Professor Davidson (Frank Shannon) and his daughter Diana (Jeanne Bates)search Africa for the Lost City of Zoloz, reputed to be the source of a large hidden treasure. Also searching is a ... See full summary »
Following the banning and burning of his novel, "The Rainbow," D.H. Lawrence and his wife, Frieda, move to the United States, and then to Mexico. When Lawrence contracts tuberculosis, they ... See full summary »
Zina, the daughter of Leon Trotsky by his first wife, is undergoing freudian analysis in Berlin in the 'thirties. Meanwhile Trotsky is in exile in Prinkipo having been driven from power by ... See full summary »
During the siege of Leningrad Marat goes to the partly wrecked home of his parents and there finds Lika, a sixteen year old girl who has sought shelter there. they become friendly and fall ... See full summary »
Lamont Cranston, a psychiatrist on retainer to the police department, is asked to assist in the Case of the Cotton Kimono murder investigation. Lamont and his girlfriend Margot Lane are not... See full summary »
Charles F. Haas
Frank M. Thomas
Based on the 1930's pulp fiction and radio drama series, the film pits the hero against his arch enemy, Shiwan Khan, who plans to take over the world by holding a city ransom using an atom bomb. Using his powers of invisibility and "The power to cloud men's minds", the Shadow comes blazing to the city's rescue with explosive results. Written by
Michael Ross <M.I.Rossfirstname.lastname@example.org>
The movie Shadow character is a combination of the radio show and the pulp magazine versions. The elements from the radio show are his ability to be become invisible, the appearance of Margo Lane and the establishment of Lamont Cranston as the Shadow's actual civilian identity. The pulp magazine elements include his costume, his network of agents at his disposal and his twin automatic pistols. See more »
While hanging from the top of the Empire State Building, the sailor looks straight down the side of the building, which is shown to be flat. This is wrong. From the observation deck, there is another level that sticks out below, where the lights that shine upwards are stored. See more »
I don't really understand the bad rep this movie has gotten. Sure, its not "high art" (then again, Shakespeare, Dickens and Herodetus weren't meant to be, or perceived as, high art when they were written). What The Shadow was, and remains, in my eyes, is one of the best super-hero adaptations ever (the best until X-Men came out, in my opinion).
I'm not terribly familiar with the old radio drama Shadow, so I can't speak as to the details, but the feeling, the essence of the movie fits with what I've experienced. Much more importantly, it stand out well on its own.
Special effects play a major part, but are not of the over-played. Action is well done, and acting is acceptable, though rarely outstanding (the Shadow's cabbie Shrebnitz is an engrossing exception).
What really makes this movie stand out is the layering. Plots, characters, backgrounds, all are complex. The movie's basic plot is well-paced, occasionally a bit slow, but it makes up for it with the incredible wealth of details it packs in. Watching the movie, one gets the sense of an incredible amount of backstory for each character (little things, like the family life of some of the Shadow's agents, barely glimpsed, or even just the complex web of those agents across the city), or that around the corner there lies a world to explore.
This movie can be difficult to classify, which may lead to its unpopularity. Clearly its not a drama, not is it a comedy, nor even entirely an action. Scifi or fantasy are both possible descriptions, but they fail. The Shadow is comicbook style, in the truest sense of the genre. Complex characters, pull-pounding action, some jokes, some drama...it all mixes together. If you can get a bead on the style, its a very enjoyable movie, far ahead of most other super-hero films (Superman, Batman, the Phantom, etc.)
I recommend watching it, but only with an open mind.
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