A drifter with no name finds a Jeep with the skeleton of a postman and a bag of mail and dons the postman's uniform and bag of mail as he begins a quest to inspire hope to the survivors living in the post apocalyptic America.
Story of a young Wyatt Earp before he became a lawman. When someone important to him is killed he sets out to find the one responsible. He is joined by some friends among whom are Bat Masterson and Doc Holliday.
In a future where the polar ice-caps have melted and Earth is almost entirely submerged, a mutated mariner fights starvation and outlaw "smokers," and reluctantly helps a woman and a young girl try to find dry land.
At the end of the film, Wyatt and Josephine arrive in Alaska on board a ship, and Wyatt makes a comment about there being "gold up in those mountains." While Wyatt did live in Nome, Alaska for two years around 1898, they are obviously not in the Nome area in the film. There are no trees anywhere within eyesight of Nome, and there are no high snow-capped mountains anywhere near Nome either. The geography looks like it could be in another part of Alaska, but definitely not Nome. Also, the gold in the Nome area was gold dust from the ocean which drifted onto the beach, not in the mountains. See more »
"Nothing counts more than blood... the rest are just strangers," speaks Wyatt's father at the beginning of the film--the most important line perhaps in the movie, with the exception of Wyatt's own at the end "Some say it didn't happen that way," commenting upon a flashback recounting his brand of law and justice in the wild cattle town of Dodge City.
I wholeheartedly admit the film is long--but so are many other great films. I also admit that it is not the shoot 'em up Tombstone is, but this film is a far greater one, a character study of a man whose innocence is laid to rest by the harsh wilderness of both the American West and human nature. By the end of this movie, Wyatt is a used up and bitter man, and I would argue that this film was never meant to be a heroic portrayal of an individual, only a dark and complicated one. It reminds me thus of the greatest of character portrayals, Raging Bull--though I'm sure the parallel isn't obvious.
I probably am more forgiving of this film since I like Westerns, dark dramatic stories, and admittedly uneven plots, because the characters usually are so great in them. This one is no different, and was likely made for a viewer like me, and not the mainstream audience.
It's very ambitious, and successful, I believe, on its artistic merits. Whether it's "entertainment" for the masses, well that's another story altogether, and that story's name is probably "Tombstone."
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