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Satantango (1994)
"Sátántangó" (original title)

 -  Comedy | Drama  -  28 April 1994 (Hungary)
8.5
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Ratings: 8.5/10 from 4,904 users  
Reviews: 44 user | 43 critic

In a small, dilapidated village in 1990s Hungary, life has come to a virtual stand-still. The Autumn rains have started. A few of the villagers expect to receive a large cash payment that ... See full summary »

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Title: Satantango (1994)

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Cast

Cast overview, first billed only:
Mihály Vig ...
Putyi Horváth ...
Petrina (as Dr. Putyi Horváth)
László feLugossy ...
Schmidt
Éva Almássy Albert ...
Schmidtné (as Éva Almási Albert)
János Derzsi ...
Kráner
Irén Szajki ...
Kránerné
Alfréd Járai ...
Halics
Miklós Székely B. ...
Erzsébet Gaál ...
Halicsné
György Barkó ...
Iskolaigazgató
Zoltán Kamondi ...
Kocsmáros
Barna Mihók ...
Kerekes
Péter Dobai ...
András Bodnár ...
Horgos Sanyi
Erika Bók ...
Estike
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Storyline

In a small, dilapidated village in 1990s Hungary, life has come to a virtual stand-still. The Autumn rains have started. A few of the villagers expect to receive a large cash payment that evening, and then plan to leave. Some want to abscond earlier with more than their fair share of the money. However they hear that the smooth-talking Irimias, whom they thought had died, is returning. They are apprehensive that he will take all their money in one of his grandiose schemes to keep the community going. Written by Will Gilbert

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

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Details

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Release Date:

28 April 1994 (Hungary)  »

Also Known As:

Satantango  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

The movie was filmed between 4 February 1992 and 16 January 1994. See more »

Quotes

Futaki: I shouldn't drink. When I do I keep thinking of coffins.
See more »

Connections

Referenced in Elephant (2003) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
It grows!
12 December 2004 | by (Taipei) – See all my reviews

I saw SATANTANGO about ten years ago. At that time, I found it impressive, but quite an ordeal to sit through. But then, years later, I realized I kept thinking back to the images and rhythms of this film. It grows. I also saw other very long movies with very long takes, like TAIGA by Ulrike Ottinger (8 hours) and FROST by Tarr's student Fred Kelemen (4 hours); they didn't work. SATANTANGO stayed with me, like two other films by Tarr, DAMNATION and WERCKMEISTER HARMONIES. Today I consider it as one of the greatest movie experiences I ever had. I do not know how Tarr pulls this off; his most effective takes often seem simple and straightforward. It must be magic. By the way, Gus Van Sant's ELEPHANT uses similar techniques at times (long shots of people walking), and Van Sant acknowledged Tarr's influence.


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