Broadway producer Johnny Demming courts big-name talent for his upcoming musical show, oblivious to the talent all around him, in his family and friends. When Johnny finally lands Hollywood... See full summary »
Roy Del Ruth
Louisa May Alcott's autobiographical account of her life with her three sisters in Concord Mass in the 1860s. With their father fighting in the civil war, the sisters: Jo, Meg, Amy and Beth... See full summary »
At the turn of the century, Duke and Chester, two vaudeville performers, go to Alaska to make their fortune. On the ship to Skagway, they find a map to a secret gold mine, which had been ... See full summary »
The idea for a third edition was pitched by MGM/UA Home Video head George Feltenstein to then MGM/UA president Alan Ladd Jr. Feltenstein had typed up a list of musical numbers for a potential third movie back in 1976 after returning home from That's Entertainment, Part II (1976). Ladd approved the pitch, but because Feltenstein was a studio exec, he didn't get a screen credit for his contribution. See more »
MGM's dream factory created a rich, romantic, compelling world of illusion. And although we may not see anything like it again, we're blessed with memories and miles and miles of film. In the words of Irving Berlin, "The song has ended, but the melody lingers on."
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Production stills from MGM musicals are shown under the end credits. See more »
Having seen the previous two installments of this series about MGM's great years, we hadn't seen the last one, but thanks to TCM, which showed it recently, we now have completed the cycle. The documentary, directed by Bud Friedgen and Michael Sheridan, brings us back to the golden years of the studio that boasted it had more stars than any one else in Hollywood.
This new version concentrates on the singing and dancing stars. Its 113 minutes running time flies by without noticing because of the quality of the material selected to be shown.
There is a magnificent black and white sequence showing Eleanor Powell performing a number and at the same time on a second screen we are taken to the actual filming of the routine as the technicians worked on it. Even for the time when it was filmed, it was revolutionary. Also, we see a dance routine by Fred Astaire with two different costumes and the same music shown on split screen where the "master" himself performs the exact same steps in both sequences. Amazing!
The only sad note of the documentary is to see how Lena Horne, a talented and gorgeous black woman who was employed by the studio, but was never given a starring role on films that involved other white actors. In fact, it's a shame she lost a plum role in "Showboat" because of the discrimination at the time.
It was great to watch the MGM stars narrating the different segments. Thus, we saw June Allyson, Cyd Charisse, Ann Miller, Gene Kelly, Debbie Reynolds, Esther Williams, Howard Keel introducing the different production numbers in the documentary.
Without a doubt, Hollywood was a factory of dreams and MGM was the best place where they came true.
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