At the turn of the century, Duke and Chester, two vaudeville performers, go to Alaska to make their fortune. On the ship to Skagway, they find a map to a secret gold mine, which had been ... See full summary »
Broadway producer Johnny Demming courts big-name talent for his upcoming musical show, oblivious to the talent all around him, in his family and friends. When Johnny finally lands Hollywood... See full summary »
Roy Del Ruth
Louisa May Alcott's autobiographical account of her life with her three sisters in Concord Mass in the 1860s. With their father fighting in the civil war, the sisters: Jo, Meg, Amy and Beth... See full summary »
Originally pitched as a special for Turner Classic Movies. See more »
MGM's dream factory created a rich, romantic, compelling world of illusion. And although we may not see anything like it again, we're blessed with memories and miles and miles of film. In the words of Irving Berlin, "The song has ended, but the melody lingers on."
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A notice in the end credits says that "The MGM musical classics excerpted in this film are available in their entirety on videocassette and laser disc from MGM/UA home video." See more »
The final instalment in MGM's nostalgia fest of old musical clips is presented in much the same way as the first one twenty years earlier, as several luminaries from the studio's past are wheeled out in front of the cameras to reminisce on their time under contract. The film also marks the final appearance of an obviously ailing Gene Kelly, who introduces and closes the proceedings with some poignancy.
Others involved are Donald O'Connor, Mickey Rooney, June Allyson, Lena Horne, Ann Miller, and Esther Williams, and the clips include outtakes and unused material for the first time (a lavish production number intended for The Harvey Girls; Judy Garland's Mr Monotony' from Easter Parade, where she wears her trademark tuxedo and tights for the first time; and early clips from 1930s musicals which were junked).
We also see how an Eleanor Powell number was filmed, with stagehands rearranging the set to allow the camera to get close; and see a comparison of a Fred Astaire number in two different set-ups.
A good attempt to tidy up all the clips we hadn't already seen in TE 1 and 2, and worth a couple of hours of your time.
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