In 1701, Lord Takuminokami Asano has a feud with Lord Kira and he tries to kill Kira in the corridors of the Shogun's palace. The Shogun sentences Lord Asano to commit suppuku and deprives ... See full summary »
This sensuously beautiful film chronicles the activities of four sisters who gather in Kyoto every year to view the cherry blossoms. It paints a vivid portrait of the pre-war lifestyle of ... See full summary »
Ichikawa's cameras follow the 1964 Summer Olympics from opening to closing ceremonies. Sometimes he focuses on spectators, as athletes pass in a blur; sometimes he isolates a competitor; ... See full summary »
February 17 to March 3, 1860, inside Edo castle. A group of assassins wait by Sakurada Gate to kill the lord of the House of Ii, a powerful man in the Tokugawa government, which has ruled ... See full summary »
The story of a man (Andrey Sokolov) whose life was ruthlessly crippled by World War II. His wife and daughters were killed during the bombing of his village, he spent some time as a ... See full summary »
Yukinojo, a Kabuki actor, seeks revenge by destroying the three men who caused the deaths of his parents. Also involved are the daughter of one of Yukinojo's targets, two master thieves, and a swordsman who himself is out to kill Yukinojo.
Based on a centuries-old traditional Japanese fairy tale, a country couple finds a baby girl in some bamboo and raises her as their own daughter. Not the same as the original tale, though, ... See full summary »
Beautifully shot, wonderful costumes, exceptional poetic imagery and majestic array of classically trained posturing women. However this film is amazingly obtuse, generally slow, incredibly dull minimalist payoff, improbable impregnation, and a couple of instances of Evil Dead style blood spray that seem very out of place. The political intrigue is neat, but that does not justify the pace or the ending, or the fact that many of the seemingly incidental plot spurs remain unresolved. I can appreciate that this is an attempt to recapture the classic style and posturing of the old Japanese & Chinese stage play forms and historical yarns like The Tale of Genji. Unfortunately, while beautiful, the film lacks the depth and loaded nuances of the classic form, and a superficial take on classical theater is far too shallow to really herald as a masterpiece. A good film to watch for visual form, but not a good example of story depth.
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