Traumatized after witnessing her jealous husband kill her adulterous lover and then himself, an unbalanced, nymphomaniac young woman finds herself stalked by an unknown assailant, but she cannot make anyone believe her desperate situation.
Based on a true story, this is the tale of Josephine Monaghan, a young woman of the mid-19th century who is thrown out of her parents' home after being seduced by the family's portrait ... See full summary »
The phrase "entertaining angels" refers to the practice of treating all guests--be they kings or peasants--as if they were visiting angels. This is the challenge for all humble Christians ... See full summary »
Michael Ray Rhodes
Lenny von Dohlen
Two girls, Carla and Lou meet on the street outside a loft waiting for their boyfriends. In a short time, they find out that they're waiting for the same guy - young actor Blake, who said ... See full summary »
Robert Downey Jr.,
Natasha Gregson Wagner
Algernon is an old man who lives alone, having conversations with a porcelain cat and enjoys making things out of bones... he boils a neighbor's dead dog for the bones... and he is visited ... See full summary »
Olive has been having a rough time ever since her husband killed her lover and then committed suicide. Now her co-workers are talking about her, someone is following her, and someone keeps breaking into her apartment. The police don't take her seriously. Written by
Greg Mintz <GM.Augusta@worldnet.att.net>
Evil might never sleep, but there's a bloody good chance of the viewer nodding off while watching this dreadful psychological thriller starring a pre-fame Heather Graham and featuring a blink-and-you'll-miss-it appearance by Carrie-Anne Moss (who is given top billing on the UK DVD cover!).
According to director James Merendino, "the movie is about passive aggressive misogyny destroying femininity in this country". In other words it's a pretentious pile of indie semi-art-house twaddle from a director with ideas way above his station. The dialogue is stilted, the performances awkward, and the narrative disjointed. Merendino commands dreadful performances from all involved and makes every scene as mundane as possible, directing in a style that can only be generously described as perplexing.
0 of 0 people found this review helpful.
Was this review helpful to you?