The Orient Express, on it's night trip from Munich to Venice, is full because of the beginning of the carnival in Venice. Between the passengers are a journalist, an actress and her ... See full summary »
An English Professor tries to deal with his wife leaving him, the arrival of his editor who has been waiting for his book for seven years, and the various problems that his friends and associates involve him in.
A young reverend and his wife are on the way from England to Australia to minister to their flock. The bishop asks him to visit an eccentric artist prone to sexual depictions and requests that he voluntarily withdraw a controversial work call "Crucified Venus" from his show. The minister, who considers himself a progressive, is shocked at the amoral atmosphere surrounding the painter, his wife, and the three models living at his estate. The minister's wife is troubled also, and has to deal with latent sexual urges while trying to remain loyal to her husband. Written by
Ed Sutton <firstname.lastname@example.org>
Tara Fitzgerald deliberately withheld from getting involved in any of the cast and crew's get-togethers and parties, as it helped her with her characterization of an uptight, repressed woman. See more »
The handwriting of the word "honey", made of salt, on the table, changes. See more »
...did you know it could be dangerous to wake somebody up when they're dreaming, well, because you leave part of your brain behind. And if it happens too many times, you go feeble in the head.
Yeah. You're living proof.
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While this film is often not taken seriously because of its explicit nudity, it is in fact one of the most thought-provoking commentaries on religious values I have ever seen on the screen. This film provides us with the stark contrast of the repressed preacher from London and the artist's three models in rural Australia, a throwback to Shakespeare's "Green World." The fulcrum of this contrast is the preacher's wife, being pulled in both the oppressive, "moral" direction by her upbringing and her husband and the free and expressive direction of the artist. The breathtaking cinematography and stunning visual symbolism of this film contribute to make it into a powerful attack on the Christian moral code that dominates western thinking. I have been scoffed at on more than one occasion for praising Sirens, but I left the theater questioning my own views about what is and is not moral. The fact that this film's sexual content seems to invalidate it as art in many people's eyes merely underscores the value of its message. Along with Sling Blade, Sirens to me stands as the most provocative film about morality made in the 1990's. A solid 8 on a scale of 1 to 10.
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