The Sum of Us (1994)

A widowed father has to deal with two complex issues: while he is searching for "Miss Right," his son, who is in his 20s and gay, is searching for "Mr. Right."

Directors:

Geoff Burton, Kevin Dowling

Writers:

David Stevens (play), David Stevens (screenplay)

Stars:

Jack Thompson, Russell Crowe, John Polson

6 wins & 5 nominations.

Cast

Cast overview, first billed only:
Jack Thompson	...	Harry Mitchell
Russell Crowe	...	Jeff Mitchell
John Polson	...	Greg
Deborah Kennedy	...	Joyce Johnson
Joss Moroney	...	Young Jeff
Mitch Mathews	...	Gran
Julie Herbert	...	Mary
Des James	...	Football Coach
Mick Campbell	...	Footballer
Donny Muntz	...	Ferry Captain
Jan Adele	...	Barmaid
Rebekah Elmaloglou	...	Jenny Johnson
Lola Nixon	...	Desiree
Sally Cahill	...	Greg's Mother
Bob Baines	...	Greg's Father

Storyline

Set in Sydney, Australia. A (heterosexual) father and his gay son are trying to find Ms/Mr Right respectively. The film shows their relationships with one another and the objects of their affection as tradgedy strikes. There is no overt 'message' in the film, just a very natural, entertaining story-telling.

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Plot Keywords:

gay | sydney australia | gay son | australia | tearjerker | 

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Taglines:

How's a guy supposed to find Mr. Right when his dad won't stop trying to help?

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Genres:

Comedy | Drama

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Motion Picture Rating (MPAA)

Rated R for strong language and some sexuality

Details

Country:

Australia

Language:

English

Release Date:

8 March 1995 (USA)

Also Known As:

Die Summe der Gefühle

Filming Locations:

Balmain, Sydney, New South Wales, Australia

Box Office

Budget:

AUD 3,465,000 (estimated)

Gross:

$766,464 (USA)

Company Credits

Production Co:

Australian Film Finance Corporation (AFFC), Great Sum Film Limited Partnership, Samuel Goldwyn Company, The

Technical Specs

Runtime:

100 min

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Quotes

Jeff Mitchell: Life would be pretty shitty without plumbing.

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Connections

Featured in 40,000 Years of Dreaming (1997)

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Soundtracks

"Can We Get Closer"
Written by Diesel
Performed by Diesel
Courtesy of EMI Music Australia

User Reviews

Russell Crowe gets the "Maximus" out of an early role...

Saw this again for the first time for almost a decade, on the Sundance Channel during their Pride Festival. The character-to-camera (audience) device seems a lot stagier now than it did when I first saw it, but overall it doesn't mar any of the film's inherent bittersweet attraction.

I've always been a sucker for good father/son relationship movies, and this ranks up there with the best, and not because of the twist: Harry's (Jack Thompson) almost too-willing acceptance of his son's gayness. What makes it ultimately work is the true love, respect and affection that they have for one another, a bond that is sorely tested in the film's third.

Thompson is funny and engaging in a kind of role that he's not usually known for, (for that, see the excellent BREAKER MORANT.) And as for Russell...I saw this for the first time only weeks after seeing ROMPER STOMPER, and not only was it a startling contrast, but a sure-fire sign that this boyo was a talent to watch even in the early stages (now proven a thousand times over.)

And here's another refreshing difference: nobody's in OTT drag, (you can rent TO WONG FOO for that), nobody gets AIDS, OD's, commits suicide or otherwise meets the Grim Reaper most tragically, as gay characters are wont to do in most big-budget Hollyweird "gay-friendly" dramas.

David Stevens writing remains true to the joys of "Australiana" (a new word that I love, thanks to an earlier reviewer here), which means that some less-experienced viewers may find Harry's extremely tolerable demeanor and the turn from comedy to tragedy off-putting. (For other references to similar scenarios, see MURIEL'S WEDDING, SWEETIE and of course, MOULIN ROUGE.)

But for me, it's a rare-look back at the kind of risk-taking that Russell may never again explore in his career. More than worth the cost of a rental or your time, if you can catch it.