A computer programmer who, after his train breaks down, takes to wandering aimlessly through remote regions of La Pampa, Viedma and Carhue. he meets a succession of equally lost souls, ... See full summary »
A judge falls from the roof of the Federal Courthouse. A woman is murdered. Between them and the three sons of the judge there is a connection that will be investigated by a woman judge who... See full summary »
19-year-old Argentina Martin has a nearly fatal drug overdose. After that his mother sends him to Madrid, where his film director father (also called Martin) lives with his new much younger lover Alicia and gay actor friend Dante.
Juan Diego Botto,
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A viceroy and an archbishop take their posts in Mexico. A local nun, Sor Juana Inés de la Cruz (1651-1695), intrigues them. The viceroy and his wife find her brilliant and fascinating. The ... See full summary »
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Julio De Grazia
While in Argentina, renowned Mexican muralist David Siqueiros paints the mural "Ejercicio plástico" at the country home of newspaper owner Natalio Botana. Set in the 1930's, this lovely ... See full summary »
The film takes places in different time periods and countries. It narrates the story of a common man, who after entering into a deal with a strange character with superpowers, has the ... See full summary »
Stefany Carr Rollitt
A computer programmer who, after his train breaks down, takes to wandering aimlessly through remote regions of La Pampa, Viedma and Carhue. he meets a succession of equally lost souls, including a globe-trotting gambler, a circus owner whose performers left him "because the whole country was a circus: and a tarot card reader with large gaps in her knowledge of the future. Written by
Jim Wade <firstname.lastname@example.org>
One of the best - Una de las majores peliculas de todo tiempo
With the wanderer bleakness of a Sábato's "Héroes y Tumbas" - or better, with the "end of the road" tristesse, gallows-humor and absurdity of Onetti's "Cuando ya no importe" - piense en "Que el ultimo en irse apague la luz" (Montevideo's epitaph spray-painted on a marble wall of the airport) - but with a tanguero's nostaglia, a comradery and heartbreak of lost souls, a Cono Austral vision reminiscent of Hamsun's "Mysterier", of Kafka's "Prozess" (The Trial), but with the light, the perpetual wind, the sunsets, the rustic semi-ghost towns of Pampas, and an absurd, poetic love of life that despite all I suppose places it closer to Fellini - as though life were a concatenation of operatic scenes, mostly "recitativo", but interspersed with intimiate scenes, touching moments of failed dreams and haunting illusions, arias of exquisite beauty - evoked through the eye of an artist: quaint, charming, touching, sensual, eternal, all defining the question of life as a subtle joke. The final artistic trick is the knack of a graceful and timely exit, before the actor and his scene - his role on this stage called "earth" become grotesque. How did Shakespeare put it? And in how many words, how many scenes, how many emotions?
I haven't time to compose a proper critique - whatever - so scribble the above shreds of thought hoping they produce some intuitive vision of the magnificent - but simple, low-budget, humanistic work of art that is this film. I see no way to improve it. I wish there were more like it.
Though how many could I take? At least a year has past, yet I still haven't recovered from "Butterfly" - Jose Luis Cuerda's (Spain) equally simple but abrumadora pelicula. I feel like crying to think of it. "Sombra", on the other hand, I can see (and have seen)again and again and again - savoring many scenes, especially at the end. "Butterfly", I may never watch again - its scars go deep.
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