In an alternate 1985 where former superheroes exist, the murder of a colleague sends active vigilante Rorschach into his own sprawling investigation, uncovering something that could completely change the course of history as we know it.
Jackie Earle Haley,
A marksman living in exile is coaxed back into action after learning of a plot to kill the president. Ultimately double-crossed and framed for the attempt, he goes on the run to track the real killer and find out who exactly set him up, and why.
Based on the 1930's pulp fiction and radio drama series, the film pits the hero against his arch enemy, Shiwan Khan, who plans to take over the world by holding a city ransom using an atom bomb. Using his powers of invisibility and "The power to cloud men's minds", the Shadow comes blazing to the city's rescue with explosive results. Written by
Michael Ross <M.I.Rossfirstname.lastname@example.org>
The Shadow (originally played by James La Curto, and then famously by Frank Readick) made his debut on radio in 1931, as the third-person narrator of mystery stories on Street & Smith's Detective Story Hour. When fans of the show wrote in asking for adventures starring The Shadow himself, Street & Smith hired Walter Gibson, a magician and former ghost writer for Harry Houdini, to write a monthly series of pulp mystery novels. The Shadow Magazine ran until 1949, and was the most successful pulp series ever. Beginning in 1937, The Shadow starred in his own radio show, originally featuring Orson Welles as Lamont Cranston and Agnes Moorehead as Margo Lane. Other actors later played The Shadow on the radio show, which ran until 1955. See more »
When the Shadow's taxi first arrives in front of the Cobalt Club, it comes to a stop directly in front of the door. Another car can be seen to its Left, coming to a stop immediately beside it. The shot then cuts to a camera directly across the street from the club door, and the 2nd car is gone, allowing a full side view of the taxi. See more »
A short comment about this movie from a German point of view, which may make a difference when we're talking about radio plays/comics adapted to the silver screen:
"The Shadow" as a radio play is virtually unknown around here. (I used the opportunity to check out some old recordings on the web, and it's _awesome_ to listen to!) So, German audiences will just walk into the theatre without any proconceived ideas about how it should be, expecting just any other adventure movie.
As such, IMHO it stood up well. Baldwin is cool; of course his demi-dark side begs for a comparision to Batman, but I think Baldwin wins in terms of credibility and depth of character. The gimmicks and gadgets are neat, Tim Curry as the half-villain is entertaining to watch as always (though he overdoes it a bit at times), the script is well-paced, the action is staged superbly, the music is gripping.
But most of all: Kudos to the production design/special effects/makeup team! They did a superb job in transforming the Shadow's 'invisibility' (as well as his overall looks) from a radio idea to the screen. It was awesome to watch, and at the same time a bit chilling and frightening.
Drawback: Beside the intentional jokes ("I'm not interested in your balls..."), some takes just seemed to be unintentionally funny- perhaps they went a little too far in trying to create a gloomy atmosphere...
Along with _The Rocketeer_, this one's also one of the unfortunately widely underrated films. Certainly not a milestone in film history, but a good and entertaining flick to watch with a bag of popcorn and a girl to hold in your arms during the scary moments. But I'm pretty sure- The Shadow... knows!
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