Professor Davidson (Frank Shannon) and his daughter Diana (Jeanne Bates)search Africa for the Lost City of Zoloz, reputed to be the source of a large hidden treasure. Also searching is a ... See full summary »
Chris Moore (Ryan Carnes) is an urban daredevil who gets his kicks from racing across rooftops. When a secret organization approaches him with proof that he is actually the son of a ... See full summary »
Based on a play, the story details the dramatic negotiations between UK, France, Poland, Nazi-Germany and USSR from the day Czechoslovakia fell, until Britain's declaration of war on Germany caused by Hitler's invasion of Poland.
Following the banning and burning of his novel, "The Rainbow," D.H. Lawrence and his wife, Frieda, move to the United States, and then to Mexico. When Lawrence contracts tuberculosis, they ... See full summary »
During the siege of Leningrad Marat goes to the partly wrecked home of his parents and there finds Lika, a sixteen year old girl who has sought shelter there. they become friendly and fall ... See full summary »
Zina, the daughter of Leon Trotsky by his first wife, is undergoing freudian analysis in Berlin in the 'thirties. Meanwhile Trotsky is in exile in Prinkipo having been driven from power by ... See full summary »
Based on the 1930's pulp fiction and radio drama series, the film pits the hero against his arch enemy, Shiwan Khan, who plans to take over the world by holding a city ransom using an atom bomb. Using his powers of invisibility and "The power to cloud men's minds", the Shadow comes blazing to the city's rescue with explosive results. Written by
Michael Ross <M.I.Rossemail@example.com>
In Philip José Farmer's books "Tarzan Alive" and "Doc Savage: His Apocalyptic Life" the Shadow's girlfriend, Margot Lane, was rumored to be the sister of Superman's girlfriend, Lois Lane. Margot Lane debuted on the radio in 1937. See more »
At the start of the fight on the balcony, when the Shadow lifts one of Khan's men by his helmet, you can see the wires pulling the guy off his feet. See more »
Before BATMAN, there was THE SHADOW. In the history of troubled billionaires donning disguises at night, THE SHADOW told the story of Lamont Cranston before Bruce Wayne's story filled DC Comics' pages. Finally, in 1994, the long-running radio drama came to life on the big screen in one of the best adaptations since Tim Burton brought The Dark Knight to the silver screen in 1989. For some reason, the movie never caught on with the public; maybe not as many people remembered the radio version as I did. I loved it, though; I could watch this film again and again.
Alec Baldwin (BEETLEJUICE, HUNT FOR RED OCTOBER) plays Lamont Cranston, a former drug lord who is captured by a Tibetan monk and retrained to fight evil as his penance for doing it. Cranston's power is a kind of hypnotic telepathy; he has the power to "cloud men's minds", which he uses to make himself invisible to evildoers except for his shadow (because light itself can never be fooled).
Cranston lives an exciting double life in what is apparently a glamorized version of the 30's, playing the town as a billionaire playboy and building up a secret network of helpers from those he saves as The Shadow (each identified with a silver fire opal ring given them upon their rescue), until he meets his match in two ways: Cranston loses his heart to enchanting-but-scatterbrained Margo Lane (Penelope Ann Miller), and The Shadow must fight his evil counterpart, Shiwan Khan (John Lone), last descendant of Genghis Khan, who has a hypnotic telepathy of his own and is seeking to bring life as we know it to an end using elements that have never been combined before (Dr. Roy Tam to Cranston: "I guess you'd call it an implosive-explosive-submolecular destruction device." Cranston: "Or an 'atomic bomb'." Tam: "Hey, that's catchy.").
Forget trying to follow the plot; like BATMAN, the plot isn't the point. The point is the look and feel of the movie, and this movie has glamour and pizazz to spare. 1930's New York City has NEVER looked better. The special effects are brilliant (at one point, as water rises in an enclosed room, the invisible Shadow's legs make deep dents in the rising water) and very well used throughout, so that they are not intrusive but rather a part of the story. Like BATMAN, there's also a large assortment of anachronistic gadgetry (pneumatic tubes delivering messages over a sophisticated network, video phones, elaborate neon billboards) that somehow work with the story as well. And the acting--Baldwin, Miller, Lone, Peter Boyle as Cranston's driver, Tim Curry as an evil scientist in league with Lone, Ian McKellen as Margo's father, another scientist whose discoveries are exploited by Khan--is also first-rate. THE SHADOW is the perfect Saturday Night movie: Fun to watch, attractive-looking, and not terribly taxing on the brain. Go see it.
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