| Photos (see all 20 | slideshow) | Videos |
| Kerry Fox | ... | Juliet Miller | |
| Christopher Eccleston | ... | David Stephens | |
| Ewan McGregor | ... | Alex Law | |
| Ken Stott | ... | Detective Inspector McCall | |
| Keith Allen | ... | Hugo | |
| Colin McCredie | ... | Cameron | |
| Victoria Nairn | ... | Visitor | |
| Gary Lewis | ... | Visitor | |
| Jean Marie Coffey | ... | Goth | |
| Peter Mullan | ... | Andy | |
| Leonard O'Malley | ... | Tim | |
| David Scoular | ... | Cash Machine Victim | |
| Grant Glendinning | ... | Bath Victim | |
| Victor Eadie | ... | Freezer victim | |
| Robert David MacDonald | ... | Lumsden | |
| Frances Low | ... | Doctor | |
| Bill Denistoun | ... | Master of Ceremonies | |
| John Bett | ... | Brian McKinley | |
| Tony Curran | ... | Travel Agent | |
| Elspeth Cameron | ... | Elderly Woman | |
| Paul Doonan | ... | Newspaper Office Boy | |
| Billy Riddoch | ... | Newspaper Editor | |
| Kenneth Bryans | ... | Police Officer | |
| John Hodge | ... | Detective Constable Mitchell | |
| John Carmichael | ... | Bandleader | |
| rest of cast listed alphabetically: | |||
| Gordon Cree | ... | Danceband Pianist (uncredited) | |
| Carol McGregor | ... | Prospective roommate (uncredited) | |
Directed by | |||
| Danny Boyle | |||
Writing credits | ||
| John Hodge | (written by) | |
Produced by | |||
| Andrew Macdonald | .... | producer | |
| Allan Scott | .... | executive producer | |
Original Music by | |||
| Simon Boswell | |||
Cinematography by | |||
| Brian Tufano | (director of photography) | ||
Film Editing by | |||
| Masahiro Hirakubo | |||
Casting by | |||
| Sarah Trevis | |||
Production Design by | |||
| Kave Quinn | |||
Art Direction by | |||
| Zoe MacLeod | |||
Set Decoration by | |||
| Karen Wakefield | |||
Costume Design by | |||
| Kate Carin | |||
Makeup Department | |||
| Carmel Jackson | .... | assistant makeup artist | |
| Graham Johnston | .... | makeup designer | |
| Grant Mason | .... | special makeup effects | |
Production Management | |||
| Steve Barker | .... | post-production supervisor | |
| Sara Barr | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Stephen Docherty | .... | third assistant director | |
| Alison Goring | .... | second assistant director | |
| Gina Lee | .... | trainee assistant director | |
| Ian Madden | .... | first assistant director | |
| Simon Downes | .... | third assistant director (uncredited) | |
Art Department | |||
| Brian Adams | .... | stand-by carpenter | |
| John Amabile | .... | storyboard artist | |
| Stuart Clarke | .... | scenic artist | |
| Stephen Conroy | .... | paintings | |
| Stewart Cunningham | .... | dressing props | |
| Paul Curren | .... | painter | |
| Sam Curren | .... | painter | |
| Gordon Fitzgerald | .... | property master | |
| Colin H. Fraser | .... | construction manager | |
| Derek Fraser | .... | construction chargehand | |
| Tracey Gallacher | .... | assistant art director | |
| Pat Harkins | .... | stand-by props | |
| Richard Hassall | .... | carpenter | |
| Peter Knotts | .... | carpenter | |
| Iain Macaulay | .... | art department assistant | |
| Jim Patrick | .... | stand-by painter | |
| Danny Sumsion | .... | stand-by carpenter | |
| Karen Wakefield | .... | production buyer | |
| John Watts | .... | carpenter | |
Sound Department | |||
| Paul Conway | .... | digital sound editor | |
| Tony Cook | .... | boom operator | |
| Richard Fettes | .... | footsteps editor | |
| Nigel Galt | .... | sound editor | |
| Ray Merrin | .... | sound re-recording mixer | |
| Colin Nicolson | .... | sound mixer | |
| Brian Saunders | .... | sound re-recording mixer | |
| Iain Eyre | .... | assistant sound editor (uncredited) | |
Special Effects by | |||
| Grant Mason | .... | special effects | |
Visual Effects by | |||
| Tony Steers | .... | special visual effects | |
Stunts | |||
| Clive Curtis | .... | stunt arranger | |
Camera and Electrical Department | |||
| Lewis Buchan | .... | camera loader | |
| Willie Cadden | .... | gaffer | |
| Arthur Donnelly | .... | electrician | |
| Paul Gavin | .... | epk camera operator | |
| Ian Jackson | .... | focus puller | |
| Kenny Richards | .... | stand-by rigger | |
| Derrick Ritchie | .... | generator operator | |
| Mark Ritchie | .... | best boy | |
| Nigel Robertson | .... | still photographer | |
| Roy Russel | .... | grip | |
| Dominic Turner | .... | still photographer | |
Costume and Wardrobe Department | |||
| John Norster | .... | wardrobe supervisor | |
Editorial Department | |||
| Anuree De Silva | .... | first assistant editor | |
| Neil Williams | .... | second assistant editor | |
Music Department | |||
| Gemma Dempsey | .... | music supervisor | |
| Leftfield | .... | composer: title music | |
Transportation Department | |||
| John Booth | .... | vehicle spfx | |
| Scott Kerry | .... | driver: props | |
Other crew | |||
| Campbell Atkinson | .... | stage | |
| Mat Bergel | .... | runner | |
| Hilda Booth | .... | production accountant | |
| Jenifer Booth | .... | accounts assistant | |
| Bryan Boyne | .... | stand-by stage | |
| Anne Coulter | .... | script supervisor | |
| Guy Cowan | .... | caterer | |
| Brendan Diver | .... | caterer | |
| Pauline Hume | .... | graphic artist: titles | |
| Dianne Jamieson | .... | trainee | |
| Niki Longmuir | .... | floor runner | |
| Niki Longmuir | .... | location assistant | |
| Kirstin McMahon | .... | trainee | |
| Yvonne McParland | .... | production coordinator | |
| John McVeigh | .... | caterer | |
| Nicky McVeigh | .... | caterer | |
| Saul Metzstein | .... | production runner | |
| Morag Myerscough | .... | title designer | |
| Fran Robertson | .... | location manager | |
| Eric Smith | .... | runner | |
| Jamie Spencer | .... | runner | |
| James Stewart | .... | runner | |
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| News articles | IMDb Comedy section | IMDb UK section |
| Add this title to MyMovies |
See, there's these three little piggies (Ewan McGregor, Kerry Fox and Christopher Eccleston) who live together as flatmates in Glasgow. The one thing that ties them together more than the genial contempt they have for one another, is the DOUBLE amount of contempt they have for everyone else. To take in extra rent money, they decide to let a spare room in their place. After having a lot of fun at the expense of many 'unsuitable' candidates, they decide to award the spot to a very dodgy looking character named Hugo, (Keith Allen), who has a shady demeanor and a rather large suitcase.
This situation is ripe for betrayal, deceit, coercion and oh, let's not leave out murder, shall we? It's dynamite with an unlit fuse, just missing a match. And that 'match' is finally struck when the three roommates find a nude Hugo dead the next morning in his room, and that in his mysterious suitcase is more cash than the three of them combined will make in a year.
Anybody hear a sizzling noise in the background? That's nothing. The explosion is coming, and it is a DOOZY! Director Danny Boyle and writer John Hodge certainly know their noir thrillers, and they skilfully weave the strands of this twisted story together like a Hitchcock chamber piece, filtered through the gimlet-eyed gaze of the Coen Brothers. With a Glaswegan accent, of course.
The acting is top notch, especially Ewan in his first major movie role. The realistic outcome of each nerve-wracking situation ratchets up the suspense and the tension without a single false note, as the 'straw' friendships of these three not-so-likable characters goes up in a puff of spontaneous combustion...all for, as the O'Jays put it so aptly, "the love of money."
And speaking of classic songs, a great director knows how to infuse a scene with just the right touch of irony, comedy or even downright horror, such as what Quentin Tarantino did with the confectionery pop standard from Stealer's Wheel, "Stuck In The Middle With You." I could tell from the word 'go' that Danny Boyle would be one artist to watch, just through the way he took a gooey retro classic like Andy Williams' "Happy Heart," and infused it with chillingly fitting gallows humor for GRAVE'S jaw-dropping ending, that will stay with you long after you've seen it...even after the second or third time! No matter how many times I watch it, it still hits me like a ton of...well, you know...
Highly recommended, with great scoring work from artists like Simon Boswell, Leftfield and Tomandandy.