A Simple Twist of Fate (1994) 5.9
His life was emotionally closed off from the world, until an orphaned baby showed up at his house. Director:Gillies MacKinnon |
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A Simple Twist of Fate (1994) 5.9
His life was emotionally closed off from the world, until an orphaned baby showed up at his house. Director:Gillies MacKinnon |
|
| 0Share... |
| Cast overview, first billed only: | |||
| Steve Martin | ... | ||
| Gabriel Byrne | ... | ||
| Laura Linney | ... | ||
| Catherine O'Hara | ... |
April Simon
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| Alana Austin | ... | ||
| Alyssa Austin | ... | ||
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Alaina Mobley | ... | |
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Callie Mobley | ... | |
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Victoria Evans | ... | |
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Elizabeth Evans | ... | |
| Stephen Baldwin | ... | ||
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Byron Jennings | ... |
Keating
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| Michael Des Barres | ... |
Bryce
(as Michael des Barres)
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| Tim Ware | ... |
Rob
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David Dwyer | ... |
Joe the Bartender
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Michael McCann is a man who feels totally betrayed by the world, after his wife revealed to him that their child was not his. A few years after his break-up we find him living alone in a small town. But, everything in his miserable life changes when he adopts a little girl whose mother died outside his house. After several years, the real father returns to claim the girl from Michael, thinking that she will be an advantage for his political career. Written by Chris Makrozahopoulos <makzax@hotmail.com>
I had never even heard of this movie until a couple of years ago. This is yet another stellar movie from the tremendous class of 1994.
I was absolutely enthralled by this story, so I went and read the novel it was derived from, Silas Marner by George Eliot. It was a really good story as well, but Martin's adaptation was outstanding. He managed to modernize the story so it could be more meaningful to new audiences, and yet still preserved the heart and soul of the story. While the original story was good, the novel was difficult to read not just because of the time difference (it was written in 1861) but also because of Eliot's overly descriptive language, making a wonderful story fairly unapproachable to most people.
For me, the most successful adaptations must start with a great story, then keep the best parts and lose the worst parts, while understanding and compensating for the differences between the mediums. Martin's screenplay excels at this, even surpassing Darabont's outstanding adaptation for The Shawshank Redemption.
The acting in the movie was very good as well. There's just something about a gifted comedian playing a dramatic role. Kind of like the image of a clown crying, when someone you normally associate with happiness and laughter convinces you that they're sad, there's a finer point to it, it has more impact. (Think of Robin Williams in Dead Poets Society, Awakenings and more recently, Good Will Hunting). Steve Martin was convincing and provided a character that you could empathize with. Gabriel Byrne and Laura Linney were very good as they always are. The girls that played Mathilda were just right-extremely adorable and convincing, yet not so cute that you couldn't take it.
This is one of my favorite movies and I highly recommend anyone who hasn't seen it give it a try.