Vernon Johns, a brilliant man coupled with an eloquent speaker, upsets his community through his radical ideas on social change and economic independence of blacks. From his pulpit, he ...
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Vernon Johns, a brilliant man coupled with an eloquent speaker, upsets his community through his radical ideas on social change and economic independence of blacks. From his pulpit, he attacks the white power and denounces police brutality towards his brother race. His biggest enemy is nonetheless his own congregation who hesitates to mobilize behind him. Written by
Reverend Dr. Vernon Johns was a very influential "negro" minister in the earliest days of the N.A.A.C.P. and other African-American groups fighting for civil rights. Johns is considered by many to be the the father of the 20th Century civil rights movement. See more »
After one of his parishioners is raped, Rev. Johns has his daughter post his Sunday Sermon announcement on the church sign. The sign shows the name of the church, Sunday Service 11:00 AM, and "Dr. Vernon Johns, Pastor", and between the service time and Johns name is 'WHEN THE RAPIST IS WHITE', with single quote marks before and after. In the next scene, Johns is called to see a judge, who shows Johns a picture of the sign with the Sunday Sermon announcement, except the picture shows "WHEN THE RAPIST IS WHITE" with double quote marks before and after, and with the Sermon announcement above the service time, and instead of 'Dr. Vernon Johns, Pastor', it reads 'Rev. Dr. Vernon Johns' with 'Pastor' on a separate line below his name. See more »
This boy lived a trifling and worthless life. He went around Montgomery daring someone to cut his throat. Saturday night somebody obliged him. He lived like a dog; he died like a dog. Undertaker, claim the body. Choir, sing.
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The Producers acknowledge the significant contribution of author, Taylor Branch, to the public awareness of the life of Reverend Vernon Johns. See more »
The film tells the story of the Reverend Vernon Johns' struggle for equality in America in the 1960's.
James Earl Jones delivers an all-round stunning dialog playing the reverend of the Dexter Avenue Baptist Church, Montgomery, Alabama - a name that most should recognise.
He constantly oversteps his mark when preaching, telling the people who let the white americans run their lives what he -really- thinks of them, cowards, and as he gains more and more attention - eventually demanding to be served in a white-only cafe, but at the end of the film there comes a fantastic little twist.
A very worthwhile watch!
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