Satantango
(1994)
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Satantango
(1994)
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| Credited cast: | |||
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Mihály Vig | ... |
Irimiás
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Putyi Horváth | ... |
Petrina
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László feLugossy | ... |
Schmidt
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Éva Almássy Albert | ... |
Schmidtné
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János Derzsi | ... |
Kráner
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Irén Szajki | ... |
Kránerné
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Alfréd Járai | ... |
Halics
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Miklós Székely B. | ... |
Futaki
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Erzsébet Gaál | ... |
Halicsné
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Erika Bók | ... |
Estike
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| Rest of cast listed alphabetically: | |||
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György Barkó | ... |
Iskolaigazgató
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Peter Berling | ... |
Orvos
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András Bodnár | ... |
Horgos Sanyi
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Ilona Bojár | ... |
Horgosné
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Péter Dobai | ... |
Százados
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In a small dilapidated village in 1990s Hungary, life has come to a virtual standstill. The autumn rains have started. The villagers expect to receive a large cash payment that evening, and then plan to leave. Some want to abscond earlier with more than their fair share of the money. However they hear that the smooth talking Irimias, whom they thought had died, is coming back. They are apprehensive that he will take all their money in one of his grandiose schemes to keep the community going. Written by Will Gilbert
I saw SATANTANGO about ten years ago. At that time, I found it impressive, but quite an ordeal to sit through. But then, years later, I realized I kept thinking back to the images and rhythms of this film. It grows. I also saw other very long movies with very long takes, like TAIGA by Ulrike Ottinger (8 hours) and FROST by Tarr's student Fred Kelemen (4 hours); they didn't work. SATANTANGO stayed with me, like two other films by Tarr, DAMNATION and WERCKMEISTER HARMONIES. Today I consider it as one of the greatest movie experiences I ever had. I do not know how Tarr pulls this off; his most effective takes often seem simple and straightforward. It must be magic. By the way, Gus Van Sant's ELEPHANT uses similar techniques at times (long shots of people walking), and Van Sant acknowledged Tarr's influence.