An English Professor tries to deal with his wife leaving him, the arrival of his editor who has been waiting for his book for seven years, and the various problems that his friends and associates involve him in.
A young reverend and his wife are on the way from England to Australia to minister to their flock. The bishop asks him to visit an eccentric artist prone to sexual depictions and requests that he voluntarily withdraw a controversial work call "Crucified Venus" from his show. The minister, who considers himself a progressive, is shocked at the amoral atmosphere surrounding the painter, his wife, and the three models living at his estate. The minister's wife is troubled also, and has to deal with latent sexual urges while trying to remain loyal to her husband. Written by
Ed Sutton <firstname.lastname@example.org>
Although this movie is a work of fiction, it is centered around a real person. Norman Lindsay was a real-life artist and author in Australia during the early 1900s. Several of his books have been adapted into movies, including Age of Consent (1969) which tells a different version of this same story. See more »
In the initial scene, Tara Fitzgerald and Hugh Grant's characters move from the house to the pond to wait for the Lindsays, with Fitzgerald carrying her suitcase. But in the next scene when they are woken up by the pond side by the Lindsays, we find in addition to her suitcase, their big trunk is also lying next to them. See more »
One day we're gonna tickle you. And we're gonna keep tickling you all over. Je wil lalso be tickling you.
He will not.
Look at, look at her goosebumps, you can she she's ticklish.
My giblets are free for the whole world to see.
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MARCH PAST OF THE KITCHEN UTENSILS, from WASPS
Written by Ralph Vaughan Williams
J. Curwen & Sons Ltd.
Used by permission of Faber Music Limited, London
Performed by The Queensland Symphony Orchestra
Conducted by Patrick Thomas
Courtesy of Australian Broadcasting Corporation See more »
"Sirens" (title refers to Homer's sirens) tells of a young church official who is dispatched to visit a painter at his remote Aussie studio/estate to dissuade him from showing a painting of a nude on a cross. Hugh Grant plays the minister who, with his wife, encounters four beautiful models (one is the artist's wife) who bemuse him with their nude romps and sensual ways. Moreover, he's distressed by his wife's apparent interest in the unabashed frolicking. "Sirens" is a not too serious and somewhat sensual film with a thin plot. The film's appeal is in the moment-to-moment situations, the shangrila "feel" given to the harsh outback locale, the feminist antics of the bevy of babes, etc. Some will find the film tedious while others will be captivated by it's subtle charms.
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