| Jean-Pierre Marielle | ... | Pierre-François Le Clainche | |
| Richard Bohringer | ... | Jean-Jean | |
| Emmanuelle Seigner | ... | Odile | |
| Chantal Banlier | ... | Loulou | |
| Bernard Verley | ... | Ma tante | |
| Mathilde Seigner | ... | Tututt | |
| Nathalie Cardone | ... | Brigitte | |
| Nadia Barentin | ... | Gaby | |
| Maïté Nahyr | ... | Mado | |
| Christine Pascal | ... | Chantal | |
| rest of cast listed alphabetically: | |||
| Didier Bénureau | ... | Veste rouge | |
| Jean-Paul Bonnaire | ... | Yougo | |
| Noëlla Dussart | ... | Chipper | |
| Nathalie Gazdik | |||
| Pascale Jonville | ... | Fille Miami-Follies | |
| Catherine Mongodin | ... | Wagon | |
| Myriam Nedellec | ... | Fille Miami-Follies (as Myriam Anne) | |
| Caroline Picard | |||
| Jeanne Savary | ... | Cisca | |
| Sabine Tingry | ... | Fille Miami-Follies | |
| Cynthia Van Damme | ... | Fille Miami-Follies (as Cynthia Vandamme) | |
Directed by | |||
| Claude Miller | |||
Writing credits(in alphabetical order) | ||
| Claude Miller | writer | |
Produced by | |||
| Jean-Louis Livi | .... | producer | |
| Annie Miller | .... | producer | |
| Chris Sheridan | .... | producer | |
Original Music by | |||
| Pierre Boscheron | |||
| Vincent Glenn | |||
| Antoine Ouvrier | |||
Cinematography by | |||
| Guillaume Schiffman | |||
Film Editing by | |||
| Anne Lafarge | |||
Production Design by | |||
| Jean-Pierre Kohut-Svelko | |||
Costume Design by | |||
| Jacqueline Bouchard | |||
Production Management | |||
| Olivier Michel | .... | second assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Nathan Miller | .... | second assistant director (as Nathan Miler) | |
Sound Department | |||
| Paul Lainé | .... | sound | |
| Gérard Lamps | .... | sound re-recording mixer | |
| Jérôme Lévy | .... | foley artist | |
Camera and Electrical Department | |||
| Mathias Othnin-Girard | .... | second assistant camera | |
| Eric Vallée | .... | first assistant camera | |
| Bernard Wuthrich | .... | Steadicam operator | |
Other crew | |||
| Sylvie Koechlin | .... | script supervisor | |
| Véronique Malbequi | .... | choreographer | |
| Yann Nerot | .... | administrator | |
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| Broken Flowers | Human Nature | Montenegro | L'effrontée | Mon homme |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb France section | Add this title to MyMovies |
Claude Miller's epic erotic fantasy is an unclassifiably eccentric, beautiful cinematic dessert.
Long-in-the-tooth Jean-Pierre Marielle, a bored psychiatrist, falls hopelessly in love with with child-woman Emmanuelle Siegner( Odile) and leaves his comfortable environs (and wife) to go on the road -- and train -- with her.
Into this potentially explosive stew are woven a subplot about a carnival barker (Richard Bohringer), unfinished business with an ex-wife and ruminations on death and irresponsibility.
Miller's images are highly charged and gleefully erotic, and he uses a gorgeous signature tune, "Jump For Joy", to set and reset the tone. In one very hot sequence, the track is played as Miller cuts between Marielle riding an out-on-control bicycle and Seigner playing a game of tennis with herself. How the two threads meet is pure magic. And one will never forget the sweeping traveling shots that are so well shot and scored.
Nothing about the film is locked down, and that's what makes it so enjoyable. Like a new love affair, it is propelled by its own, exhuberant euphoria. It experiments, detours through some wonderful fantasy sequences and still manages to be highly involving and deeply moving.
The performances are all exemplary.