Lamont Cranston assumes his secret identity as "The Shadow", to break up an attempted robbery at an attorney's office. When the police search the scene, Cranston must assume the identity of... See full summary »
Rod La Rocque,
Waxman is a former Special Forces soldier who is now working as a heavily armed assassin for a top secret government agency. When a covert mission goes terribly wrong, Waxman and fellow assassin Clegg become that agency's prime targets.
Based on the 1930's pulp fiction and radio drama series, the film pits the hero against his arch enemy, Shiwan Khan, who plans to take over the world by holding a city ransom using an atom bomb. Using his powers of invisibility and "The power to cloud men's minds", the Shadow comes blazing to the city's rescue with explosive results. Written by
Michael Ross <M.I.Rossfirstname.lastname@example.org>
The scene in which The Shadow rescues Dr. Roy Tam on the bridge is taken, though slightly altered, from the opening of The Living Shadow, the very first Shadow novel, in which The Shadow saves a man from suicide on the Brooklyn Bridge. This scene in turn resembles a scene from a Balzac novel with Balzac's rogue Vautrin. See more »
When Barth and Lamont are having dinner, after Lamont rushes out you see Barth take two sips of his martini. In the first sip the drink is almost empty. The next sip is from an almost half full glass. See more »
Many people would not agree with the maximum rating being awarded to this film. I should agree with them, the one reason I don't is that you can clearly see this film attempted to be great in all areas. I feel sorry for them, they carried the story well and related back to a lot from the original stories. They would have succeeded if it weren't for the fact that they made a couple of casting errors. The lead hero and villain were good, Tim Curry always boosts a film and the female wasn't that bad really. The rest should have been reconsidered, however. Sir Ian McKellen is capable of so much more than he delivered, which is surprising. Even so, he should not have been chosen for that role. The one problem this film really has is that it chose to use a character created in times when there weren't any heroes really. It is nearly impossible to understand these times and therefore the impact of the character was lost on the audience this time around. It is a real shame, because the shot of The Shadow at the top of the stairs in the hotel is one of the best you will find of any hero in film. If you are aware of the original Shadow articles, this film will probably already be in your collection. It does a great job and should not have flopped to the extent it did. I would strongly encourage anyone considering watching this film to rent it. If you like the superhero genre, which is on the rise, you will love this film. Cliché, yes, but true.
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