The Phantom, descendent of a line of African superheroes, travels to New York City to thwart a wealthy criminal genius from obtaining three magic skulls which would give him the secret to ultimate power.
Professor Davidson (Frank Shannon) and his daughter Diana (Jeanne Bates) search Africa for the Lost City of Zoloz, reputed to be the source of a large hidden treasure. Also searching is a ... See full summary »
Law student Chris Moore is an urban daredevil who gets his kicks from racing across rooftops. When a secret organization approaches him with proof that he is actually the son of a legendary... See full summary »
Darkman and Durant return and they hate each other as much as ever. This time, Durant has plans to take over the city's drug trade using high-tech weaponry. Darkman must step in and try to stop Durant once and for all.
Doc McCoy is put in prison because his partners chickened out and flew off without him after exchanging a prisoner with a lot of money. Doc knows Jack Benyon, a rich "business"-man, is up ... See full summary »
Darkman, needing money to continue his experiments on synthetic skin, steals a crate of cash from drug lord Peter Rooker, attracting the gangster's attention. Rooker is determined to find ... See full summary »
A hardened New Orleans cop, Dave Robicheaux, finally tosses in the badge and settles into life on the bayou with his wife. But a bizarre plane crash draws him back into the fray when his family is viciously threatened.
Mary Stuart Masterson
Lamont Cranston, a psychiatrist on retainer to the police department, is asked to assist in the Case of the Cotton Kimono murder investigation. Lamont and his girlfriend Margot Lane are not... See full summary »
Charles F. Haas
Frank M. Thomas
Based on the 1930's pulp fiction and radio drama series, the film pits the hero against his arch enemy, Shiwan Khan, who plans to take over the world by holding a city ransom using an atom bomb. Using his powers of invisibility and "The power to cloud men's minds", the Shadow comes blazing to the city's rescue with explosive results. Written by
Michael Ross <M.I.Rossfirstname.lastname@example.org>
Sam Raimi originally wanted to adapt and direct this film, but was denied the rights to it. See more »
When Margo Lane arrives to rescue The Shadow from the water tank, a distant shot shows no water leaking out of the bullet holes Farley Claymore made. But when she's right by the door, water can clearly be seen leaking out. See more »
Do you have *any* *idea* who you just kidnapped?
Cranston; Lamont Cranston.
You know my real name?
Yes. I also know that for as long as you can remember, you struggled against your own black heart and always lost. You watched your sprit, your very face change as the beast claws its way out from within you. You are in great pain, aren't you?
[Cranston leaps at the Tulku, who magically vanishes and reappears]
You know what evil lurks in the hearts of men, for you have seen that evil in your own ...
[...] See more »
Before BATMAN, there was THE SHADOW. In the history of troubled billionaires donning disguises at night, THE SHADOW told the story of Lamont Cranston before Bruce Wayne's story filled DC Comics' pages. Finally, in 1994, the long-running radio drama came to life on the big screen in one of the best adaptations since Tim Burton brought The Dark Knight to the silver screen in 1989. For some reason, the movie never caught on with the public; maybe not as many people remembered the radio version as I did. I loved it, though; I could watch this film again and again.
Alec Baldwin (BEETLEJUICE, HUNT FOR RED OCTOBER) plays Lamont Cranston, a former drug lord who is captured by a Tibetan monk and retrained to fight evil as his penance for doing it. Cranston's power is a kind of hypnotic telepathy; he has the power to "cloud men's minds", which he uses to make himself invisible to evildoers except for his shadow (because light itself can never be fooled).
Cranston lives an exciting double life in what is apparently a glamorized version of the 30's, playing the town as a billionaire playboy and building up a secret network of helpers from those he saves as The Shadow (each identified with a silver fire opal ring given them upon their rescue), until he meets his match in two ways: Cranston loses his heart to enchanting-but-scatterbrained Margo Lane (Penelope Ann Miller), and The Shadow must fight his evil counterpart, Shiwan Khan (John Lone), last descendant of Genghis Khan, who has a hypnotic telepathy of his own and is seeking to bring life as we know it to an end using elements that have never been combined before (Dr. Roy Tam to Cranston: "I guess you'd call it an implosive-explosive-submolecular destruction device." Cranston: "Or an 'atomic bomb'." Tam: "Hey, that's catchy.").
Forget trying to follow the plot; like BATMAN, the plot isn't the point. The point is the look and feel of the movie, and this movie has glamour and pizazz to spare. 1930's New York City has NEVER looked better. The special effects are brilliant (at one point, as water rises in an enclosed room, the invisible Shadow's legs make deep dents in the rising water) and very well used throughout, so that they are not intrusive but rather a part of the story. Like BATMAN, there's also a large assortment of anachronistic gadgetry (pneumatic tubes delivering messages over a sophisticated network, video phones, elaborate neon billboards) that somehow work with the story as well. And the acting--Baldwin, Miller, Lone, Peter Boyle as Cranston's driver, Tim Curry as an evil scientist in league with Lone, Ian McKellen as Margo's father, another scientist whose discoveries are exploited by Khan--is also first-rate. THE SHADOW is the perfect Saturday Night movie: Fun to watch, attractive-looking, and not terribly taxing on the brain. Go see it.
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