Zire darakhatan zeyton (1994)

User Rating:

7.6/10   

Director:

Abbas Kiarostami

Writer:

Abbas Kiarostami (writer)

Release Date:

2 December 1994 (Spain)

Genre:

Drama

Plot:

The movie focuses on one of the events in Zendegi Edame Darad (1992), and explores the relationship between the movie director...

Plot Keywords:

Earthquake | Film Crew | Film Making | Long Shot | Iran

Awards:

5 wins & 2 nominations

Cast

Mohamad Ali Keshavarz	...	Film Director
Farhad Kheradmand	...	Farhad
Zarifeh Shiva	...	Mrs. Shiva
Hossein Rezai	...	Hossein
Tahereh Ladanian	...	Tahereh
Hocine Redai	...	Hocine
Zahra Nourouzi	...	Kouly's Daughter
Nasret Betri	...	Achiz
Azim Aziz Nia	...	Azim
Astadouli Babani	...	Teacher
N. Boursadiki	...	Tahra
Kheda Barech Defai	...	teacher
A. li Ahmed Poor	...	Himself
Babek Ahmed Poor	...	Himself
Mahbanou Darabi

Also Known As:

Au travers des oliviers (France)
Through the Olive Trees
Under the Olive Trees

Runtime:

103 min

Country:

France | Iran

Language:

Persian

Color:

Color

Sound Mix:

Stereo

Certification:

Iceland:L | South Korea:All | Argentina:Atp | Chile:TE | Spain:T | Sweden:Btl | UK:U | USA:G

Filming Locations:

Koker, Iran

Company:

Abbas Kiarostami Productions

Trivia:

Selected as Iran's submission in the Best Foreign Language Film category for the 1995 Oscars.

Movie Connections:

Referenced in To Abbas (2002)

Soundtrack:

Conc. C 4.Allegro Giusto

A bold statement of love and color, a poem

This epoch-making poem opens with a film crew trying to cast for a movie in a provincial village, in the aftermath of A DEVASTATING EARTHQUAKE which has claimed many, many lives. We then are shown that the remaining people are trying to rebuild their lives, picking up bits and pieces of the past, but with an eye to the future.example of these people are the boy and the girl who are selected to play the protagonists of the melodrama to be made. The crew's interest interest in these people is limited to their role and usefulness for director's vision of the film, and no more. But-and this is a crucial BUT-the boy and the girl have their own agenda, and don't care very much for the screenplay dictated by the director (for instance repeated takes of the tea-serving scene): The girl wants to wear colorful and jolly dress, and the boy wants to be able to love her. Eventually, the boy follws the girl into the magnificent ending shot of the expanse of the olive groves, and into the ubncertain but potentially hopeful future. Will life, love and color be able to vanquish darkness and death? Will the boy and the girl find the courage and and power to fire the crew, the director, the casting agent , down to the ticket-vendor and become subjects of their own life and destiny? ... This is to be continued.........