Professor Davidson (Frank Shannon) and his daughter Diana (Jeanne Bates)search Africa for the Lost City of Zoloz, reputed to be the source of a large hidden treasure. Also searching is a ... See full summary »
Chris Moore (Ryan Carnes) is an urban daredevil who gets his kicks from racing across rooftops. When a secret organization approaches him with proof that he is actually the son of a ... See full summary »
Waxman is a former Special Forces soldier who is now working as a heavily armed assassin for a top secret government agency. When a covert mission goes terribly wrong, Waxman and fellow assassin Clegg become that agency's prime targets.
Doc McCoy is put in prison because his partners chickened out and flew off without him after exchanging a prisoner with a lot of money. Doc knows Jack Benyon, a rich "business"-man, is up ... See full summary »
Based on a play, the story details the dramatic negotiations between UK, France, Poland, Nazi-Germany and USSR from the day Czechoslovakia fell, until Britain's declaration of war on Germany caused by Hitler's invasion of Poland.
Based on the 1930's pulp fiction and radio drama series, the film pits the hero against his arch enemy, Shiwan Khan, who plans to take over the world by holding a city ransom using an atom bomb. Using his powers of invisibility and "The power to cloud men's minds", the Shadow comes blazing to the city's rescue with explosive results. Written by
Michael Ross <M.I.Rossemail@example.com>
The line "The weed of crime bears bitter fruit" is taken directly from the conclusion of episodes of the radio show. At the end of every episode, after the announcer has given the credits, The Shadow would say "The weed of crime bears bitter fruit. Crime does not pay! The Shadow knows," and then laughs See more »
While Moe's cab's design is based on a Cord automobile, it appears to have been built on a rear-wheel-drive chassis, based on its handling. The Cord was front-wheel-drive. See more »
This movie was the best effort to bring this unique hero to the big screen. Granted, although I like her in general, Penelope Ann Miller was not as strong a Margo as I would have liked, otherwise, I thought this was an outstanding achievement. The look and feel are perfect and I loved how they made sure many of The Shadow's regular crew made their appearances... Shrivey, Roy Tam, Burbank.
The main reason I wanted to comment on this movie, however, was because of the question raised by Patrick in London about why Baldwin's nose changed shape when he became The Shadow. Lamont Cranston's hawk-nosed profile was one of the most famous trademarks of The Shadow. Alec Baldwin, however, does not naturally have that kind of look (to be honest, Lee Van Cleef may be the only movie actor in history with the correct look to have been able to portray The Shadow without resorting to make-up or special effects). Personally, I thought it was a brilliant touch to make that profile an illusion which Cranston utilizes when he becomes The Shadow. It makes it more believable that no one would be able to figure out he is The Shadow. A profile as distinct as Cranston's traditional look would make it difficult to believe that no one could put two and two together... kind of like believing that no one could figure out that Clark Kent is Superman just because he wears glasses. To me, it was just one more thing that elevated this movie above the usual superhero genre flick because it showed an appreciation and respect for the source material that Hollywood is not necessarily known for.
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