| Phoebe Brand | ... | Nanny | |
| Lynn Cohen | ... | Maman | |
| George Gaynes | ... | Serybryakov | |
| Jerry Mayer | ... | Waffles | |
| Julianne Moore | ... | Yelena | |
| Larry Pine | ... | Dr. Astrov | |
| Brooke Smith | ... | Sonya | |
| Wallace Shawn | ... | Vanya | |
| Andre Gregory | ... | Himself | |
| Madhur Jaffrey | ... | Mrs. Chao | |
| rest of cast listed alphabetically: | |||
| Oren Moverman | ... | Flip Innunu (uncredited) | |
Directed by | |||
| Louis Malle | |||
Writing credits | ||
| Anton Chekhov | (play "Dyadya Vanya") | |
| David Mamet | (play adaptation) | |
| Andre Gregory | (screenplay) | |
Produced by | |||
| Fred Berner | .... | producer | |
| Alysse Bezahler | .... | associate producer | |
| Beverly Karp | .... | associate producer | |
Original Music by | |||
| Joshua Redman | |||
Cinematography by | |||
| Declan Quinn | |||
Film Editing by | |||
| Nancy Baker | |||
Production Design by | |||
| Eugene Lee | |||
Art Direction by | |||
| Daniele Perna | |||
Costume Design by | |||
| Gary Jones | |||
Makeup Department | |||
| Sharon Ilson | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Gary Marcus | .... | first assistant director | |
Sound Department | |||
| Joel Holland | .... | sound recordist | |
| Tod A. Maitland | .... | sound | |
| David Platt | .... | boom operator | |
| Reilly Steele | .... | sound re-recording mixer | |
| Philip Stockton | .... | sound editor | |
| Steven Visscher | .... | foley editor | |
Camera and Electrical Department | |||
| Phillip V. Caruso | .... | still photographer | |
| Richard Dobbs | .... | dolly grip | |
| Clay Liversidge | .... | second electric | |
| Don Muchow | .... | gaffer | |
| Mark van Rossen | .... | electrician | |
Costume and Wardrobe Department | |||
| Sue Gandy | .... | assistant costume designer | |
Editorial Department | |||
| Donna Donato | .... | assistant editor | |
| Michael Yetter | .... | negative cutter | |
Other crew | |||
| Louis Katz | .... | production physician | |
| France Lachapelle | .... | script supervisor | |
| Gen Max | .... | production assistant | |
| Kim Yu | .... | publicist: Canada | |
Thanks | |||
| Anne Dillon | .... | special thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
The idea of filming a play gets turned upside down as we see the players before and after the (rehearsal) performance, essentially as themselves. One remarkable scene shows the cast during intermission chatting with each other and audience members while munching on goodies from a caterer. It gives the experience of watching a play in an old, run-down theater, including comments from the director.
The play itself is no less remarkable. Shawn is a gifted actor, one of the few who can bring his entire body into a role. The rehearsal atmosphere takes some getting used to - it's hard to tell when real life ends and the play starts. There are no costumes, little in the way of sets, but it all works because the performances are so compelling. And Chekhov's Uncle Vanya is surprisingly relevant 100 years after it was written.