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Three Colors: Red (1994)
"Trois couleurs: Rouge" (original title)

8.1
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Ratings: 8.1/10 from 50,983 users  
Reviews: 117 user | 83 critic

Final entry in a trilogy of films dealing with contemporary French society concerns a model who discovers her neighbour is keen on invading people's privacy.

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Title: Three Colors: Red (1994)

Three Colors: Red (1994) on IMDb 8.1/10

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Nominated for 3 Oscars. Another 21 wins & 18 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Valentine (as Irene Jacob)
...
...
Karin (as Frederique Feder)
Jean-Pierre Lorit ...
Auguste
...
Le photographe (Photographer) (as Samuel Lebihan)
Marion Stalens ...
Le Vétérinaire (Veterinary surgeon)
Teco Celio ...
Le barman (Barman)
Bernard Escalon ...
Le disquaire (Record dealer)
Jean Schlegel ...
Le voisin (Neighbour)
Elzbieta Jasinska ...
La femme (Woman)
Paul Vermeulen ...
L'ami de Karin (Karen's friend)
Jean-Marie Daunas ...
Le gardien du théâtre (Theatre manager)
Roland Carey ...
Le trafiquant (Drug dealer)
Brigitte Raul
Leo Ramseyer
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Storyline

Valentine is a young model living in Geneva. Because of a dog she ran over, she meets a retired judge who spies his neighbours' phone calls, not for money but to feed his cynicism. The film is the story of relationships between some human beings, Valentine and the judge, but also other people who may not be aware of the relationship they have with Valentine or/and the old judge. Redemption, forgiveness and compassion... Written by Yepok

Plot Summary | Plot Synopsis

Plot Keywords:

judge | model | privacy | redemption | money | See more »

Genres:

Drama | Mystery | Romance

Motion Picture Rating (MPAA)

Rated R for a brief but strong sex scene | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

Release Date:

2 December 1994 (USA)  »

Also Known As:

Red  »

Box Office

Gross:

$4,043,686 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Citing that it does not meet enough of the necessary guidelines concerning a film's "artistic control" within a foreign co-production, the Academy of Motion Picture Arts and Sciences disqualified the film from competing as Switzerland's official entry for the Academy Award for Best Foreign Language Film. (In an unprecedented move, Switzerland rejected the Academy's offer to submit another film.) Miramax Films' co-chairman Harvey Weinstein persuaded more than sixty industry heavyweights to sign a letter of complaint urging the Academy to reconsider its stance, to no avail. See more »

Goofs

At the end of the film, one of the main characters carries a dog on the ferry to England. At the time the film was made there was strict anti-rabies quarantine in force and the ferry operator would not have allowed a dog on board if it were not inside an appropriate container AND due to be collected by an approved quarantine kennel. See more »

Quotes

Valentine: If I had to go to court...are there still judges like you?
The Judge: You won't go to court. Justice doesn't deal with the innocent.
See more »

Connections

Referenced in Community: Heroic Origins (2013) See more »

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User Reviews

A Sublime Shade of Red
3 January 2000 | by (St. Petersburg, Russia) – See all my reviews

The last film in the Three Colors trilogy, RED, is deceptively simple, yet it rounds out everything that came before in an enlightening way. It slightly resembles THE DOUBLE LIFE OF VERONIQUE in its theme of fraternity, and in its casting of Irene Jacob, who manages to exude a sense of curious innocence and integrity. She interprets the role of Valentine, a young Swiss model and student living in Geneva and experiencing a kind of emotional limbo as she awaits her boyfriend's return from England. Through a seemingly trivial twist of fate, she encounters a cynical retired judge (Jean-Louis Trintignant) who leads a lonely, world weary existence and eavesdrops on his neighbors' telephone conversations. Initially she finds his detached indifference appalling, and wants to report him, but her compassionate nature enables her to comprehend the greater plight of the man, one of leading a fruitless, lovelorn life. They form a touching friendship, and this sets the stage for another turn of events. Auguste (Jean-Pierre Lorit) is young judge who is in many ways a mirror image of Trintignant's character. He lives near Valentine, but through possible lack of synchronicity, they never meet. Upheavals in his life are accordingly similar to the old judge's, but this time, due to the presence of the noble Valentine, an old adversity can be turned on its side, bringing fulfillment for everyone.

With Red, there is a real sense of culmination unlike any other. Wistful, melancholy, yet life-affirming, the film offers hope in world full of supposed mistaken paths. Tritignant remarked on Kieslowski's talents in augmenting the emotions of the actors through his technique: "I'm very pleased with my work on this film - and I don't think it had a lot to do with me. For example, at the end of the film when my character goes to the window, looks outside, and starts to cry - I couldn't do it, I couldn't summon the tears. I tried to make myself cry but couldn't manage it. Krzysztof called the make-up lady who shot menthol into my eyes. We shot the scene and Krzysztof said 'It's good, next shot.' Recently I saw the finished film. I waited anxiously for this scene. And I cried when I saw myself."

Tritignant's nuanced portrayal is augmented by equally good work from Jacob who bears insight into her role as well: "Something really great about RED are the 'non-encounters' between Auguste and Valentine. They pass each other without ever meeting. They might be great for each other but they never meet. It reminds me of THE DOUBLE LIFE OF VERONIQUE where the two identical Veroniques are face to face but don't see each other. In RED this idea is reflected by the way Valentine can't face up to her life, her love, her sorrows. How can Auguste see her, or she him? How can they both release themselves from this blindness?"

The uplifting aura of this film shines even brighter given the pettiness with which the Academy of Motion Picture Arts and Sciences brushed it off. Due to the fact that is a multinational co-production, with a Polish director, mixed Swiss and French cast and crew, Red was not allowed to compete for a Best Foreign Language Film Oscar as a film from Switzerland. Indeed, the trilogy itself is without a country as it transcends borders and even culture in its solemn inquiry into human nature and that is a prize in itself.


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