| Photos (see all 6 | slideshow) |
| Renée Zellweger | ... | Susan | |
| Howie Mandel | ... | Danny Klay | |
| Patricia Childress | ... | Cookie | |
| Max Perlich | ... | Tony | |
| Latanyia Baldwin | ... | Sireena | |
| Necia Bray | ... | The Sirens | |
| Josina Elder | ... | The Sirens | |
| Wendi Williams | ... | The Sirens | |
| Gerrit Graham | ... | Lipsky | |
| John Doe | ... | Lucky | |
| James Intveld | ... | Bubber | |
| Riki Rachtman | ... | Eddie Cochran | |
| Danny Boy | ... | Cochran's Drummer Boy | |
| Nora Dunn | ... | Margo | |
| Mary Woronov | ... | E. Joyce Togar | |
| Dey Young | ... | Kate Rambeau Sr | |
| P.J. Soles | ... | Evelyn Randall | |
| Jenifer Lewis | ... | Amanda | |
| Ruth Brown | ... | Ella | |
| Stephen Furst | ... | Frank | |
| Julianna Raye | ... | Eggroll's Guitar Girl | |
| Dick Miller | ... | Officer Paisley | |
| William Schallert | ... | Judge Boone | |
| Ron Jackson | ... | Thomas Taylor | |
| Paul Anka | ... | Special Appearance | |
| rest of cast listed alphabetically: | |||
| Dominic Keating | ... | Marc (uncredited) | |
Directed by | |||
| Allan Arkush | |||
Writing credits(WGA) | ||
| Trish Soodik | (written by) | |
Produced by | |||
| Lou Arkoff | .... | producer | |
| Amy Grauman Danziger | .... | associate producer | |
| Debra Hill | .... | producer | |
| Willie Kutner | .... | producer | |
| Llewellyn Wells | .... | co-producer | |
Original Music by | |||
| Joseph L. Altruda | |||
Cinematography by | |||
| Jean de Segonzac | |||
Film Editing by | |||
| Mark Helfrich | |||
Casting by | |||
| Julie Alter | |||
Production Design by | |||
| Deborah Raymond | |||
| Dorian Vernacchio | |||
Set Decoration by | |||
| Nancy S. Fallace | |||
Costume Design by | |||
| Susan L. Bertram | |||
Makeup Department | |||
| Carlos David Amador | .... | key hair stylist | |
| Carlos David Amador | .... | key makeup artist | |
| Denise Hooper | .... | makeup artist (1994) | |
| Linda Kamp | .... | assistant makeup artist | |
Production Management | |||
| Steven Hewitt | .... | executive in charge of production | |
| Alexandra Koch | .... | production supervisor | |
| Llewellyn Wells | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Jeffrey M. Ellis | .... | first assistant director | |
| Nancy King | .... | second assistant director | |
Art Department | |||
| Lou Torretta | .... | property master | |
| Michael Vaccaro | .... | construction coordinator | |
Sound Department | |||
| Gary Alexander | .... | sound re-recording mixer | |
| Jessy Bender | .... | boom operator (as Jessica Bender) | |
| Joe Earle | .... | sound effects editor | |
| David Hankins | .... | supervising sound editor | |
| Dennis Kirk | .... | sound re-recording mixer | |
| Alyson Dee Moore | .... | foley artist | |
| Michael C. Moore | .... | sound mixer | |
| Patricia Nedd | .... | foley artist | |
| Kurt Peterson | .... | boom operator | |
| Elmo Ponsdomenech | .... | sound re-recording mixer | |
| Bruce Tanis | .... | sound effects editor | |
| Richard Taylor | .... | supervising sound editor | |
Special Effects by | |||
| Thomas L. Bellissimo | .... | special effects coordinator | |
Stunts | |||
| Charles Belardinelli | .... | stunts (as Charlie Belardinelli) | |
| Thomas L. Bellissimo | .... | stunts (as Tom Bellissimo) | |
| William H. Burton Jr. | .... | stunts (as Billy Burton Jr.) | |
| Gilbert B. Combs | .... | stunt coordinator (as Gilbert Combs) | |
| Gilbert B. Combs | .... | stunts (as Gilbert Combs) | |
| Jason Rodriguez | .... | stunts | |
Camera and Electrical Department | |||
| Robert J. Calnan Jr. | .... | gaffer | |
| Louis Cicero | .... | dolly grip | |
| Warren Feldman | .... | second assistant camera | |
| Randy Tepper | .... | still photographer | |
| Don Tomich | .... | grip | |
Casting Department | |||
| Liane Dietz | .... | casting associate | |
Costume and Wardrobe Department | |||
| Amy Elise Roberts | .... | wardrobe supervisor | |
Editorial Department | |||
| Erik C. Andersen | .... | assistant editor | |
| Bryan Gawron | .... | assistant post-production supervisor | |
| Bryan M. Horne | .... | editor: main title sequence | |
Music Department | |||
| Chris Ledesma | .... | music editor | |
| Jonathan McHugh | .... | music coordinator | |
| Karyn Rachtman | .... | executive music producer | |
| Mary Ramos | .... | executive music producer | |
| Gary Wasserman | .... | music editor | |
Transportation Department | |||
| Victor Anderson | .... | transportation coordinator | |
Other crew | |||
| Eamon Buehning | .... | payroll accountant | |
| Lori Eastside | .... | choreographer | |
| Jerry Jaffe | .... | location manager | |
| Pancho Mansfield | .... | network executive | |
| Steven Jay Rubin | .... | unit publicist | |
| Damiana Kamishin | .... | dancer (uncredited) | |
Thanks | |||
| James H. Nicholson | .... | dedicatee | |
| Steve Ransohoff | .... | special thanks | |
| Lou Rusoff | .... | dedicatee | |
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| Ray | That Thing You Do! | Walk the Line | Blast-Off Girls | Little Richard |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
From the very beginning of this film, those who have any fondness of the 50s and its music know that this is a film they will enjoy. The camera work is done in such a way that it seems to bring you greatly into the emotion of the film and truly make you believe that you are there. This then carries on though the film along with some classic 50s music. It is a film in which the parents are so stereotype-hyped that they almost don't seem real, yet there is an edge to them which makes you fear that parents truly where that way. It tells the story, not only of the apparent parent inability to accept rock 'n' roll but of the social pressure against the coloured community at the time. In many ways this film seems to still talk about many issues of today and therefore this remake still has a modern edge. The only thing against this film is the fact that more was not done with the plot, therefore creating a film where you know how it will end from the first meeting we see of Susan (the main star played by Renee Zellweger) and Luck.
A great film full of romance, teenage angst, and more importantly - the 50s.