1992) | |
| Yutaka Nonaka | .... | animator / layout artist (2 episodes, 1992) | |
Series Editorial Department | |||
| Cliff Armstrong | .... | on-line editor (10 episodes, 1995) | |
| Michele Douglas | .... | supervising editor (10 episodes, 1995) | |
| Ed Rowin | .... | colorist (10 episodes, 1995) | |
Series Music Department | |||
| Jean-Pierre Bedoyan | .... | additional percussion (5 episodes, 1992) | |
Series Other crew | |||
| Jack Fletcher | .... | voice director (10 episodes, 1995) | |
| Peter Gaffney | .... | story editor (10 episodes, 1995) | |
| Rosemary Sallee | .... | production assistant (10 episodes, 1995) | |
| Sherri Stringfellow | .... | production coordinator (10 episodes, 1995) | |
| Osamu Tsuruyama | .... | main title design (10 episodes, 1995) | |
| Courtney Tucker | .... | production assistant (10 episodes, 1995) | |
| Kim Giancaterino | .... | electronic graphic artist / title designer: end credits (unknown episodes) | |
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| Point of No Return | "Alias" | "24" | Johnny English | "The Wild Wild West" |
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| External reviews | News articles | IMDb TV section |
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It's a futuristic "White Rabbit" that comes to mind whenever I recall any episode of this "Liquid TV" born legend. The style wasn't bubbly or cute like 75% of the Anime you witness, it's lines were crude, bodies were awkward but it's feel was seductive.
I personally feel that the creators wanted to give the audience a constant view into the side of what we don't see all that often. Such movies as "Total Recall" and "Blade Runner" danced just outside of those unseen elements using them as sight-gags, AF exploited them in an incredible way....if you didn't understand what you were watching, it was only a matter of a partial storyline before you understood it.
When it was originally created, Aeon herself was silent, an occassional moan, groan or sigh - the TV series added new elements giving that much needed dialog and shedding evil light onto an already unimaginable world.
The action is intense, the storylines are fluid and entrancing, the voice acting is top-notch and it's lifespan was cut short to make way for the new generation clot with teenie-boppers, hip-hoppers and wannabes. If AF proved anything, aside from it's jaded stance on a futuristic world that puts "Mad Max" to shame - it's that MTV DID INDEED SELL-OUT....for those of us who spent countless hours trying to get the station to even rekindle just ONE MARATHON of "Liquid TV", know the heartache.