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Yukinojo, a Kabuki actor, seeks revenge by destroying the three men who caused the deaths of his parents. Also involved are the daughter of one of Yukinojo's targets, two master thieves, and a swordsman who himself is out to kill Yukinojo.
The year is 1701, the setting Japan. In a relatively peaceful time, a reception held for envoys of the emperor, ends in a confrontation between two lords, which in turn would become the catalyst for one of the most famous stories of Japanese history. A story so famous it reaches mythical proportions and is widely regarded as Japan's national legend.
The 47 Ronin (1994) is one of the many celluloid re-tellings of this famous story. Directed by master director Kon Ichikawa, 47 Ronin is basically a revamp of late 60's Japanese Samurai Cinema. Considering that Ichikawa made most of his greatest films in this time period (or before), the style of this film is going to be a foregone conclusion for those familiar with the director.
As with most films of the genre, 47 Ronin is not an action film, most of the films time is devoted to the character development of Oishi Kuranosuke (expertly played by Ken Takakura), a chamberlain of the Ako-Asano Clan who loses his master to Seppuku. The Asano Lord was forced to commit suicide because of his provoked attack on Lord Kira during the reception for the envoys. In the aftermath, Oishi disbands the clan publicly and at the same time recruits a crew of 47 samurai. They patiently prepare their plans for a year and a half and then storm the fortress of Lord Kira in a mission that-succeed or fail- will ultimately end in their deaths.
Kon Ichikawa leisurely unfolds his version of this classic, with beautiful cinematography,intricate set-pieces, and detailed wardrobes. Kon's shots of autumn trees and winter pagodas are breathtaking, and his perfectly framed shots work hand in hand with the highly detailed sets and costumes. Particularly, the Ako-Asano's black and white battle armor is truly fearsome looking.
The action is characteristic of 60's Jidai Geki films; opponents square off, one or two strikes are exchanged, the kill shot, and the the obligatory geyser of blood. Although 47 Ronin is a bloody film it's not as bad as some of the more exploitational samurai films of the early 70's (such as the Lone Wolf series). And though the films action sequences are sparse, when they finally happen they are expertly directed and choreographed and are sure to please fans of the genre.
Although this is a great film, in terms of plot, cinematography, acting, and action. I have to say that the films slow plotting tends to drag in spots and the films narration tends to get annoying after awhile. Plus the constant jumps in location tend to get a little confusing. I urge anyone interested in this film to read a little of the history behind it, as this will save the viewer from being confused by the story.
Bottom Line- 47 Ronin should be seen for Ichikawa's expert direction and cinematography. It does tend to bog down at points but fans of samurai flicks will find delight in this film.
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