Broadway producer Johnny Demming courts big-name talent for his upcoming musical show, oblivious to the talent all around him, in his family and friends. When Johnny finally lands Hollywood... See full summary »
Roy Del Ruth
Louisa May Alcott's autobiographical account of her life with her three sisters in Concord Mass in the 1860s. With their father fighting in the civil war, the sisters: Jo, Meg, Amy and Beth... See full summary »
At the turn of the century, Duke and Chester, two vaudeville performers, go to Alaska to make their fortune. On the ship to Skagway, they find a map to a secret gold mine, which had been ... See full summary »
The idea for a third edition was pitched by MGM/UA Home Video head George Feltenstein to then MGM/UA president Alan Ladd Jr. Feltenstein had typed up a list of musical numbers for a potential third movie back in 1976 after returning home from That's Entertainment, Part II (1976). Ladd approved the pitch, but because Feltenstein was a studio exec, he didn't get a screen credit for his contribution. See more »
MGM's dream factory created a rich, romantic, compelling world of illusion. And although we may not see anything like it again, we're blessed with memories and miles and miles of film. In the words of Irving Berlin, "The song has ended, but the melody lingers on."
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Production stills from MGM musicals are shown under the end credits. See more »
The third installment of musical clips from the MGM vaults. I'm a sucker for musicals and "That's Entertainment! III" was a huge surprise. I thoroughly liked the first part ("That's Entertainment!"); the second installment ("That's Entertainment, Part II") was decent but not that memorable, but this third compilation towers over its predecessors. One of the riches of the "That's Entertainment!III" is that the filmmakers are very critical and passionate about the subject. As much as they are paying homage to the glory of the MGM dream factory, they are also depicting the skill and the hard work that go along with it. This is perhaps the reason serious film critics seem to rhapsodize about it. Lots of pleasant & glorious moments, featuring many musical numbers, most of them cut from the original releases. Particularly revealing are: Eleanor Powell's tap dancing in "Lady Be Good" (in split-screen while the camera moving along with her); Lena Horne speaks about the prejudiced policies at MGM, introducing a nice censored bath scene from "A Cabin the Sky"; and Debbie Reynolds' rare number "You're My Lucky Star", cut from "Singin' in the Rain".
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