The Borg go back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.
On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
A century before Captain Kirk's five-year mission, Jonathan Archer captains the United Earth ship Enterprise during the early years of Starfleet, leading up to the Earth-Romulan War and the formation of the Federation.
In the late 23rd century, the gala maiden voyage of the newly-christened Enterprise-B boasts such luminaries as Pavel Chekov, Montgomery Scott and the legendary Captain James T. Kirk as guests. But the maiden voyage turns to disaster as the unprepared starship is forced to rescue two transport ships from a mysterious energy ribbon. The Enterprise manages to save a handful of the ships' passengers and barely succeeds out intact... but at the cost of Captain Kirk's life. 78 years later, Captain Jean-Luc Picard and the Enterprise-D crew find themselves at odds with renegade scientist Dr. Tolian Soran... who is destroying entire star systems. Only one man can help Picard stop Soran's scheme... and he has been dead for 78 years. Written by
Gregory A. Sheets <firstname.lastname@example.org>
This was the first Star Trek film to be produced and filmed after the death of Gene Roddenberry. Following his death, the Star Trek creative team began using story ideas and concepts that Roddenberry was opposed to, which included the teaming up of Star Trek (1966): The Original Series and Star Trek: The Next Generation (1987) characters. See more »
During the saucer separation sequence, there is a brief shot from under the Enterprise-D showing the saucer leaving the stardrive section. In that shot, what appear to be stars can be seen through the saucer itself, seemingly, due to ineffective or incorrect compositing. However, some of these "stars" appear to move, suggesting they are in fact jetsam being released from the docking area. See more »
[the journalists are all talking at the same time, trying to get their questions in]
How does it feel to be back on the Enterprise bridge?
Captain Chekov, what are the most significant changes...
Captain Kirk, can I ask you a few questions?
Did you participate in the redesign?
We'd like to know how you feel about being...
I appreciate the...
Excuse me. Excuse me. Excuse me. There will be plenty of time for questions later. I'm Captain John Harriman and I'd like to welcome you all ...
[...] See more »
To illustrate the horrible-ness of the film to the best, Star Trek: Generations is to the original crew films as to what Star Wars: The Phantom Menace is to the original Star Wars trilogy. Horrible! Whilst perhaps not as horrible as The Phantom Menace and the two horrid sequels that followed, Star Trek Generations gets plenty wrong for what is yet another perfect illustration of a horrible Star Trek film and perfectly justifies the statement that all Star Trek films with an odd number are poor, with the exception of The Search for Spock.
Following the presumed death of Captain James T. Kirk, over 70 years later, The Enterprise has fallen into the hands of Captain Picard who deals with family strains whilst a new threat is under way. A surviver of an accident, that isn't carefully explained nor dealt with, has begun his attack on a star that when destroyed, will somehow give way to be able to visit the Nexus, which is a dream like world that presents the best and the happiest moments to anyone and everyone.
The film suffers on almost every single aspect. The story is poor, but it goes even beyond this. It's not just a poor story and poor writing, but the story leaves no impact on us, as we have no idea who these new characters are. Much like how the original crew were first presented in Star Trek: The Motion Picture, the characters here are presented extremely ridiculously and annoyingly, the greatest of them being Data, who could have come off as an interesting android for the remainder of this franchise but is literally depicted as Jar Jar Binks. Now, it is clearly evident where George Lucas got his influence from. See, Spock was a fatherly figure and a wise man and was an interesting and likable character. Data is supposed to be a similar character but here is presented in the most horrid manner much like how we were apparently supposed to view Jar Jar as a Yoda type character. Such event is referred to as deliberately taking a sh*t on one's head! Data is annoying and is horrible jokes about an emotion chip and how he is suddenly able to understand jokes that were told years ago is not funny, its downright ridiculous. And not in a good way like in Monty Python and the Holy Grail. This character should've been presented far better and horrible writing is clearly evident here. Not only is Data poorly written, so is Picard who throughout the film deals with such family issues, having recently received the news that his family has died. Two things make this completely a forgettable and unnecessary sub plot to the film: This is the first time we even know who Picard is. There is obviously no reference in the original series due to the fact that this takes place over 70 years later. And secondly, the story about his family is hardly elaborated in anyway whatsoever and is instead, thrown in from the air and just left in a steady place. More poor writing is evident here. Each character is poorly written, to the fullest. The villain in the film, played by Malcolm McDowell, is yet again, another one of the many examples of poor writing in the film. His plan and his plot in the film is quickly summed up and almost never really referred to. Had he been written well, Soran could be a similar villain to Khan from the great 'Wrath of Khan'. Apparently in the film, Soran deals with personal issues of his own. Maybe This character is hardly explained, due to horrible writing and has quite a silly and ridiculous plot. Whereas Star Trek 5 was ridiculous, it was not to this extent. The villain had a purpose that seemed more legit than here.
Special effects are the same as all Star Trek films. Not great but decent enough for a pass. The acting is good, I would possibly say. Patrick Stewart as Picard is a great choice as is Malcolm McDowell as Soran but both are utterly wasted in this film. Returning is William Shatner, early on in the film as Captain James T. Kirk, in the best proportion of the film and returning late in the film in an extremely ridiculous concept.
The best part of the film is the opening proportion as it cleverly resembles a good Star Trek film dealing with Kirk's desperation to get back into the captain's chair. Everything after this, is downhill ***SPOILERS*** The film suffers a lot in every way possible but here is when it is clearly evident that this is a truly horrible film. Our main character, James T Kirk, who has been loved by all is killed at the very end of the film in the most ridiculous and one of the most anticlimactic deaths to one of the great heroes. He dies and this scene shares no emotion like good Trek films do. When your main character, that you've loved so long, is killed and you laugh, that there is the perfect example of poor writing.
***END OF SPOILERS*** Star Trek: Generations, is in my opinion, the second worst film of the franchise, winning the silver medal with a gold going to the first Star Trek film. This film pretty much ensures that all odd numbered Star Trek films are terrible, with one small exception. Badly written, with a lame story and undeveloped characters, due to poor writing, Star Trek Generations is an utter failure. To imagine this movie, it is the Phantom Menace of Star Trek. To illustrate, prior to the making of the film, the director realized it was the 7th instalment and that it had to be horrible, and so asked for some horrible writing and extremely poor character development This film is a complete failure in every aspect.
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