| Photos (see all 14 | slideshow) |
| Jack Thompson | ... | Harry Mitchell | |
| Russell Crowe | ... | Jeff Mitchell | |
| John Polson | ... | Greg | |
| Deborah Kennedy | ... | Joyce Johnson | |
| Joss Moroney | ... | Young Jeff | |
| Mitch Mathews | ... | Gran | |
| Julie Herbert | ... | Mary | |
| Des James | ... | Football Coach | |
| Mick Campbell | ... | Footballer | |
| Donny Muntz | ... | Ferry Captain | |
| Jan Adele | ... | Barmaid | |
| Rebekah Elmaloglou | ... | Jenny Johnson | |
| Lola Nixon | ... | Desiree | |
| Sally Cahill | ... | Greg's Mother | |
| Bob Baines | ... | Greg's Father | |
| Paul Freeman | ... | George | |
| Walter Kennard | ... | Barman | |
| Stuart Campbell | ... | Leather Man | |
| Graham Drake | ... | Leather Man | |
| Elaine Lee | ... | Woman on Train | |
| Ross Anderson | ... | Gardener | |
| Michael Burgess | ... | Foreman | |
| John Rhall | ... | Dad's Brother | |
| Helen Williams | ... | Brother's Wife | |
| Jan Merriman | ... | Nurse |
Directed by | |||
| Geoff Burton | |||
| Kevin Dowling | |||
Writing credits(in alphabetical order) | ||
| David Stevens | play | |
| David Stevens | screenplay | |
Produced by | |||
| Rod Allan | .... | line producer | |
| Kevin Dowling | .... | co-executive producer | |
| Hal Kessler | .... | co-executive producer | |
| Hal McElroy | .... | executive producer | |
| Donald Scatena | .... | co-executive producer | |
| Errol Sullivan | .... | executive producer | |
Original Music by | |||
| David Faulkner | |||
Cinematography by | |||
| Geoff Burton | |||
Film Editing by | |||
| Frans Vandenburg | |||
Casting by | |||
| Faith Martin | |||
Production Design by | |||
| Graham 'Grace' Walker | |||
Art Direction by | |||
| Ian Gracie | |||
Set Decoration by | |||
| Kerrie Brown | |||
Costume Design by | |||
| Louise Spargo | |||
Makeup Department | |||
| Lesley Rouvray | .... | makeup supervisor | |
| Adele Wilcox | .... | assistant makeup artist | |
Production Management | |||
| Anne Bruning | .... | production manager | |
| Dennis Hulm | .... | assistant unit production manager | |
| Will Matthews | .... | unit production manager | |
| Laurie Pettinari | .... | assistant unit production manager | |
Second Unit Director or Assistant Director | |||
| Guy Campbell | .... | third assistant director | |
| Carolynne Cunningham | .... | first assistant director | |
| Henry Osborne | .... | second assistant director | |
Art Department | |||
| Tom Churchill-Brown | .... | stand-by props | |
| Geoff Howe | .... | construction manager | |
| Faith Robinson | .... | set dresser | |
| Jonathon Tidball | .... | art department assistant | |
| Faith Robinson | .... | props buyer (uncredited) | |
Sound Department | |||
| Ross Brewer | .... | dialogue editor | |
| Ross Brewer | .... | foley editor | |
| Helen Brown | .... | sound effects editor | |
| Craig Butters | .... | foley editor | |
| Craig Butters | .... | sound assistant | |
| John Dennison | .... | foley editor | |
| John Dennison | .... | sound mixer | |
| Mary Dennison | .... | sound assistant | |
| Sue Kerr | .... | boom operator | |
| John Patterson | .... | sound effects editor | |
| John Patterson | .... | supervising sound editor | |
| Leo Sullivan | .... | sound recordist | |
| Tony Vaccher | .... | dialogue editor | |
| Tony Vaccher | .... | sound mixer | |
Camera and Electrical Department | |||
| Grant Atkinson | .... | electrician | |
| Robbie Burr | .... | best boy electric | |
| Leilani Hannah | .... | focus puller | |
| David Hansen | .... | grip | |
| Josie Keys | .... | clapper loader | |
| Kathryn Milliss | .... | camera operator | |
| Jonny Pasvolsky | .... | camera attachment (as Jonathon Pasvolsky) | |
| Ian Plummer | .... | gaffer | |
| Jimmy Pozarik | .... | still photographer | |
| Simon Quaife | .... | key grip | |
Casting Department | |||
| Sarah Kants | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Lyn Askew | .... | wardrobe coordinator | |
| Gabrielle Dunn | .... | stand-by wardrobe | |
| Kelly May | .... | wardrobe assistant | |
Editorial Department | |||
| Arthur Cambridge | .... | color timer | |
| Lindi Harrison | .... | assistant film editor | |
| Brian Jamieson | .... | negative cutter | |
| Jane Maguire | .... | additional assistant film editor | |
| Karen Psaltis | .... | negative cutter | |
| Shawn Seet | .... | associate film editor | |
| Danielle Wiessner | .... | additional assistant film editor | |
Music Department | |||
| Jim Bonnefond | .... | music engineer | |
| Jim Bonnefond | .... | music mixer | |
| Charles Fisher | .... | music engineer | |
| Charles Fisher | .... | music mixer | |
| Charles Fisher | .... | music producer | |
| John Hopkins | .... | music supervisor | |
Other crew | |||
| Simon Cox | .... | production runner | |
| Glenn Folpp | .... | stand-in | |
| Grayden Le Breton | .... | unit assistant | |
| Andrew Marshall | .... | unit assistant | |
| Carol Prugh | .... | assistant: Mr. Dowling | |
| John Rhall | .... | stand-in | |
| Julie Sims | .... | production coordinator | |
| Bronwen Stokes | .... | assistant: Mr. McElroy | |
| Jo Weeks | .... | continuity | |
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| News articles | IMDb Comedy section | IMDb Australia section |
| Add this title to MyMovies |
The approach taken to this gay-themed light-drama is so low-keyed and matter-of-fact, it makes the whole idea of homosexuality seem rather staid. And that's a nice change of pace, although it's not exactly invigorating for the picture! Young gay Australian plumber lives with his widower dad; they both want a serious commitment with a special someone, and both find the path to romance rather rocky, but dad is fully committed to seeing that his "poof" son finds a partner who won't break his heart. It's based on a play, with the two leads occasionally speaking into the camera--yet this is an idea that isn't intrusive or unpleasant. Just the opposite: the film is so good-hearted that it borders on bland. The most surprising thing you can say about it is not the (discreet) man-on-man make-out scenes, but rather the fact it's Russell Crowe acting in them. Crowe, young but not green, is very affable in this movie, shy and sweet and tender, however it's raffish Jack Thompson as his papa who steals the scenes. **1/2 from ****