The Orient Express, on it's night trip from Munich to Venice, is full because of the beginning of the carnival in Venice. Between the passengers are a journalist, an actress and her ... See full summary »
Set right after World War II, a naive teenage girl joins a shabby theatre troupe in Liverpool. During a winter production of Peter Pan, the play quickly turns into a dark metaphor for youth... See full summary »
Hugh Grant stars as a British engineer who becomes entangled in a forbidden romance with his Indian employer's eldest daughter. As their passion ignites, the East-meets-West clash of ... See full summary »
The film is situated in the time when Mary Shelley wrote her novel "Frankenstein". It describes the relationship between Lord Byron, Percy and Mary Shelley during various voyages through ... See full summary »
An aspiring young physician, Robert Merivel found himself in the service of King Charles II and saves the life of a spaniel dear to the King. Merivel joins the King's court and lives the ... See full summary »
Robert Downey Jr.,
Chantal, an advocate involved in defending homeless illegal immigrant, decides to refurbish her flat. Following her convictions she calls Columbian workers led by an unforeseeable architect... See full summary »
A young reverend and his wife are on the way from England to Australia to minister to their flock. The bishop asks him to visit an eccentric artist prone to sexual depictions and requests that he voluntarily withdraw a controversial work call "Crucified Venus" from his show. The minister, who considers himself a progressive, is shocked at the amoral atmosphere surrounding the painter, his wife, and the three models living at his estate. The minister's wife is troubled also, and has to deal with latent sexual urges while trying to remain loyal to her husband. Written by
Ed Sutton <email@example.com>
Tara Fitzgerald deliberately withheld from getting involved in any of the cast and crew's get-togethers and parties, as it helped her with her characterization of an uptight, repressed woman. See more »
In the initial scene, Tara Fitzgerald and Hugh Grant's characters move from the house to the pond to wait for the Lindsays, with Fitzgerald carrying her suitcase. But in the next scene when they are woken up by the pond side by the Lindsays, we find in addition to her suitcase, their big trunk is also lying next to them. See more »
[reading from newspaper]
The repetitious excesses of Norman Lindsay have long been a source of consternation to clean-living citizens of this country. For many years he has painted men and women who seem to be slaves of cocaine or a similar drug which has reduced them to frenzied and shameless morbidity. Today, however, not content with scorning all standards of public decency, he has chosen to profane the most sacred image of the Christian church, the Crucifixion.
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While this film is often not taken seriously because of its explicit nudity, it is in fact one of the most thought-provoking commentaries on religious values I have ever seen on the screen. This film provides us with the stark contrast of the repressed preacher from London and the artist's three models in rural Australia, a throwback to Shakespeare's "Green World." The fulcrum of this contrast is the preacher's wife, being pulled in both the oppressive, "moral" direction by her upbringing and her husband and the free and expressive direction of the artist. The breathtaking cinematography and stunning visual symbolism of this film contribute to make it into a powerful attack on the Christian moral code that dominates western thinking. I have been scoffed at on more than one occasion for praising Sirens, but I left the theater questioning my own views about what is and is not moral. The fact that this film's sexual content seems to invalidate it as art in many people's eyes merely underscores the value of its message. Along with Sling Blade, Sirens to me stands as the most provocative film about morality made in the 1990's. A solid 8 on a scale of 1 to 10.
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