Jeffery, a young gay man in New York, decides that sex is too much and decided to become celibate. He immediately meets the man of his dreams and must decide whether or not love is worth ... See full summary »
Michael T. Weiss,
The story concerns a hapless civil servant who gets more than he bargained for when he moves into an apartment with a gay fashion student and finds himself on the catwalk. The film sets out... See full summary »
An English Professor tries to deal with his wife leaving him, the arrival of his editor who has been waiting for his book for seven years, and the various problems that his friends and associates involve him in.
In the 1970s, a young trans woman, Patrick "Kitten" Braden, comes of age by leaving her Irish town for London, in part to look for her mother and in part because her gender identity is beyond the town's understanding.
Set in Sydney, Australia. A (heterosexual) father and his gay son are trying to find Ms/Mr Right respectively. The film shows their relationships with one another and the objects of their affection as tradgedy strikes. There is no overt 'message' in the film, just a very natural, entertaining story-telling. Written by
Fred Curtis <firstname.lastname@example.org>
This movie took me by surprise, it is personable, sincere and utterly Australian. It explores its themes in a beautiful manner, through the relationships between family, especially father and son. Don't be put off by Russel Crowe. I myself almost didn't watch it because he was in it, but I have to say, he did a brilliant job. He took the character and made it his own, and I feel no one else could have played the part any better. Take into account that this movie was originally a stage play, so there are various monologues and direct engagement with the audience. This at first is a little surprising and perhaps even uncomfortable, as we are so used to being purely observers when watching a movie. After initial surprise however I found the technique refreshing, it gave the film a more personable and intimate quality. I revel in how Australian this film is, the fact that I use the same brands of mustard and soy sauce which at one point appeared at the dinner table, made me unusually delighted and also pulled me into the realism which the film tries and succeeds in conveying. At risk of sounding patriotic, it almost made me proud to be Australian. This is probably one of my favourite movies, in its exploration of love and how it should not be dictated by the limits of our society.
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