An air marshal springs into action during a transatlantic flight after receiving a series of text messages that put his fellow passengers at risk unless the airline transfers $150 million into an off-shore account.
When his mentor is taken captive by a disgraced Arab sheik, a killer-for-hire is forced into action. His mission: kill three members of Britain's elite Special Air Service responsible for the death of his son.
Disgraced former Presidential guard Mike Banning finds himself trapped inside the White House in the wake of a terrorist attack; using his inside knowledge, Banning works with national security to rescue the President from his kidnappers.
Shaw is an operative for the United Nations' covert dirty-tricks squad, using espionage and quasi-ethical tactics to secure peace and cooperation. When a shipping container full of dead ... See full summary »
An ex-CIA agent and his estranged daughter are forced on the run when his employers erase all records of his existence, and mark them both for termination as part of a wide-reaching international conspiracy.
Harry Tasker leads a double life. At work he is a government agent with a license to do just about anything, while at home he pretends to be a dull computer salesman. He is on the trail of stolen nuclear weapons that are in the hands of fanatic terrorists when something more important comes up. Harry finds his wife is seeing another man because she needs some adventure in her life. Harry decides to give it to her, juggling pursuit of terrorists on one hand and an adventure for his wife on the other while showing he can Tango all at once. Written by
John Vogel <firstname.lastname@example.org>
Tom Arnold didn't expect to get a role in the movie, and went to the audition mostly for the chance to meet director James Cameron. Cameron liked Arnold, despite 20th Century-Fox's objections (Arnold's reputation at the time wasn't positive, mostly due to his public antics with then-wife Roseanne Barr), and Cameron threatened to not make the movie at all, if Arnold couldn't be cast. When Arnold later learned about this, he was grateful to Cameron for taking a chance on him. See more »
When Harry dives into the water to escape an explosion, bubbles coming up from the camera crew are clearly visible. See more »
In the middle of the credits, Gib (who's waiting outside in the stereotypical spy van as Harry's having fun inside the party) says, "You know what? I'm sick of being in the van. You guys can be in the van next time. I've been in the van for fifteen years, Harry." See more »
What a hoot! This might be Arnie's best, even though Jamie Lee almost steals the show.
I had forgotten how funny this film is. From the very start it begins to laugh at itself and the entire genre, with great audacity. Every single scene is worth watching and I am still giggling about many of them. (Well, ok, the camera angle on the scene with terrorist-as-missile is a teensy bit overdone.)
I delayed renting it again because I remembered the Jamie-Lee-as-prostitute scene was difficult to sit through--her predicament is just so embarrassing. But this time I discovered it is probably my favorite scene. She is just a scream (and surprisingly erotic), while her underplayed klutziness throughout is hysterical, right down to the tango at the end. Especially in contrast to her husband's ridiculously effortless physical skills and unruffled cool. The only time he loses it, and hilariously so, is with Bill Paxton. (And I love that she gets her own back for Arnie's sleazy trick. A woman who packs a punch.)
Even the excellent special effects are pure humor. They are just huge enough to be ridiculous, and yet never seem overblown--and this with a nuclear explosion and a Harrier on an urban rampage. This film is a work of genius. How an action/espionage/romance spoof could deliver such outrageous tongue-in-cheek and yet never feel like corn, slap or déjà vu is a mystery to me.
I give this 8/10 for being relentlessly entertaining, at a very high level. And the acting is top notch all around.
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