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[last lines]
Gene Kelly:
MGM's dream factory created a rich, romantic, compelling world of illusion. And although we may not see anything like it again, we're blessed with memories and miles and miles of film. In the words of Irving Berlin, "The song has ended, but the melody lingers on."
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Crazy Credits
Production stills from MGM musicals are shown under the end credits. See more »
The final instalment in MGM's nostalgia fest of old musical clips is presented in much the same way as the first one twenty years earlier, as several luminaries from the studio's past are wheeled out in front of the cameras to reminisce on their time under contract. The film also marks the final appearance of an obviously ailing Gene Kelly, who introduces and closes the proceedings with some poignancy.
Others involved are Donald O'Connor, Mickey Rooney, June Allyson, Lena Horne, Ann Miller, and Esther Williams, and the clips include outtakes and unused material for the first time (a lavish production number intended for The Harvey Girls; Judy Garland's Mr Monotony' from Easter Parade, where she wears her trademark tuxedo and tights for the first time; and early clips from 1930s musicals which were junked).
We also see how an Eleanor Powell number was filmed, with stagehands rearranging the set to allow the camera to get close; and see a comparison of a Fred Astaire number in two different set-ups.
A good attempt to tidy up all the clips we hadn't already seen in TE 1 and 2, and worth a couple of hours of your time.
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The final instalment in MGM's nostalgia fest of old musical clips is presented in much the same way as the first one twenty years earlier, as several luminaries from the studio's past are wheeled out in front of the cameras to reminisce on their time under contract. The film also marks the final appearance of an obviously ailing Gene Kelly, who introduces and closes the proceedings with some poignancy.
Others involved are Donald O'Connor, Mickey Rooney, June Allyson, Lena Horne, Ann Miller, and Esther Williams, and the clips include outtakes and unused material for the first time (a lavish production number intended for The Harvey Girls; Judy Garland's Mr Monotony' from Easter Parade, where she wears her trademark tuxedo and tights for the first time; and early clips from 1930s musicals which were junked).
We also see how an Eleanor Powell number was filmed, with stagehands rearranging the set to allow the camera to get close; and see a comparison of a Fred Astaire number in two different set-ups.
A good attempt to tidy up all the clips we hadn't already seen in TE 1 and 2, and worth a couple of hours of your time.