| Ruth Cracknell | ... | Rose Dougherty | |
| Simon Bossell | ... | Spider McCall | |
| Max Cullen | ... | Jack | |
| Lewis Fitz-Gerald | ... | Robert Dougherty | |
| Jennifer Cluff | ... | Helen Dougherty | |
| Harry Tritton | ... | Paddy | |
| Heidi Lapaine | ... | Nurse Maguire | |
| Tina Bursill | ... | Sister Abbott | |
| Emily Dawe | ... | Ambulance Officer | |
| Marshall Napier | ... | Henderson | |
| Beth Champion | ... | Nurse Price | |
| Brian Vriends | ... | Spider's Mate | |
| Helen O'Connor | ... | Distressed Mother | |
| David Cockburn | ... | Dying Boy | |
| Bruce Venables | ... | Semi-Trailer Driver | |
| Judith Stratford | ... | Hospital Sister | |
| Nellie Bennett | ... | Sarah | |
| Henry Bennett | ... | Miles | |
| Vivian Goulding | ... | Band (The Music Makers) | |
| John Haberecht | ... | Band (The Music Makers) | |
| William Kosseris | ... | Band (The MusicMakers) | |
| Barry Stutsel | ... | Band (The Music Makers) | |
| Bob Baines | ... | Ambo Officer Muggleston |
Directed by | |||
| Bill Bennett | |||
Writing credits(in alphabetical order) | ||
| Bill Bennett | writer | |
Produced by | |||
| Lyn McCarthy | .... | producer | |
| Julia Overton | .... | line producer | |
| Graeme Tubbenhauer | .... | producer | |
Original Music by | |||
| The Cruel Sea | |||
Cinematography by | |||
| Andrew Lesnie | |||
Film Editing by | |||
| Henry Dangar | |||
Casting by | |||
| Alison Barrett | |||
Production Design by | |||
| Ross Major | |||
Art Direction by | |||
| Robert Moxham | |||
Costume Design by | |||
| Ross Major | |||
Makeup Department | |||
| Kathy Courtney | .... | makeup assistant | |
| Nikki Gooley | .... | hair stylist | |
| Nikki Gooley | .... | makeup artist | |
Production Management | |||
| Brenda Pam | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Geoffrey Giuffre | .... | third assistant director | |
| Maria Phillips | .... | second assistant director | |
| Chris Webb | .... | first assistant director | |
Art Department | |||
| Ian Doig | .... | construction manager | |
| Murray Gosson | .... | stand-by props | |
| Andrew Short | .... | property buyer | |
| Andrew Short | .... | set dresser | |
Sound Department | |||
| Syd Butterworth | .... | sound recordist | |
| Leigh Elmes | .... | sound assistant | |
| Antony Gray | .... | dialogue editor | |
| Simon Hewitt | .... | post-sync recordist | |
| Phil Heywood | .... | sound mixer | |
| Graham McKinney | .... | boom operator | |
| Martin Oswin | .... | assistant sound mixer | |
| Jane Paterson | .... | sound assistant | |
| Andrew Plain | .... | supervising sound editor | |
| John Simpson | .... | foley artist | |
| Peter Townend | .... | sound effects editor | |
Stunts | |||
| Glenn Boswell | .... | stunt coordinator | |
| Glenn Boswell | .... | stunt double | |
| Richard Boué | .... | stunt driver | |
| Andy Clarke | .... | stunt driver | |
| Bernadette Van Gyen | .... | stunt double | |
| Lawrence Woodward | .... | stunt driver | |
Camera and Electrical Department | |||
| Robert Agganis | .... | assistant camera: second unit | |
| Ian Bird | .... | head grip | |
| Ray Brown | .... | key grip | |
| Katrina Crook | .... | assistant camera: second unit | |
| Colin Deane | .... | focus puller | |
| Lorrie Graham | .... | still photographer | |
| Stephen Gray | .... | electrician | |
| Andrew Lesnie | .... | camera operator | |
| John Morton | .... | gaffer | |
| Geoffrey Owen | .... | Steadicam operator (as Geoff Owen) | |
| Geoffrey Owen | .... | camera operator: second unit (as Geoff Owen) | |
| Paul Sellgren | .... | best boy | |
| Michael Vivian | .... | grip (as Mick Vivian) | |
| Steve Wells | .... | grip | |
| Jules Wurm | .... | clapper loader | |
Casting Department | |||
| Judith Cruden | .... | extras casting | |
Costume and Wardrobe Department | |||
| Julie Middleton | .... | costume supervisor | |
| Nina Parsons | .... | costume stand-by | |
Editorial Department | |||
| Margaret Bourke | .... | negative matcher | |
| Arthur Cambridge | .... | color grader | |
| Brian Jamieson | .... | negative matcher | |
| Bin Li | .... | assistant editor | |
| Karen Psaltis | .... | negative matcher | |
Music Department | |||
| Christine Woodruff | .... | music supervisor | |
Transportation Department | |||
| Tim Parry | .... | vehicle coordinator | |
Other crew | |||
| Kim Bostock | .... | unit assistant | |
| Cathy Burton | .... | unit assistant | |
| Jennifer Cluff | .... | script editor | |
| Alison Goodwin | .... | continuity | |
| Tony Melov | .... | title designer: main titles | |
| Wil Milne | .... | location manager | |
| Brett Nutting | .... | unit assistant | |
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| Clerks. | Walkabout | Kiss or Kill | The Odd Couple II | The Cars That Ate Paris |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Australia section | Add this title to MyMovies |
I think being an Australian would be a lot harder if it weren't for people like Ruth Cracknell. & it is interesting how much of her iconic work dealt with people who aren't spoken of much in polite society - the old. (see *Mother and Son*) This movie is another charming example, & it makes me crack up each time I see it. Sure, the 'street lingo' is out of date and the references to other bits of nineties culture won't stick to people who weren't there, but that is no reason for it to be kept out of the way like so many other Australian films. Because it IS very funny, and strange enough for some, the young still relate to the old these days.