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The Sum of Us (1994)

R  |   |  Comedy, Drama  |  8 March 1995 (USA)
7.4
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Ratings: 7.4/10 from 4,124 users  
Reviews: 68 user | 13 critic

A widowed father has to deal with two complex issues: while he is searching for "Miss Right," his son, who is in his 20s and gay, is searching for "Mr. Right."

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The Sum of Us (1994) on IMDb 7.4/10

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Cast

Cast overview, first billed only:
...
Harry Mitchell
...
...
Greg
...
Joyce Johnson
Joss Moroney ...
Young Jeff
Mitch Mathews ...
Gran
Julie Herbert ...
Mary
Des James ...
Football Coach
Mick Campbell ...
Footballer
Donny Muntz ...
Ferry Captain
Jan Adele ...
Barmaid
Rebekah Elmaloglou ...
Jenny Johnson
Lola Nixon ...
Desiree
Sally Cahill ...
Greg's Mother
...
Greg's Father
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Storyline

Set in Sydney, Australia. A (heterosexual) father and his gay son are trying to find Ms/Mr Right respectively. The film shows their relationships with one another and the objects of their affection as tradgedy strikes. There is no overt 'message' in the film, just a very natural, entertaining story-telling. Written by Fred Curtis <fred@cs.su.oz.au>

Plot Summary | Add Synopsis

Taglines:

We're all just . . . The Sum of Us. [Australia Theatrical] See more »

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for strong language and some sexuality | See all certifications »
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Details

Country:

Language:

Release Date:

8 March 1995 (USA)  »

Also Known As:

Die Summe der Gefühle  »

Box Office

Budget:

AUD 3,465,000 (estimated)

Gross:

$766,464 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Quotes

Harry Mitchell: Your grandmother said that to me once. 'The greatest explorers', she said, 'are the explorers of the human heart'.
Jeff Mitchell: Is that why she became a dyke?
Harry Mitchell: Your grandmother was not a dyke!
Jeff Mitchell: She was licking Aunt Mary's pussy for forty years, what else do you call it?
Harry Mitchell: She was not a dyke! A lesbian, perhaps... You shouldn't call her names! How would you like it if I went around and called you 'pansy', 'fairy', 'poofter'?
Jeff Mitchell: You do half the time!
Harry Mitchell: Only when I'm annoyed with you!
See more »

Connections

Featured in 40,000 Years of Dreaming (1997) See more »

Soundtracks

Sh-Boom
Written by Claude Feaster (as Feaster), James Keyes (as Keys), Floyd McRae (as McRae),
James Edwards (as Edwards)
Performed by The Chords
Courtesy of Atlantic Recording Group
See more »

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User Reviews

Russell Crowe gets the "Maximus" out of an early role...
13 June 2003 | by (Arlington, VA.) – See all my reviews

Saw this again for the first time for almost a decade, on the Sundance Channel during their Pride Festival. The character-to-camera (audience) device seems a lot stagier now than it did when I first saw it, but overall it doesn't mar any of the film's inherent bittersweet attraction.

I've always been a sucker for good father/son relationship movies, and this ranks up there with the best, and not because of the twist: Harry's (Jack Thompson) almost too-willing acceptance of his son's gayness. What makes it ultimately work is the true love, respect and affection that they have for one another, a bond that is sorely tested in the film's third.

Thompson is funny and engaging in a kind of role that he's not usually known for, (for that, see the excellent BREAKER MORANT.) And as for Russell...I saw this for the first time only weeks after seeing ROMPER STOMPER, and not only was it a startling contrast, but a sure-fire sign that this boyo was a talent to watch even in the early stages (now proven a thousand times over.)

And here's another refreshing difference: nobody's in OTT drag, (you can rent TO WONG FOO for that), nobody gets AIDS, OD's, commits suicide or otherwise meets the Grim Reaper most tragically, as gay characters are wont to do in most big-budget Hollyweird "gay-friendly" dramas.

David Stevens writing remains true to the joys of "Australiana" (a new word that I love, thanks to an earlier reviewer here), which means that some less-experienced viewers may find Harry's extremely tolerable demeanor and the turn from comedy to tragedy off-putting. (For other references to similar scenarios, see MURIEL'S WEDDING, SWEETIE and of course, MOULIN ROUGE.)

But for me, it's a rare-look back at the kind of risk-taking that Russell may never again explore in his career. More than worth the cost of a rental or your time, if you can catch it.


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