When one of Susan's former patients, a news reporter, turns up dead on the outskirts of Wheaton, the cocaine capitol of Massachusetts, she and Spenser head out to Wheaton to find out why he...
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Spenser is hired out by Hugh Dixon to track down the killers of his wife and daughters. He and Hawk are drawn into a huge plot involving assassination attempts on African leader Winston Boyko by some racist terrorist named Paul.
Joseph L. Scanlan
Spenser is hired to locate April Kyle, the missing daughter of Harry Kyle, millionaire and candidate for Governor. With the assistance of Hawk, Spenser travels from Boston's "Combat Zone" ... See full summary »
J. Winston Carroll
Candy Sloane, a news reporter that Spenser used to date, hires him out as backup while she investigates a credit card fraud ring that might be operating out of a previously-bankrupt movie ... See full summary »
This series features the character from Spenser for Hire. This time he is the star. We find Hawk now in Washington. D.C., and there he is called upon to help those who need his help or ... See full summary »
When one of Susan's former patients, a news reporter, turns up dead on the outskirts of Wheaton, the cocaine capitol of Massachusetts, she and Spenser head out to Wheaton to find out why he was killed, with Hawk tagging along, and end up getting involved with Felipe Esteva, the head of the cocaine smuggling ring who has the entire town in his pocket. Written by
Jeff Cross <firstname.lastname@example.org>
This is a remarkably faithful adaptation of Robert B. Parker's novel. Most of the changes -- Susan's personal involvement in the case -- simply help better convey Parker's writing on-screen.
Some changes are to be regretted: A nice sequence of the novel in which Spenser follows a lead and steals something of the Bad Guy's is given to Hawk, and happens off-screen. A character who's just plain dumb in the novel is retarded in the movie, necessitating a change in his fate that seriously damages the structure of the last act.
But nobody's ever done Parker's dialogue justice the way the late Robert Urich did, and, Mr. Parker's claims to the contrary, he was the perfect Spenser, and playing in a script adapted by Parker from his own novel, and filmed in locations that _looked_ like Massachusetts, this is as close as we've come yet to seeing a Robert B. Parker novel on-screen.
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