Directed by
| Bryan Michael Stoller | ||
Writing Credits
| Mark Bark | ... | (story by) & |
| Bryan Michael Stoller | ... | (story by) |
| Mark Bark | ... | (screenplay by) |
Cast (in credits order) complete, awaiting verification
Produced by
| Eric Abrahamson | ... | associate producer |
| Mark Bark | ... | associate producer |
| John Cofrin | ... | executive producer |
| Richard Kaye | ... | co-producer |
| John Salter | ... | executive producer |
| Phillip Silver | ... | associate producer (as Philip Silver) |
| Bryan Michael Stoller | ... | producer (produced by) |
Music by
| Greg Edmonson | ||
Cinematography by
| Richard Jones | ... | director of photography (as Richard A. Jones) |
Production Design by
| Sava Kimari | ||
Art Direction by
| Shawe Ashante | ||
Costume Design by
| Mary Cheung | ||
Makeup Department
| Mary Jo Fortin | ... | hair stylist / makeup artist |
| Marlene Stoller | ... | makeup artist |
Production Management
| Richard D. Kelm | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Tim Peyton | ... | first assistant director |
| Gregg Zollo | ... | second assistant director |
Art Department
| R. Scott Doran | ... | special props |
| Charles A. Tam | ... | property master |
Sound Department
| John Bauman | ... | boom operator |
| Jeff Courtie | ... | foley mixer |
| Kevin McDowell | ... | adr mixer |
| John Post | ... | foley artist |
| Phil Silver | ... | sound |
| N. George Stoller | ... | sound effects |
| Ron Wood | ... | second boom operator |
Camera and Electrical Department
| Joe Broderick | ... | steadicam operator |
| R. Adam Chambers | ... | gaffer |
| Robert Sanderson | ... | dolly grip |
| John Thompson | ... | key grip |
Editorial Department
| Tony Tong | ... | on-line editor |
Script and Continuity Department
| Claudia Yarmy | ... | script supervisor |
Additional Crew
| Dean Mavrikis | ... | production coordinator |
| Angela Plasschaert | ... | production coordinator (as Angela Baynes) |
| Elde Stewart | ... | consultant: still photography |
