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The Shadow (1994)

PG-13 | | Action, Adventure, Crime | 1 July 1994 (USA)
In 1930's New York City, the Shadow battles his nemesis, Shiwan Khan, who is building an atomic bomb.

Director:

Writers:

(character The Shadow from stories),
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ON DISC
4 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Barth
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Burbank
Brady Tsurutani ...
Tulku
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Li Peng
Arsenio 'Sonny' Trinidad ...
Wu
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Isaac Newboldt
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Duke Rollins
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Berger
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Storyline

Based on the 1930's pulp fiction and radio drama series, the film pits the hero against his arch enemy, Shiwan Khan, who plans to take over the world by holding a city ransom using an atom bomb. Using his powers of invisibility and "The power to cloud men's minds", the Shadow comes blazing to the city's rescue with explosive results. Written by Michael Ross <M.I.Ross-iy1i9893@lmu.ac.uk>

Plot Summary | Plot Synopsis

Taglines:

The Shadow Knows! See more »


Motion Picture Rating (MPAA)

Rated PG-13 for fantasy action violence | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

1 July 1994 (USA)  »

Also Known As:

La sombra  »

Box Office

Budget:

$25,000,000 (estimated)

Gross:

$32,055,248 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (edited)

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

When Commissioner Wainwright Barth arrives at the museum, he is told that Inspector Cardona is in charge of the investigation of the guard's death. In the pulps, Inspector Joe Cardona (the forerunner of Batman's Commissioner Gordon) was The Shadow's main ally on the New York City police force. See more »

Goofs

When the Shadow's taxi first arrives in front of the Cobalt Club, it comes to a stop directly in front of the door. Another car can be seen to its Left, coming to a stop immediately beside it. The shot then cuts to a camera directly across the street from the club door, and the 2nd car is gone, allowing a full side view of the taxi. See more »

Quotes

Margo Lane: We need each other.
Lamont Cranston: No we don't.
Margo Lane: We have a connection.
Lamont Cranston: No we don't.
Margo Lane: Then how can you explain that I can read your thoughts?
Lamont Cranston: My thoughts are hard to miss.
Margo Lane: And why is that?
Lamont Cranston: Psychically, I'm very well endowed.
Margo Lane: I'll bet you are.
See more »

Connections

Version of The Shadow (1940) See more »

Soundtracks

BART'S BOUNCE
Written and Produced by Dennis Dreith
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Walter Gibson Should Be Proud
23 April 2001 | by (Texas) – See all my reviews

This movie was the best effort to bring this unique hero to the big screen. Granted, although I like her in general, Penelope Ann Miller was not as strong a Margo as I would have liked, otherwise, I thought this was an outstanding achievement. The look and feel are perfect and I loved how they made sure many of The Shadow's regular crew made their appearances... Shrivey, Roy Tam, Burbank.

The main reason I wanted to comment on this movie, however, was because of the question raised by Patrick in London about why Baldwin's nose changed shape when he became The Shadow. Lamont Cranston's hawk-nosed profile was one of the most famous trademarks of The Shadow. Alec Baldwin, however, does not naturally have that kind of look (to be honest, Lee Van Cleef may be the only movie actor in history with the correct look to have been able to portray The Shadow without resorting to make-up or special effects). Personally, I thought it was a brilliant touch to make that profile an illusion which Cranston utilizes when he becomes The Shadow. It makes it more believable that no one would be able to figure out he is The Shadow. A profile as distinct as Cranston's traditional look would make it difficult to believe that no one could put two and two together... kind of like believing that no one could figure out that Clark Kent is Superman just because he wears glasses. To me, it was just one more thing that elevated this movie above the usual superhero genre flick because it showed an appreciation and respect for the source material that Hollywood is not necessarily known for.


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