In 30's New York City, the Shadow battles his nemesis, Shiwan Khan, who is building an atomic bomb.

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Cast

Cast overview, first billed only:
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Wainwright Cranston
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Andre Gregory ...
Burbank
Brady Tsurutani ...
Tulku
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Li Peng
Arsenio 'Sonny' Trinidad ...
Wu
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Isaac Newboldt
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Duke Rollins
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Berger
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Storyline

Based on the 1930's pulp fiction and radio drama series, the film pits the hero against his arch enemy, Shiwan Khan, who plans to take over the world by holding a city ransom using an atom bomb. Using his powers of invisibility and "The power to cloud men's minds", the Shadow comes blazing to the city's rescue with explosive results. Written by Michael Ross <M.I.Ross-iy1i9893@lmu.ac.uk>

Plot Summary | Plot Synopsis

Taglines:

Who knows what evil lurks in the hearts of men? See more »


Motion Picture Rating (MPAA)

Rated PG-13 for fantasy action violence | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

1 July 1994 (USA)  »

Also Known As:

La sombra  »

Box Office

Budget:

$25,000,000 (estimated)

Gross:

$32,055,248 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (edited)

Sound Mix:

| |

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

During a discussion about the power source of the atomic bomb, or implosion/explosion device, beryllium spheres are mentioned as a trigger power source. Beryllium spheres are also the power source for the NSEA protector in the movie, Galaxy Quest (1999). See more »

Goofs

When Farley Claymore goes mad in the hotel attempting to kill the Shadow, the torch in his hand does not move in time with the light on the ceiling. See more »

Quotes

Dr. Roy Tam: I guess you would call it an implosive-explosive sub-molecular device.
Lamont Cranston: Or an Atomic Bomb.
Dr. Roy Tam: Hey, that's catchy.
See more »

Connections

Referenced in Star Wars: Episode I - The Phantom Menace (1999) See more »

Soundtracks

Lullaby of Broadway
(uncredited)
Music by Harry Warren
Lyrics by Al Dubin
Whistled and sung by Ethan Phillips
Later sung by John Lone while on top of the Empire State Building
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Fun Film, Beautiful Looking, Great Performances
31 July 2001 | by (Laurel, MD) – See all my reviews

Before BATMAN, there was THE SHADOW. In the history of troubled billionaires donning disguises at night, THE SHADOW told the story of Lamont Cranston before Bruce Wayne's story filled DC Comics' pages. Finally, in 1994, the long-running radio drama came to life on the big screen in one of the best adaptations since Tim Burton brought The Dark Knight to the silver screen in 1989. For some reason, the movie never caught on with the public; maybe not as many people remembered the radio version as I did. I loved it, though; I could watch this film again and again.

Alec Baldwin (BEETLEJUICE, HUNT FOR RED OCTOBER) plays Lamont Cranston, a former drug lord who is captured by a Tibetan monk and retrained to fight evil as his penance for doing it. Cranston's power is a kind of hypnotic telepathy; he has the power to "cloud men's minds", which he uses to make himself invisible to evildoers except for his shadow (because light itself can never be fooled).

Cranston lives an exciting double life in what is apparently a glamorized version of the 30's, playing the town as a billionaire playboy and building up a secret network of helpers from those he saves as The Shadow (each identified with a silver fire opal ring given them upon their rescue), until he meets his match in two ways: Cranston loses his heart to enchanting-but-scatterbrained Margo Lane (Penelope Ann Miller), and The Shadow must fight his evil counterpart, Shiwan Khan (John Lone), last descendant of Genghis Khan, who has a hypnotic telepathy of his own and is seeking to bring life as we know it to an end using elements that have never been combined before (Dr. Roy Tam to Cranston: "I guess you'd call it an implosive-explosive-submolecular destruction device." Cranston: "Or an 'atomic bomb'." Tam: "Hey, that's catchy.").

Forget trying to follow the plot; like BATMAN, the plot isn't the point. The point is the look and feel of the movie, and this movie has glamour and pizazz to spare. 1930's New York City has NEVER looked better. The special effects are brilliant (at one point, as water rises in an enclosed room, the invisible Shadow's legs make deep dents in the rising water) and very well used throughout, so that they are not intrusive but rather a part of the story. Like BATMAN, there's also a large assortment of anachronistic gadgetry (pneumatic tubes delivering messages over a sophisticated network, video phones, elaborate neon billboards) that somehow work with the story as well. And the acting--Baldwin, Miller, Lone, Peter Boyle as Cranston's driver, Tim Curry as an evil scientist in league with Lone, Ian McKellen as Margo's father, another scientist whose discoveries are exploited by Khan--is also first-rate. THE SHADOW is the perfect Saturday Night movie: Fun to watch, attractive-looking, and not terribly taxing on the brain. Go see it.


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