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Wolf (1994)

 -  Drama | Horror | Romance  -  17 June 1994 (USA)
6.2
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Ratings: 6.2/10 from 38,395 users  
Reviews: 131 user | 60 critic

Publisher Will Randall becomes a werewolf and has to fight to keep his job.

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Title: Wolf (1994)

Wolf (1994) on IMDb 6.2/10

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2 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Charlotte Randall
...
Detective Bridger
...
Raymond Alden
...
Mary
...
Roy
...
Dr. Vijay Alezais
...
Doctor
...
Maude
...
Detective Wade
...
George
Bradford English ...
Keyes
...
Gary
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Storyline

Worn down and out of luck, aging publisher Will Randall is at the end of his rope when a younger co-worker snatches both his job and wife out from under his nose. But after being bit by a wolf, Will suddenly finds himself energized, more competitive than ever, and possessed with amazingly heightened senses. Meanwhile, the beautiful daughter of his shrewd boss begins to fall for him - without realizing that the man she's begun to love is gradually turning into the creature by which he was bit. Written by Mark Neuenschwander, <retro_critic@swiftboard.com>

Plot Summary | Plot Synopsis

Taglines:

The Animal Is Out See more »


Motion Picture Rating (MPAA)

Rated R for language and werewolf attacks | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

17 June 1994 (USA)  »

Also Known As:

Werewolf Love  »

Box Office

Budget:

$70,000,000 (estimated)

Gross:

£3,709,293 (UK) (9 September 1994)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(8 channels)| |

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Sharon Stone turned down the female lead. See more »

Goofs

The rearing stallion at Raymond's is two different horses. When Will walks up to Raymond's horses, the prize dark bay stallion, with just a white star on his forehead and a white snip on his nose, rears up. When the camera moves back to the side shot of the rearing horse, it is now a red sorrel color with a full wide white blaze extending all the way from his forehead to his nose. Then when the camera returns to the next shot, it is the dark bay horse again. See more »

Quotes

Dr. Vijay Alezias: The demon wolf is not evil, unless the man he has bitten is evil. And it feels good to be a wolf, doesn't it?
Will Randall: Indeed it does.
See more »

Connections

References An American Werewolf in London (1981) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Wolfman Jack - 8 (excellent depiction of the corporate werewolf culture)
20 January 2005 | by (Massachusetts) – See all my reviews

Even in the confines of big skyscrapers, it's a dog eat dog world.

Simply put, WOLF is a class act. The director is legendary. The acting is subdued yet electrically charged. To top things off, the Hitchcock style score by Ennio Morricone draws you in from the opening credits straight to the end. WOLF is such a unique installment to the werewolf tradition that it easily bursts through the bars of any category you place it in.

Mike Nichols boasts a career that is a study in itself. After artistically defining a post-war generation with the Graduate in 1967, he has been very selective with his projects behind the camera. Twenty-seven years after the Graduate, the veteran Nichols rises to the challenge of weaving a wide range of adult themes into one coherent werewolf movie. Stylistically, the shots and cinematography featured in the movie hearken back to an adventurous 70's spirit that has been abandoned in modern film. The combination of quick and slow zooms, along with expansive cuts of open spaces make the 125 minute story both rhythmic and engrossing.

WOLF is not the conventional werewolf movie we're accustomed to seeing, as the film is meant to induce a snicker as opposed to a scream. Although the scare factor takes a marked jump towards the end, the movie isn't really a horror movie. It focuses mostly on the canine tricks of corporate power, double-crossing, and primordial carnal knowledge. In this respect, James Spader upstages Jack Nicholson and almost steals the show.

Still, there's all the good stuff that comes with werewolf movies. The curse is a contagion transmitted by a bite. Who's the monster, and what makes the monster fearsome? What happens when Jack starts to turn? How far can Mike Nichols upset our comfort level? For all those horror fans out there, the make-up team did a superb job, no doubt influenced by the disjointed transformations of the original black and white wolf-man classic.

As a telltale sign of the film's sophistication, the werewolf theme is dramatically eclipsed by the true storyline – Nicholson's over-the-hill struggles in the publishing business. In the final examination, with corporate culture in mind, WOLF tends to resemble Wall Street or As Good as It Gets more than it does the Howling or American Werewolf in London. Nichols does a masterful job seamlessly weaving canine trickery into the workplace. Jack's heightened sense of smell detects his coworker's early morning Tequila. His pointed ears pick up juicy office gossip. In addition to these scenes, WOLF introduces an innovative corporate idea – urination and marking of territory, something that every sensible dog does when he feels like it!

The only detractor from WOLF is the quick and dirty relationship between Pfiffer and Nicholson. Even though the film is billed as a werewolf movie, this relationship somewhat stands as a centerpiece. To be sure, the sparse exchanges between the two stars feature witty dialog with plenty of chemistry. But despite this potential, the relationship somehow rings hollow and gets trampled beneath the other story lines that are taking place.

Apparently Sharon Stone was offered the female lead but turned the role down. To some extent, I don't blame her. The development of Michelle Pfiffer's character in the movie was an open question mark.

The Pfiffer-Nicholson love story culminates in WOLF's unique ending. If you happen to catch this movie, you can frolic through the woods with Jack along to Morricone's synthesized arpeggios. Then determine for yourself whether the ending adds or detracts from the movie. It's been a quandary for me ever since I saw WOLF for the first time in 199(?).

JY

Jimboduck-dot-com


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Recent Posts
Why would anyone approach a wild animal? terestrife
what a stinker mlfouchey
What's your favourite scene in 'Wolf'? reichstag1933
I'm going to get you, Stewart. terminator86
Stewart turning into a wolf antonio-radicevic
I honestly feel this is one of Nicholson's best performances agwoodliffe
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