In order to foil an extortion plot, an FBI agent undergoes a face-transplant surgery and assumes the identity and physical appearance of a ruthless terrorist, but the plan turns from bad to worse when the same criminal impersonates the cop.
Neo and the rebel leaders estimate that they have 72 hours until 250,000 probes discover Zion and destroy it and its inhabitants. During this, Neo must decide how he can save Trinity from a dark fate in his dreams.
Bomber terrorist's elevator plan backfires, so he rigs a bomb to a LA city bus. The stipulation is: once armed, the bus must stay above 50 mph to keep from exploding. Also if LAPD Officer tries to unload any passengers off, Payne will detonate it. Joe Morton co-stars as Jack's superior, and Jeff Daniels supports Jack helping him try to defuse the bomb. Written by
Glenn Plummer's driver's license was taken away two days before his scene was scheduled to be filmed. See more »
At the award banquet they say the perpetrator of the elevator scheme is dead. How could they possibly know this without a body? See more »
Hey, this area's restricted.
Oh, hi. Yeah, I know. They called me down here. Some of this wiring got screwed up.
Nobody called it down to me. I'm going to have to see a work order.
Yeah, just a second. There you are.
[stabs workman in the ear with a screwdriver]
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In what is certainly Jan de bont's best film, and Keanu's best role before Neo, this has earned its place as one of the best action films ever. Good action films have good story lines to justify the explosions and violence. There is no exception here. The story is a simple one, which sets up the scenes for plenty of tension and action. If I was to make one criticism, I think it was in the part played by Dennis Hopper. He didn't come across as entirely convincing, but the rest of the film made up for this and it seems alright. It's a pity that de bont thought he could do it again in speed 2, and another pity that Sandra bullock agreed to be in it. Keanu made the right decision to not appear in this, as this seems a polar opposite to the first film. Ignore the second, the first is, to me, a classic in its genre.
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