Continuing the story of Aurora Greenway in her latter years. After the death of her daughter, Aurora struggled to keep her family together, but has one grandson in jail, a rebellious ... See full summary »
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Worn down and out of luck, aging publisher Will Randall is at the end of his rope when a younger co-worker snatches both his job and wife out from under his nose. But after being bit by a wolf, Will suddenly finds himself energized, more competitive than ever, and possessed with amazingly heightened senses. Meanwhile, the beautiful daughter of his shrewd boss begins to fall for him - without realizing that the man she's begun to love is gradually turning into the creature by which he was bit. Written by
Mark Neuenschwander, <email@example.com>
John Williams was originally attached to compose the music for this film. Soon left the project after the film was delayed and needed some time off after winning the Oscar for Schindler's List (1993), as he'd been working on Jurassic Park (1993), Schindler's List and overseeing the Boston Pops Orchestra in Boston. See more »
When Will hits the wolf with his car, the shot clearly shows the wolf being hit fully and squarely with the front bumper of the vehicle, which would have thrown the animal forward or caused the car to run over it. In the next shot, the wolf is squarely hitting the windshield. See more »
Brilliant visuals and excellent acting create a very underrated film.
I saw this film when it first appeared in the cinema and I can remember my disappointment at the wolf scenes. Now, five years on, I realise what a gem this film is.
The cinematography is very well done, providing slick shots throughout which still hold their own against current films. The acting is very good with James Spader oozing sleaziness with every single look, Michelle Pfieffer playing a hardened woman, and Jack Nicholson being, well, Jack Nicholson, but hairier.
The opening sequence grabs you straight away, stock shocks, but they work fantastically, from then on I found myself impressed on just about every following scene.
Nicholson is very good at underplaying the beginning of his transformation as he starts to discover his newly heightened senses, but he comes into his own when his powers bring him new found confidence and self assurance.
Some of the wolf effects are a little cheesy, and the appearance of David Schwimmer playing a cop caused me to flash into Friends mode - he even has a friends-like line, could he _be_ anymore Ross like? Aside from these little niggles the film has an excellent love story with fantastic interaction between Nicholson and Pfieffer with some wry dialog. It's got great lighting and very good cinematography throw in a superb Morricone soundtrack and a cool ending and you've got a great film.
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