Two twins are separated at birth, one becoming a streetwise mechanic and the other an acclaimed classical concert conductor. Finally meeting in adulthood they each become mistaken for the other and entangled in each other's world.
Teddy Robin Kwan
A dark and handsome true-crime thriller about kidnapping and police corruption in Hong Kong. Once of Jackie Chan's most serious roles, but still overflowing with spectacular acrobatic ... See full summary »
Jackie Chan is a boy who is used as a janitor at his kung-fu school. Jackie Chan can't fight and is always getting bullied by the teachers and pupils. One day an old man helps Jackie train ... See full summary »
Set around the turn of the century in China, the White Lotus Society plots to put the next Emperor on the throne. To do this they want their protege to marry the Princess Sun Yu who ... See full summary »
Returning home with his father after a shopping expedition, Wong Fei-Hong is unwittingly caught up in the battle between foreigners who wish to export ancient Chinese artifacts and loyalists who don't want the pieces to leave the country. Fei-Hong has learned a style of fighting called "Drunken Boxing", which makes him a dangerous person to cross. Unfortunately, his father is opposed to his engaging in any kind of fighting, let alone drunken boxing. Consequently, Fei-Hong not only has to fight against the foreigners, but he must overcome his father's antagonism as well. Written by
Murray Chapman <email@example.com>
Director Chia-Liang Liu and star Jackie Chan clashed often during filming. Among their disagreements, Liu had a particular style of filming which involved quick tracking shots, slow-motion and the use of wide-angle lenses to play with perspective, which Chan didn't appreciate, Liu wanted to have more of the realistic Huen-Gar style of fighting whereas Chan felt the fans wanted more of the drunken style and Liu wanted to use wires during the fight scenes, which Chan was categorically opposed to. Lau eventually left the film, with Chan taking over as director for the final fight scene. See more »
When John kicks Fei-Hung for the first time in the cafe, he throws his kick from Fei-Hung's left side but in the next shot Fei-Hung gets kicked from the right side. See more »
Easily one of the greatest martial arts movies in any place or any time
Well, Jackie Chan has had an interesting career. On one hand, he's made some classics like Project A and Dragons Forever. On the other hand, he's made some less-than-spectacular movies like Crime Story and First Strike. This movie is easily his best film ever...and also one the best martial arts movies ever made. He revisits the role that made him famous: Wong Fei Hung, the drunken master. The plot deals with smugglers trying to steal China's treasures, but in the end it isn't important. The fights are what matters, and Chan fights like a son of a gun. There are some excellent traditional fight scenes like him fighting Lau Kar Leung and one w/ a Choy li fut stylist. There's a memorable fight against an Ax Gang (Ax army is more like it). The finale, where he takes on the smugglers led by a super kicking Thai boxer, is probably the greatest fight scene choreographed. This movie doesn't cease to entertain. A must see for any fans of action, martial arts, HK movies, or just Jackie Chan himself.
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