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The film is situated in the time when Mary Shelley wrote her novel "Frankenstein". It describes the relationship between Lord Byron, Percy and Mary Shelley during various voyages through ... See full summary »
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Sarah Jessica Parker
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Robert Downey Jr.,
Chantal, an advocate involved in defending homeless illegal immigrant, decides to refurbish her flat. Following her convictions she calls Columbian workers led by an unforeseeable architect... See full summary »
A young reverend and his wife are on the way from England to Australia to minister to their flock. The bishop asks him to visit an eccentric artist prone to sexual depictions and requests that he voluntarily withdraw a controversial work call "Crucified Venus" from his show. The minister, who considers himself a progressive, is shocked at the amoral atmosphere surrounding the painter, his wife, and the three models living at his estate. The minister's wife is troubled also, and has to deal with latent sexual urges while trying to remain loyal to her husband. Written by
Ed Sutton <firstname.lastname@example.org>
Although this movie is a work of fiction, it is centered around a real person. Norman Lindsay was a real-life artist and author in Australia during the early 1900s. Several of his books have been adapted into movies, including Age of Consent (1969) which tells a different version of this same story. See more »
As Sheela and Pru leave with their dates, Giddy can be seen sitting with her hands in her lap. In the next shot, her elbow is on the table with her hand against her face. See more »
One day we're gonna tickle you. And we're gonna keep tickling you all over. Je wil lalso be tickling you.
He will not.
Look at, look at her goosebumps, you can she she's ticklish.
My giblets are free for the whole world to see.
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While this film is often not taken seriously because of its explicit nudity, it is in fact one of the most thought-provoking commentaries on religious values I have ever seen on the screen. This film provides us with the stark contrast of the repressed preacher from London and the artist's three models in rural Australia, a throwback to Shakespeare's "Green World." The fulcrum of this contrast is the preacher's wife, being pulled in both the oppressive, "moral" direction by her upbringing and her husband and the free and expressive direction of the artist. The breathtaking cinematography and stunning visual symbolism of this film contribute to make it into a powerful attack on the Christian moral code that dominates western thinking. I have been scoffed at on more than one occasion for praising Sirens, but I left the theater questioning my own views about what is and is not moral. The fact that this film's sexual content seems to invalidate it as art in many people's eyes merely underscores the value of its message. Along with Sling Blade, Sirens to me stands as the most provocative film about morality made in the 1990's. A solid 8 on a scale of 1 to 10.
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