The Phantom, descendent of a line of African superheroes, travels to New York City to thwart a wealthy criminal genius from obtaining three magic skulls which would give him the secret to ultimate power.
Darkman and Durant return and they hate each other as much as ever. This time, Durant has plans to take over the city's drug trade using high-tech weaponry. Darkman must step in and try to stop Durant once and for all.
Darkman, needing money to continue his experiments on synthetic skin, steals a crate of cash from drug lord Peter Rooker, attracting the gangster's attention. Rooker is determined to find ... See full summary »
Doc McCoy is put in prison because his partners chickened out and flew off without him after exchanging a prisoner with a lot of money. Doc knows Jack Benyon, a rich "business"-man, is up ... See full summary »
Professor Davidson (Frank Shannon) and his daughter Diana (Jeanne Bates) search Africa for the Lost City of Zoloz, reputed to be the source of a large hidden treasure. Also searching is a ... See full summary »
Based on the 1930's pulp fiction and radio drama series, the film pits the hero against his arch enemy, Shiwan Khan, who plans to take over the world by holding a city ransom using an atom bomb. Using his powers of invisibility and "The power to cloud men's minds", the Shadow comes blazing to the city's rescue with explosive results. Written by
Michael Ross <M.I.Rossfirstname.lastname@example.org>
The line "The weed of crime bears bitter fruit" is taken directly from the conclusion of episodes of the radio show. At the end of every episode, after the announcer has given the credits, The Shadow would say "The weed of crime bears bitter fruit. Crime does not pay! The Shadow knows," and then laughs See more »
When Margo and Dr. Lane arrive to disarm the bomb (which is hanging from a chain), the moving floor is still. Yet, when the bomb falls off of the chain, and rolls away, the floor is spinning (at a reasonably high rate of speed). However, the bomb looks to be quite heavy, so it's possible when it landed its weight caused the revolving dance floor to shift and begin spinning. See more »
This movie got poor-to-middling reviews when it was released in 1994 but I still hold out hope that it eventually gets its proper respect in TV and Cable reruns, because it's a terrificly entertaining film. Maybe it just takes a certain frame of mind or background to enjoy this movie, but I absolutely love it and frequently go back to it when I want to see how a dark, edgy, and FUN movie is done right.
Alec Baldwin is excellent as Lamont Cranston/The Shadow. Baldwin has never achieved the commercial sucess many predicted for him and this movie perhaps shows why; Baldwin doesn't play a straight protagonist. The movie begins with Cranston as a hedonistic warlord in China and then jumps to his reformed Shadow persona is 1930's New York, and it is Baldwin's performance, which teeters between serious and funny, nice and cruel, that bridges the gap.
Russell Mulcahy and crew did an excellent job creating a 1930's-noir feel to the picture. One of my friends complained that the movie sets were "too obviously fake", I think he missed the point. They re-created the feel of a 1930's movie set, not the 1930's itself!
The movie is a bit campy at times but thankfully maintains the dark edge of the Shadow character, who has no qualms about killing or maiming his opponents (hey, this guy was a bloodthirsty killer in his previous life, you think he's going to forget how to use that power when he changes sides?). John Lone does a nice job as the Shadow's opposite number, Shiwan Khan. The supporting cast is excellent as well (Jonathon Winters, Ian McKellan, Tim Curry) with perhaps the exception of Penelope Ann Miller, whose character and performance were rather annoying, but I can live with it.
Overall I give this movie a BIG thumbs up and recommend it to anyone that enjoys fun movies. I've gotten a mixed reaction from friends I've recommended it to but I think this is the kind of movie where if you like it all, you'll love it.
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