A soldier is dumped on a waste disposal planet and lives among a community of crash survivors on the planet and takes it upon himself to defend his new home when genetic engineered soldiers are ordered to eliminate the crash survivors.
Paul W.S. Anderson
Jason Scott Lee,
In 1928, in Egypt, a strange device is found by an expedition. In the present days, the outcast linguist Dr. Daniel Jackson is invited by a mysterious woman to decipher an ancient hieroglyph in a military facility. Soon he finds that the device was developed by an advanced civilization and opens a portal to teletransport to another planet. Dr. Jackson is invited to join a military team under the command of Colonel Jonathan 'Jack' O'Neil that will explore the new world. They find a land that recalls Egypt and humans in a primitive culture that worship and are slaves to Ra, the God of the Sun. But soon they discover the secret of the mysterious "stargate". Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Theatrical trailer and promo reel found on the European DVD (distributed by Kinowelt/Momentum) include extensions or snippets of additional scenes which are neither included in the theatrical cut nor in the special edition version of the film: - one of the guards appears behind Sha'uri and Daniel. This is presumably from the scene where Sha'uri gets shot - when Sha'uri is in the sarcophagus, Ra holds his hand above her - a different take of the scene where Ra punishes his guard. Here Ra is seen from the side - village scene at the beginning is longer - longer entrance of Ra at the assembly. O'Neill and his men are pushed down by the guards - extended entry to the control room. Daniel gets an explanation of how things work. You see that the conference room is directly above the control room - extended activation of the Stargate. You see more of the two technicians operating the Stargate. General West orders final evacuation. The two technicians leave the control room. O'Neill looks back at West. West leaves the conference room and the shutters close See more »
Dr. Jackson at one point refers to the writing as "hieroglyphics," which no self-respecting Egyptologist would ever do. "Hieroglypic" is an adjective. An Egyptologist would call the writing either "hieroglyphs" or "hieroglyphic writing." See more »
Stargate's plot, acting, and score all contribute beautifully to the mysterious ambiance that is the essence of this enthralling and suspenseful film. While your disbelief definitely needs to be suspended to cover some inconsistencies, the atmosphere and action of the movie make it worth your while. Not only does Stargate combine science fiction with history, but it weaves them together in a way that remains exciting the entire film, despite major changes of environment. Upon hearing some major elements of the film, one might think that aliens, ancient Egypt, and atomic bombs could only come together in some kind of bizarre montage. However, this film is strongly plot-driven, and while this does make it typical in some respects, the plot itself is remarkable. Hardly artsy, the score is in many places Hollywood-ish, presenting emotion in a straightforward manner, yet it too is enjoyable. None of the acting is spectacular, but this is made up for by the characters' wholesome qualities and ability to change (however slightly) over the course of the movie. To summarize, while nothing in the film is a complete divergence from the standard, it follows the Hollywood style in a manner that is original enough to make a solid and enjoyable adventure. This is the actualization of the potential within the Hollywood film "template": a good story told well in all respects. [9/10]
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