A retired elite Black Ops Commando launches a one man war against a group of South American criminals who have kidnapped his daughter to blackmail him into starting a revolution and getting an exiled dictator back into power.
Mark L. Lester
Rae Dawn Chong,
Harry Tasker leads a double life. At work he is a government agent with a license to do just about anything, while at home he pretends to be a dull computer salesman. He is on the trail of stolen nuclear weapons that are in the hands of fanatic terrorists when something more important comes up. Harry finds his wife is seeing another man because she needs some adventure in her life. Harry decides to give it to her, juggling pursuit of terrorists on one hand and an adventure for his wife on the other while showing he can Tango all at once. Written by
John Vogel <firstname.lastname@example.org>
Tom Arnold didn't expect to get a role in the movie, and went to the audition mostly for the chance to meet director James Cameron. Cameron liked Arnold, despite 20th Century-Fox's objections (Arnold's reputation at the time wasn't positive, mostly due to his public antics with then-wife Roseanne Barr), and Cameron threatened to not make the movie at all, if Arnold couldn't be cast. When Arnold later learned about this, he was grateful to Cameron for taking a chance on him. See more »
When Harry is talking on the radio in the minutes leading up to the nuclear explosion, he states that it is a "Bright Boy" alert. This alert does not exist in United States military nuclear incident terminology. This type of incident would be classed as a "Broken Arrow" (Unexplained or unauthorized detonation with no risk of full nuclear war). See more »
Women. Can't live with 'em. Can't kill 'em!
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In the middle of the credits, Gib (who's waiting outside in the stereotypical spy van as Harry's having fun inside the party) says, "You know what? I'm sick of being in the van. You guys can be in the van next time. I've been in the van for fifteen years, Harry." See more »
What a hoot! This might be Arnie's best, even though Jamie Lee almost steals the show.
I had forgotten how funny this film is. From the very start it begins to laugh at itself and the entire genre, with great audacity. Every single scene is worth watching and I am still giggling about many of them. (Well, ok, the camera angle on the scene with terrorist-as-missile is a teensy bit overdone.)
I delayed renting it again because I remembered the Jamie-Lee-as-prostitute scene was difficult to sit through--her predicament is just so embarrassing. But this time I discovered it is probably my favorite scene. She is just a scream (and surprisingly erotic), while her underplayed klutziness throughout is hysterical, right down to the tango at the end. Especially in contrast to her husband's ridiculously effortless physical skills and unruffled cool. The only time he loses it, and hilariously so, is with Bill Paxton. (And I love that she gets her own back for Arnie's sleazy trick. A woman who packs a punch.)
Even the excellent special effects are pure humor. They are just huge enough to be ridiculous, and yet never seem overblown--and this with a nuclear explosion and a Harrier on an urban rampage. This film is a work of genius. How an action/espionage/romance spoof could deliver such outrageous tongue-in-cheek and yet never feel like corn, slap or déjà vu is a mystery to me.
I give this 8/10 for being relentlessly entertaining, at a very high level. And the acting is top notch all around.
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