| Robert Urich | ... | Spenser | |
| Avery Brooks | ... | Hawk | |
| Sonja Smits | ... | Carolyn Rogers | |
| J. Winston Carroll | |||
| Matthew Ferguson | |||
| Barbara Williams | ... | Susan Silverman | |
| Beatriz Pizano | ... | Juanita | |
| Maurice Dean Wint | ... | Esteva | |
| Ken James | ... | Bailey Rogers | |
| Alex Carter | ... | Lundquist | |
| Daniel Parker | ... | Spike | |
| Yvonne Moore | ... | Overcoat Cop | |
| Derek Keurvorst | ... | Tweed | |
| Elizabeth Shepherd | ... | Kingsley | |
| Natalia Jasen | ... | Virgie | |
| Patrick Patterson | ... | Wally | |
| David Calderisi | ... | Captain Henry | |
| Tim MacMenamin | ... | Second Man | |
| Matt Birman | ... | Red Mackinaw | |
| Lawrence Bayne | ... | Dave | |
| Shay Garner | ... | Norse | |
| Anita La Selva | ... | Emmy | |
| Ray Paisley | ... | Ray | |
| Paul Noiles | ... | Guard |
Directed by | |||
| Vic Sarin | |||
Writing credits(WGA) | ||
| Robert B. Parker | (character) | |
| Robert B. Parker | (written by) and | |
| Joan H. Parker | (written by) | |
Produced by | |||
| Michael J. Maschio | .... | producer | |
| Joan H. Parker | .... | coordinating producer | |
| Bob Rubin | .... | co-executive producer | |
| Ray Sager | .... | producer | |
| Bill Siegler | .... | co-executive producer | |
| Peter R. Simpson | .... | executive producer | |
| Fred B. Tarter | .... | executive producer | |
| Robert Urich | .... | co-executive producer | |
| Alan Wagner | .... | executive producer | |
| Susan M. Wagner | .... | executive producer | |
Original Music by | |||
| Paul Zaza | (as Paul J. Zaza) | ||
Cinematography by | |||
| Vic Sarin | |||
Film Editing by | |||
| Ron Wisman | |||
Casting by | |||
| Lucinda Sill | |||
Production Design by | |||
| Jo-Ann Chorney | |||
Set Decoration by | |||
| Jasna Stefanovic | |||
Costume Design by | |||
| Ruth Secord | |||
Makeup Department | |||
| Marie Nardella | .... | makeup department head | |
| Leon Van Dyk | .... | hair stylist | |
Production Management | |||
| Joseph E. Foley | .... | unit production manager: Boston (as Joe Foley) | |
| Alice O'Neil | .... | production manager | |
Art Department | |||
| Gordon Barnes | .... | first assistant art director | |
| Robert J. Lewis | .... | storyboard illustrator | |
| Jim Murrin | .... | property master | |
Sound Department | |||
| Mark Beck | .... | sound editor | |
| John Gare | .... | sound re-recording mixer | |
| Catherine Hutton | .... | dialogue editor | |
| Colin Jones | .... | boom operator | |
| Tom Mather | .... | sound recordist (as Thomas Mather) | |
| Phil Rodrigues | .... | foley artist | |
Special Effects by | |||
| Brock Jolliffe | .... | special effects coordinator | |
Stunts | |||
| Roy T. Anderson | .... | stunt double | |
| Randy Butcher | .... | stunts | |
| Rick Forsayeth | .... | stunt coordinator | |
| Steve Lucescu | .... | stunts | |
Camera and Electrical Department | |||
| Cynthia Barlow | .... | key grip | |
| John Dyer | .... | camera operator | |
| David McNichol | .... | gaffer (as David McNicoll) | |
Costume and Wardrobe Department | |||
| Diana Irwin | .... | key costumer | |
| Robyn Rosenberg | .... | key costumer (as Robyn Rosenberg-Levy) | |
Editorial Department | |||
| Stephen Humble | .... | assistant editor | |
Transportation Department | |||
| Chris Radley Walters | .... | transportation coordinator (as Christopher Radley-Walters) | |
| Erwin Roithmeier | .... | picture vehicle coordinator | |
Other crew | |||
| Dorothy Aufiero | .... | production coordinator: Boston | |
| Derek Brady | .... | location scout | |
| Maribeth Daley | .... | production secretary | |
| Karen Gnat | .... | coordinator: Ultra Entertainment | |
| Brad Jacques | .... | production assistant: Boston | |
| Alexandra MacKenzie | .... | production coordinator | |
| Susan Marucci | .... | script supervisor | |
| Roberta Mayer | .... | production accountant | |
| David Normand | .... | location manager: Boston | |
| Karen Perez | .... | assistant location manager | |
| Melissa Pinkus | .... | location manager | |
| Ann-Cathrin Schmidt | .... | production coordinator: Boston | |
| Elizabeth Wagner | .... | production coordinator: Boston | |
| Susan M. Wagner | .... | executive consultant (as Susan Wagner) | |
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| Jesse Stone: Death in Paradise | The Dead Pool | Tough Guys Don't Dance | Jesse Stone: Night Passage | Lethal Weapon 2 |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb USA section |
This is a remarkably faithful adaptation of Robert B. Parker's novel. Most of the changes -- Susan's personal involvement in the case -- simply help better convey Parker's writing on-screen.
Some changes are to be regretted: A nice sequence of the novel in which Spenser follows a lead and steals something of the Bad Guy's is given to Hawk, and happens off-screen. A character who's just plain dumb in the novel is retarded in the movie, necessitating a change in his fate that seriously damages the structure of the last act.
But nobody's ever done Parker's dialogue justice the way the late Robert Urich did, and, Mr. Parker's claims to the contrary, he was the perfect Spenser, and playing in a script adapted by Parker from his own novel, and filmed in locations that _looked_ like Massachusetts, this is as close as we've come yet to seeing a Robert B. Parker novel on-screen.