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World and Time Enough (1994)

 -  Drama  -  6 October 1995 (USA)
6.5
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Ratings: 6.5/10 from 147 users  
Reviews: 5 user | 4 critic

Two men--a gay, HIV-positive artist and an adopted garbage collector--struggle in the face of stigma and loss to find meaning in work, love, and family.

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Title: World and Time Enough (1994)

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Cast

Credited cast:
Jennifer Jordan Campbell ...
The Smiling Lady
Kathleen Fuller ...
Mrs. Quincy
...
Joey (as Gregory G. Giles)
Matt Guidry ...
Mark
Peter Macon ...
Mike
John Patrick Marin ...
Mr. Quincy
Adam Mikelson ...
Young Mark
Bernadette Sullivan ...
Marie
Kraig Swartz ...
David
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Storyline

Two men--a gay, HIV-positive artist and an adopted garbage collector--struggle in the face of stigma and loss to find meaning in work, love, and family.

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Drama

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6 October 1995 (USA)  »

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$69,003 (USA)
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User Reviews

Am unusual film, which rarely develops as you would expect.
27 October 1999 | by See all my reviews

I am surprised to be the first to add my views on this film, as gay films usually seem to attract lots of comments! This one is different in a number of ways, not least because of the plot's twists & turns, especially in the last 20 minutes, leaving you agonising about the final outcome! In fact my main criticism would be that, having chosen & developed very believable characters, the writer/director then makes them behave in very strange ways at times to forward the plot. However, the best part of the film, and the main reason I stayed hooked until the end, is the central relationship between Mark & Joey. For once this is seen as the most stable element in the film. There is no doubt about their faithfulness to each other, no big break-up/reconciliation. Even Mark's HIV status is not a dominant feature, but simply one element in the story. So this film is certainly one of the best portrayals of a gay partnership that I have ever seen. One final comment - I was intrigued when checking out the stars on the IMDB database that none of them seem to have done anything else in movies or TV. This seems to be a familiar pattern for so many American gay films, and I'd be intrigued to know why this is.


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